Tadeusz Baird


Tadeusz Baird was a Polish composer.

Biography

Baird was born in Grodzisk Mazowiecki, in Poland. His father Edward was Polish, while his mother Maria was Russian. In 1944 at the age of 16 he was deported to Germany as a forced labourer, and after a failed escape attempt was imprisoned in a concentration camp. After liberation by the Americans he spent six months recovering at the military hospital in Zweckel before returning to Poland. Between 1947 and 1951 Baird studied composition and musicology in Warsaw under Piotr Rytek and Kazimierz Sikorski, and piano with Tadeusz Wituski. In 1949 he founded Group 49 along with Kazimierz Serocki and Jan Krenz. The aim of Group 49 was to write communicative and expressive music according to socialist realism, the dominant ideology in the Eastern Bloc at the time.
After Stalin's death in 1953 he increasingly turned to serialism. In 1956, along with Kazimierz Serocki, he founded the Warsaw Autumn international contemporary music festival. In 1974 he began to teach composition at the National College of Music in Warsaw. In 1977, now a full professor, he was offered a post to teach a composition class at the Warsaw Academy of Music, and also membership in the Academie der Künste der Deutschen Demokratischen Republik – Berlin in 1979.
Baird died in 1981, aged 53.

Compositions

He wrote both large-scale symphonies and chamber music; however, of great importance in his output are numerous vocal cycles inspired by poetry. He was also a composer of film and theatre music. Baird's music is usually melodic, lyrical, very expressive, and intensely subjective. It is often rooted in the post-Romantic tradition, despite the use of serial techniques. Alistair Wightman identifies Baird as "a late Romantic lyricist and successor not only to Berg, but Mahler and Szymanowski". Like Berg, his use of serialism was always very free and expressive, as in his String Quartet.
But the later works, starting with the 1966 one-act opera Jutro become darker, particularly in the orchestral piece Psychodrama and in his final work, the song cycle for baritone and orchestra Głosy z oddali, which sets a bleak text by Jarosław Iwaszkiewicz on the subject of death and personal extinction. This change in perspective was a result of the traumatic experiences he faced during World War II and on into the early 1950s. Barbara Literska sees him as "a prophet of the future of music ".

Music for solo instruments

  • Sonatina I for solo piano
  • Sonatina II for solo piano
  • Little Suite for Children for solo piano

Chamber music

  • Two Caprices for Clarinet and Piano
  • Cztery Preludia for Bassoon and Piano
  • Divertimento for Flute, Clarinet, Oboe, and Bassoon
  • String Quartet
  • Play for String Quartet
  • ''Variations in Rondo Form for String Quartet''

Orchestral works

  • Sinfonietta
  • Symphony I - Polish National Prize, 1951
  • Colas Breugnon: a suite in the old style for string orchestra with flute
  • Symphony II, quasi una fantasia
  • Concerto for Orchestra
  • Cassazione per orchestra
  • Four Essays - UNESCO Prize, 1959
  • Variations Without a Theme
  • Epiphany Music
  • Four Novelettes for chamber orchestra
  • Sinfonia Breve
  • Symphony III - National Prize, 1970
  • Psychodrama
  • Elegia
  • ''Canzona''

Concertos

  • Piano Concerto
  • Four Dialogs for oboe and chamber orchestra - UNESCO Prize 1966
  • Oboe Concerto
  • Scenes for cello, harp and orchestra
  • Concerto Lugubre for viola and orchestra

Vocal-instrumental works

  • Four Love Sonnets for baritone and orchestra to texts by Shakespeare
  • Exhortation for reciting voice and orchestra to old Hebrew texts
  • Erotyki for soprano and orchestra to texts by Małgorzata Hilar
  • Five Songs for mezzo-soprano and six instruments to texts by H. Poświatowska - National Prize, 1970
  • Goethe Letters: Cantata for Baritone for mixed choir and orchestra to texts by Goethe and Charlotta von Stein
  • Głosy z oddali for baritone and symphony orchestra to texts by J. Iwaszkiewicz

Opera

  • Tomorrow, a musical drama to a libretto by J. S. Sito

Film Music

Warsaw In Canaletto Paintings The Noose The Stone Sky Year One April The Artillery Sergeant Kalen Night Train
  • Samson Between The Shores Those Who Are Late Manhunter The Passenger Room For One Their Every Day Life The Unknown Visit At The Kings Rugged Creativeness
  • ''When Love Was A Crime ''

Recordings

Eastern Discoveries. MSR MS1517. Four preludes for bassoon and pianoEpiphany Music. Olympia OCD 312. Epiphany Music for orchestra, Elegia For orchestra, Four Love Sonnets, Symphony No 3Film Music, Volumes 1 and 2. Olympia OCD 604 and OCD 607 Günter Wand: The Radio Recordings. Profil PH13038. Four Dialogues for oboe and orchestraOrchestral Works. Koch 3-6770-2. Psychodrama, Oboe Concerto, Scenes for cello, harp and orchestra, Conzona for orchestra, Concerto Lugubre for viola and orchestraPolish Piano Concertos. Dux 0651. Piano ConcertoPolish Songs. Acte Prealable APO 274. Trouveurs’ SongsPsychodrama. Olympia 326. Psychodrama, TomorrowSongs and Orchestral Music. Olympia OCD 388. Voices From Afar, Goethe-Briefe, Scene For cello and harp With orchestra, Canzona for orchestraStreichquartette. Colosseum 0648. Play for string quartet, Variations on Rondo Form, String Quartet No 1Szymanowski, Gorecki, Baird. EMI 5 65418. ''Colas Breugnon Suite''