John Sebastian
John Benson Sebastian is an American singer, songwriter and musician who founded the rock band the Lovin' Spoonful in 1964 with Zal Yanovsky. During his time in the Lovin' Spoonful, Sebastian wrote and sang some of the band's biggest hits such as "Do You Believe in Magic", “Summer in the City”, "Did You Ever Have to Make Up Your Mind", and "Daydream". Sebastian left the Spoonful after the 1968 album Everything Playing to focus on a solo career, releasing John B. Sebastian in 1970.
He made an impromptu appearance at the Woodstock festival in 1969 and scored a U.S. No. 1 hit in 1976 with "Welcome Back", which was used as the theme song on the sitcom Welcome Back, Kotter.
Sebastian was inducted into the Rock and Roll Hall of Fame in 2000 as a member of the Lovin' Spoonful.
Early life
Sebastian was born in New York City and grew up in Little Italy and Greenwich Village. His father, John Sebastian, was a noted classical harmonica player, and his mother, Jane, was a radio script writer. His godmother was Vivian Vance, who was a close friend of his mother. His godfather and first babysitter was children's book illustrator Garth Williams, a friend of his father. Eleanor Roosevelt was a neighbor who lived across the hall.Sebastian grew up surrounded by music and musicians, including Burl Ives and Woody Guthrie, and hearing such players as Lead Belly and Mississippi John Hurt in his own neighborhood. He graduated from Blair Academy, a private boarding school in Blairstown, New Jersey, in 1962. He next attended New York University for just over a year, but dropped out as he became more interested in musical pursuits.
Early career
In the early 1960s, Sebastian developed an interest in blues music and in playing harmonica in a blues style, rather than the classical style of his father. Through his father's connections, he met and was influenced by blues musicians Sonny Terry and Lightnin' Hopkins. Sebastian became part of the folk and blues scene that was developing in Greenwich Village, which in part later gave rise to folk rock.In addition to harmonica, Sebastian played guitar and occasionally autoharp. One of Sebastian's first recording gigs was playing guitar and harmonica for Billy Faier's 1964 album The Beast of Billy Faier. He also played on Fred Neil's album Bleecker & MacDougal and Tom Rush's self-titled album in 1965. He played in the Even Dozen Jug Band and in the Mugwumps, which split to form the Lovin' Spoonful and the Mamas & the Papas. Bob Dylan invited him to play bass on his Bringing It All Back Home sessions and to join Dylan's new electric touring band, but Sebastian declined in order to concentrate on his own project, the Lovin' Spoonful.
The Lovin' Spoonful
Sebastian was joined by Zal Yanovsky, Steve Boone, and Joe Butler in the Spoonful, which was named after "The Coffee Blues," a Mississippi John Hurt song. The Lovin' Spoonful, which blended folk-rock and pop with elements of blues, country, and jug band music, became part of the American response to the British Invasion, and was noted for such hits as "Do You Believe in Magic", "Jug Band Music", "You Didn't Have to Be So Nice", "Daydream", "Did You Ever Have to Make Up Your Mind?", "Summer in the City", "Rain on the Roof", "Nashville Cats", "Darling Be Home Soon", and "Six O'Clock".The band, however, began to implode after a 1966 marijuana bust in San Francisco involving Yanovsky, a Canadian citizen. Facing deportation, he revealed the name of his dealer to police, which caused a fan backlash and added to the internal tension already created by the diverging interests of the band members. Neither Sebastian nor Butler were involved in the matter, both being away from San Francisco at the time. Yanovsky subsequently left the band and was replaced by Jerry Yester, after which the band's musical style veered away from its previous eclectic blend and became more pop-oriented.
Sebastian would reunite with the band in 1980 and appear in the film One-Trick Pony. He would later be inducted into the Rock and Roll Hall of Fame in 2000, this was the last time Sebastian would play with the original line up.
In 2020 Sebastian reunited with Lovin Spoonful members Joe Butler and Steve Boone.
