Hyperrealism (music)
Hyperrealism is a term coined by the composer Noah Creshevsky to describe a musical language for his and his colleagues' compositional aesthetic. Creshevsky defines hyperrealism as "an electroacoustic musical language constructed from sounds that are found in our shared environment, handled in ways that are somehow exaggerated or excessive."
Articles and reviews
- by, Decoder Magazine, June 7, 2016
- by Allan Kozinn, The New York Times, June 18, 2010
- , by Tobias Fischer, "Tokafi", November 30, 2007
- by Dennis Báthory-Kitsz, "NewMusicBox", June 13, 2007
- by Noah Creshevsky, "Kalvos & Damian New Music Bazaar", 2005
- by Kyle Gann, Village Voice, July 6, 2004
- , "Transparency"
- ,https://not.neroeditions.com/archive/orange-milk-records-elettronica-iperrealista/ by Riccardo Papacci, Not, December 5, 2018