John Ford filmography
John Ford was an American film director whose career spanned from 1913 to 1971. During this time, he directed more than 130 films; however, nearly all of his silent films are lost. Born in Maine, Ford entered the filmmaking industry shortly after graduating from high school with the help of his older brother, Francis Ford, who had established himself as a leading man and director for Universal Studios. After working as an actor, assistant director, stuntman, and prop man – often for his brother – Universal gave Ford the opportunity to direct in 1917. Initially working in short films, he quickly moved into features, largely with Harry Carey as his star.
In 1920, Ford left Universal and began working for the Fox Film Corporation. During the next ten years he directed more than 30 films, including the westerns The Iron Horse and 3 Bad Men, both starring George O'Brien, the war drama Four Sons and the Irish romantic drama Hangman's House. In the same year as these last two films, Ford directed his first all-talking film, the short Napoleon's Barber. The following year, he directed his first all-talking feature, The Black Watch.
In 1931, Ford began working for other studios, starting with Arrowsmith for Samuel Goldwyn. In 1934, he began a lengthy association with producer Merian C. Cooper at RKO Radio Pictures. The following year he directed The Informer, which brought him his first Academy Award for Best Director and the Best Actor Award for its star, Victor McLaglen. In 1939, Ford directed Stagecoach, which made John Wayne a major star and brought an Academy Award for Best Supporting Actor to Thomas Mitchell. It was also the first time Ford filmed in Monument Valley. That same year Ford made Young Mr. Lincoln and Drums Along the Mohawk, both with Henry Fonda. The latter was Ford's first film shot in Technicolor.
In 1940, Ford made The Grapes of Wrath with Fonda and The Long Voyage Home with Wayne and Mitchell. For the former film Ford received his second Academy Award for Best Director and the Best Supporting Actress for Jane Darwell. He followed these films in 1941 with How Green Was My Valley, which won the Academy Award for Best Picture, brought Ford his third Academy Award for Best Director and the Best Supporting Actor Award to Donald Crisp.
With the coming of World War II, Ford was appointed to the Office of Strategic Services as a field photographer in the United States Navy. During the war he made several documentaries. Two of these, The Battle of Midway and December 7th, won Academy Awards for, respectively, Best Documentary and Documentary Short Subject. After being released from active duty he returned to Hollywood to make They Were Expendable a war drama of PT boats in the South Pacific. He followed this with My Darling Clementine, starring Henry Fonda as Wyatt Earp.
In 1949, Ford also made his only foray into live theatre by directing a charity production of What Price Glory? Ford freelanced for the remainder of his career, directing occasionally for television and making several films including The Man Who Shot Liberty Valance and the Civil War sequence of the Cinerama epic How the West Was Won. Ford's final film as a director was Chesty, a documentary short about Marine Corps lieutenant general Lewis "Chesty" Puller.
Ford is widely regarded as one of the most important and influential film-makers in history. Ingmar Bergman called him the greatest movie director of all time and Orson Welles regarded him highly. With four Academy Awards, he is the most honored director in film history. On February 8, 1960, Ford was awarded a star on the Hollywood Walk of Fame. On March 31, 1973, Ford was honored with the Medal of Freedom Award and became the first person honored with the AFI Life Achievement Award. As of, eleven films directed or co-directed by Ford have been added to the National Film Registry, tying with Howard Hawks for the most. In 2012, The Searchers was ranked at number seven in Sight & Sound's listing of the 50 greatest films of all time.
Films
This list of films is derived from the filmographies in Print the Legend: The Life and Times of John Ford by Scott Eyman and John Ford by Peter Bogdanovich.From 1917 to 1923, Ford was credited as "Jack Ford". Beginning with Cameo Kirby he was credited as "John Ford". Unless otherwise noted, all films released up until 1922 were Universal Productions. Films released from 1922 to 1930 were Fox Productions. After 1930, each film's production company is individually noted.
All films are feature length unless identified as a serial or short film. The silent shorts are identified as one, two, or three reels in length.