Solo career 1960s–1970s
Broadway musical composer
One of Sebastian's first projects after leaving the Spoonful was composing the music and lyrics for a play with music, Jimmy Shine, written by Murray Schisgal. It opened on Broadway in December 1968, with Dustin Hoffman in the title role, and ran until April 1969, for a total of over 150 performances. In the late 1970s and early 1980s, Sebastian wrote a stage musical adaptation of E.B. White's Charlotte's Web in consultation with his godfather Garth Williams, who illustrated White's original book. The proposed musical included 20 songs, some of which Sebastian performed in concert, but the musical was never produced.Woodstock appearance
In August 1969, Sebastian made an unscheduled appearance at Woodstock. He traveled to the festival as a spectator, but was asked to appear when the organizers suddenly needed an acoustic performer after a rain break because they couldn't set up amps on stage for Santana until the water was swept off. Sources that have tried to reconstruct the Woodstock running order differ on the exact time and position of Sebastian's unplanned set, with some stating that he played on Saturday, August 16, immediately after Country Joe McDonald; others saying that on that Saturday, Santana followed McDonald and Sebastian appeared after Santana; and still others, including McDonald, recalling that Sebastian actually played on Friday, August 15, at some point after Richie Havens opened the festival.Sebastian's Woodstock set consisted of three songs from his recorded but not yet released John B. Sebastian album and two Lovin' Spoonful songs. Documentary remarks by festival organizers indicated that Sebastian was under the influence of marijuana or other psychedelic drugs at the time, hence his spontaneity and casual, unplanned set. Sebastian has confirmed in later interviews that he was a regular marijuana user at the time and had taken acid at Woodstock because he was not scheduled to perform. However, he has also noted that "there was a natural high there ," and that "n an interview it is the easy thing to say 'yeah, I was really high,' but it was actually a very small part of the event. In fact, I had a small part of some pill that someone gave me before I went on stage, but it wasn't a real acid feeling." Sebastian appeared on the original Woodstock album and in the documentary film. Twenty-five years later, he returned for Woodstock '94, playing harmonica for Crosby, Stills and Nash and appearing with his own band, the J-Band.
In September 1969, a month after Woodstock, Sebastian performed a similar set of solo and Spoonful material at the 1969 Big Sur Folk Festival and was featured in the subsequent documentary Celebration at Big Sur.
Major-label solo recordings
In January 1970, Sebastian released the first in a series of solo LPs on Reprise Records, his eponymous solo debut, John B. Sebastian, on which he was accompanied by various Los Angeles musicians including Crosby, Stills & Nash. It was Sebastian's highest-charting solo album, reaching No. 20 in the Billboard album charts. In a contract dispute with MGM Records, MGM, without authorization from Sebastian or his management, also released the John B. Sebastian album, under a different cover, and a live album, John Sebastian Live; both were later withdrawn from the market. Sebastian's second Reprise album, Cheapo Cheapo Productions Presents Real Live John Sebastian, was hastily recorded in an effort to provide an authorized live album.File:2-JohnSebastianErikJacobsenZalYanovsky-Feb1974 4x6 300dpi.jpg|thumb|left|Sebastian in 1974 with Erik Jacobsen and Zal Yanovsky
For his third Reprise album, The Four of Us, Sebastian used a core backing band consisting of keyboardist Paul Harris, drummer Dallas Taylor and bassist Kenny Altman. He considered forming a permanent band with them, but Harris and Taylor chose to join Stephen Stills's band Manassas. In 1972, Sebastian also released a non-LP single, "Give Us a Break" b/w "Music for People Who Don't Speak English", which did not chart. On his next album, Tarzana Kid, Sebastian returned to using a rotating group of well-known recording artists and session musicians, including Lowell George, Phil Everly, Emmylou Harris, the Pointer Sisters, David Grisman, Russell DaShiell, Ry Cooder and Buddy Emmons. Sebastian, George and Everly also briefly considered forming a supergroup but abandoned the idea.
Sebastian has stated that his musical career suffered in the early 1970s from being out of step with the trends set by emerging artists such as Alice Cooper, and that he made more money by buying and selling real estate than he did from his music. After Tarzana Kid failed to chart, Sebastian sought a release from his Reprise contract, which required him to make one more album. However, in 1976, Sebastian had an unexpected No. 1 single with "Welcome Back", the theme song to the sitcom Welcome Back, Kotter, causing the label to rush the production of an album, also titled Welcome Back. Despite the "monster hit" status of the song "Welcome Back", Sebastian expressed frustration that Reprise did not do more to promote the associated album, his last for Reprise. His later albums have been released primarily on independent record labels. The song, Sebastian's only top-40 solo hit, found new life 28 years later when a sample from it became the hook for rapper Mase's 2004 hit "Welcome Back".
In 2001, Rhino Entertainment re-released all five of Sebastian's Reprise albums, plus the non-LP "Give Us a Break" single, on CD in a limited-edition box set entitled Faithful Virtue: The Reprise Recordings. The box set also included live recordings of Sebastian's entire Woodstock performance and six previously unreleased songs recorded in mono from a performance at the Winterland Ballroom in San Francisco on October 4, 1969. In 2006, Sebastian's five Reprise albums were reissued as individual CDs by Collectors' Choice Music, with new liner notes by Richie Unterberger.