Radio Songs (chart)
The Radio Songs chart is released weekly by Billboard magazine and measures the airplay of songs being played on radio stations throughout the United States across all musical genres. It is one of the three components, along with sales and streaming activity, that determine the chart positions of songs on the [Billboard Hot 100|Billboard Hot 100].
History
Radio airplay has always been one of the component charts of the Hot 100. Prior to the establishment of the Hot 100, Billboard published a radio airplay chart, a singles sales chart and a jukebox play chart, the last of which was discontinued in 1959 as jukeboxes lost their popularity. During the 1960s and 1970s, Billboard continued to collect airplay data as a component of the Hot 100 but did not make the chart public.The airplay-only chart debuted as a 30-position chart on October 20, 1984, and was expanded to 40 positions on May 31, 1986. Rankings were based on playlists received by a panel of Top 40 radio stations. On December 8, 1990, Billboard introduced the 75-position Top 40 Radio Monitor chart positions, which ranked songs measured by the number of spins each song on monitored radio stations and the ratings for those stations when the songs were being played based on Nielsen BDS technology. The BDS-measured Top 40 Radio Monitor chart became the official airplay-component of the Hot 100 on November 30, 1991.
Chart data collection
Each week, the Radio Songs chart ranks the top 100 songs by most airplay points. A song can pick up an airplay point every time it is selected to be played on specific radio stations that Billboard monitors. Radio stations across the board are used, from Top 40 Mainstream to more genre-specific radio stations such as urban radio and country music. Paid plays of a song or treatment as bumper music do not count as an impression.During the early years of the chart, only airplay data from top 40 radio stations were compiled to generate the chart. Effective from issue dated July 17, 1993, adult contemporary stations were added to the panel, followed by modern rock few months later. However, beginning in December 1998, the chart profile expanded to include airplay data from radio stations of other formats such as R&B, rock and country. To preserve the notion of the former chart, the Top 40 Tracks chart was introduced at the same time.
Per Billboard :
"1,214 stations, encompassing pop, adult, rock, country, R&B/hip-hop, Christian, gospel, dance, jazz and Latin formats, are electronically monitored 24 hours a day, 7 days a week by Nielsen Broadcast Data System. This data is used to compile the Billboard Hot 100."
The radio airplay data was previously collected on a Wednesday to Tuesday weekly cycle prior to July 2015, and on a Monday to Sunday weekly cycle from July 2015 to July 2021. As of the chart dated July 17, 2021, the radio airplay data is collected on a Friday through Thursday weekly cycle, which matches that of the other Hot 100 metrics.
Song records
Highest debut
No. 2No. 4
- Mariah Carey featuring Trey Lorenz – "I'll Be There"
- Janet Jackson – "That's the Way Love Goes"
- Adele – "Easy on Me"
- Lady Gaga – "Born This Way"
- Rihanna – "Lift Me Up"
No. 8
- Mariah Carey – "Fantasy"
- Janet Jackson – "All for You"
Most weeks at number one
| Weeks | Artist | Song | Year | Source |
| 27 | Shaboozey | "A Bar Song (Tipsy)" | 2024–2025 | |
| 27* | Alex Warren | "Ordinary" | 2025–2026 | |
| 26 | The Weeknd | "Blinding Lights" | 2020 | |
| 18 | Goo Goo Dolls | "Iris" | 1998 | |
| 18 | Miley Cyrus | "Flowers" | 2023 | |
| 16 | No Doubt | "Don't Speak" | 1996–1997 | |
| 16 | Mariah Carey | "We Belong Together" | 2005 | |
| 16 | Maroon 5 featuring Cardi B | "Girls Like You" | 2018 | |
| 15 | Adele | "Easy on Me" | 2021–2022 | |
| 14 | Céline Dion | "Because You Loved Me" | 1996 | |
| 14 | Alicia Keys | "No One" | 2007–2008 | |
| 14 | Panic! at the Disco | "High Hopes" | 2018–2019 |
Highest audience peaks
- 228.9 million, "Blurred Lines", Robin Thicke featuring T.I. and Pharrell, August 31, 2013
- 225.9 million, "Happy", Pharrell Williams, April 12, 2014
- 212.1 million, "We Belong Together", Mariah Carey, July 9, 2005
- 196.3 million, "Irreplaceable", Beyoncé, January 20, 2007
- 196.0 million, "All of Me", John Legend, May 10, 2014
- 192.5 million, "No One", Alicia Keys, December 22, 2007
- 189.8 million, "Uptown Funk", Mark Ronson featuring Bruno Mars, March 14, 2015
- 189.6 million, "Let Me Love You", Mario, February 5, 2005
- 185.0 million, "Shape of You", Ed Sheeran, April 29, 2017
- 175.6 million, "Gold Digger", Kanye West featuring Jamie Foxx, October 22, 2005
- Source:
Shortest climbs to number one
Sources:4 weeks
- Mariah Carey – "Dreamlover"
- Adele – "Hello"
- TLC – "No Scrubs"
- Destiny's Child – "Survivor"
- Miley Cyrus – "Flowers"
Artist records
Most-consecutive number-one songs
- 5 – Katy Perry
- 5 – Rihanna
Self-replacement at number one
- Boyz II Men – "On Bended Knee" replaced "I'll Make Love to You"
- Mariah Carey – "One Sweet Day" replaced "Fantasy"
- Nelly – "Dilemma" replaced "Hot in Herre"
- Usher – "Confessions Part II" replaced "Burn", which replaced "Yeah!"
- Mariah Carey – "Shake It Off" replaced "We Belong Together"
- T.I. – "Live Your Life" replaced "Whatever You Like"
- Rihanna – "What's My Name?" replaced "Only Girl (In the World)"
- The Weeknd – "The Hills" replaced "Can't Feel My Face"
- Justin Bieber – "Love Yourself" replaced "Sorry"
- Cardi B – "Girls Like You" replaced "I Like It"