Other film work
All films are feature length unless identified as a serial or short film. The silent shorts are identified as one, two, or three reels in length.| Year | Title | Producer | Actor | Writer | Other | Notes | References |
| 1913 | The Battle of Bull Run | Directed by and starring Francis Ford; two reels; survival status unknown. | |||||
| 1914 | Lucille Love, Girl of Mystery | With Grace Cunard, Francis Ford; John Ford: production assistant, prop man, stunts; 15-episode serial; incomplete prints exist of four episodes. | |||||
| 1914 | The Mysterious Rose | With Grace Cunard, Francis Ford; two reels; survival status unknown. | |||||
| 1914 | ' | With Grace Cunard, Francis Ford; two reels; survival status unknown. | |||||
| 1914 | ' | With Francis Ford as Sherlock Holmes and John Ford as Dr. Watson; two reels; lost | |||||
| 1915 | ' | With Lillian Gish, Mae Marsh, Henry B. Walthall; Epoch Film Corp.; directed by D. W. Griffith; Ford claimed to have played one of the clansmen; added to the National Film Registry in 1992. | |||||
| 1915 | And They Called Him Hero | With Grace Cunard, Francis Ford; two reels; survival status unknown. | |||||
| 1915 | Three Bad Men and a Girl | With Grace Cunard, Francis Ford; two reels; survival status unknown. | |||||
| 1915 | ' | With Grace Cunard, Francis Ford; two reels; survival status unknown. | |||||
| 1915 | Smuggler's Island | With Grace Cunard, Francis Ford; two reels; lost. | |||||
| 1915 | ' | With Francis Ford; two reels; John Ford: assistant director; lost. | |||||
| 1915 | ' | With Grace Cunard, Francis Ford; directed by Francis Ford; 22-chapter serial; John Ford: assistant director; lost. | |||||
| 1915 | ' | With Grace Cunard, Francis Ford; directed by Francis Ford; survival status unknown. | |||||
| 1916 | Strong-Arm Squad | Directed by and starring Francis Ford; two reels; survival status unknown. | |||||
| 1916 | ' | With Grace Cunard, Francis Ford; directed by Francis Ford; 15-chapter serial; lost. | |||||
| 1916 | Chicken Hearted Jim | Directed by and starring Francis Ford; one reel; survival status unknown. | |||||
| 1916 | ' | With Grace Cunard, Francis Ford; directed by Francis Ford; included on Criterion DVD and blu-ray releases of My Darling Clementine. | |||||
| 1917 | ' | With Francis Ford, Grace Cunard; directed by Francis Ford; 16-chapter serial; John Ford supposedly acted in this; survives incomplete. | |||||
| ' | Directed by and featuring Francis Ford; John Ford: assistant director; prints survive. | ||||||
| Under Sentence | Directed by Edward O'Fearna ; two reels; survival status unknown. | ||||||
| Nero | Directed by J. Gordon Edwards; Ford worked as a 2nd unit director; lost. | ||||||
| 1927 | ' | Directed by Frank Borzage; with Janet Gaynor, Charles Farrell; Ford was 2nd unit director. | |||||
| 1927 | What Price Glory? | Directed by Raoul Walsh; with Victor McLaglen, Edmund Lowe, Dolores del Río; Ford was 2nd unit director. | |||||
| Big Time | Directed by Kenneth Hawks; with Lee Tracy, Mae Clarke, Stepin Fetchit; Ford appears as himself. | ||||||
| ' | RKO Pictures; directed by Christy Cabanne; with Harry Carey, Hoot Gibson; based on an original story by Ford. | ||||||
| ' | Goldwyn-United Artists; directed by Archie Mayo; with Gary Cooper, Sigrid Gurie, Basil Rathbone; Ford directed some of the film's action sequences. | ||||||
| Show Business at War | Ford is shown working with the OSS in this wartime documentary short. | ||||||
| 1949 | Mighty Joe Young | Argosy-RKO Pictures; directed by Ernest B. Schoedsack; with Terry Moore, Ben Johnson, Robert Armstrong; special effects by Willis H. O'Brien and Ray Harryhausen. | |||||
| 1949 | Pinky | 20th Century Fox; directed by Elia Kazan; with Jeanne Crain, Ethel Barrymore; Ford was the original director but, due to illness, was replaced after one week by Kazan. | |||||
| ' | Republic Pictures; produced by John Wayne; directed by Budd Boetticher; with Robert Stack, Gilbert Roland; Ford edited this film as a favor to Wayne. | ||||||
| Hondo | Wayne-Fellows-Warner Bros.; directed by John Farrow; with John Wayne, Geraldine Page; filmed in 3-D and Warnercolor; based on the short story "The Gift of Cochise" by Louis L'Amour; Ford did some uncredited second-unit work. | ||||||
| ' | Batjac-United Artists; produced and directed by John Wayne; with John Wayne, Richard Widmark, Laurence Harvey; Ford did some second unit work. | ||||||
| 1965 | Young Cassidy | MGM; directed with Jack Cardiff; with Rod Taylor, Julie Christie; Ford began directing the film but was replaced during production by Cardiff, who received credit in the final print. | |||||
| 1971 | Vietnam! Vietnam! | Documentary for the United States Information Agency; narrated by Charlton Heston. | |||||
| 1971 | Directed by John Ford | Documentary directed by Peter Bogdanovich; narrated by Orson Welles; Ford was among the people interviewed. | |||||
| 1971 | John Ford: Memorial Day 1971 | Documentary short featuring Ford. |