Gram Parsons
Ingram Cecil Connor III, known professionally as Gram Parsons, was an American musician. He recorded with the International Submarine Band, the Byrds, and the Flying Burrito Brothers, popularizing what he called "Cosmic American Music", a hybrid of country, rhythm and blues, soul, folk, and rock. He has been credited with helping to found the country rock and alt-country genres and received a ranking of No. 87 on Rolling Stone magazine's list of the 100 Greatest Artists of All Time.
Early life and education
Ingram Cecil Connor III was born on November 5, 1946, in Winter Haven, Florida, to Ingram Cecil Connor II, aka "Coon Dog", and Avis Snively Connor. He had one sibling, a sister named “Little Avis”. Connor II was a World War II flying ace, decorated with the Air Medal, who worked at his father-in-law's company and was a local Boy Scout official. Both parents were alcoholics and both suffered from depression; Cecil II shot and killed himself on December 23, 1958. Avis then married Robert Parsons, whose surname was adopted by Gram and his sister. Avis and Robert would have one child, Parsons’ half-sister Diane.Avis was the daughter of citrus fruit magnate John A. Snively, who held extensive properties in Winter Haven, Florida and Waycross, Georgia, where the Connors normally lived. Parsons attended The Bolles School in Jacksonville before transferring to the public Winter Haven High School; after failing his junior year there, he returned to Bolles. On his graduation day, June 5, 1965, his mother died of complications from alcoholism. Robert Parsons had been having an affair with Diane’s nanny; they married shortly after Avis’ death. Gram went on to Harvard University, which he attended for one semester. At age 21, he began to receive his annual trust fund income of $30,000.
Career
Parsons developed strong musical interests early in life, particularly after seeing Elvis Presley perform in concert in Waycross, on February 22, 1956. Five years later, he was playing in rock and roll cover bands such as the Pacers and the Legends, headlining in Winter Haven/Polk County clubs owned by his stepfather. By age 16, he had graduated to folk music, and in 1963 he teamed up with his first professional outfit, the Shilohs. Heavily influenced by The Kingston Trio and The Journeymen, the band played hootenannies, coffee houses and high school auditoriums; as Parsons was still enrolled in prep school, he performed with the group only in select engagements. Forays into New York City included a performance at Florida's exhibition in the 1964 New York World's Fair and regular appearances at the Café Rafio on Bleecker Street in Greenwich Village in the summer of 1964. Although John Phillips arranged an exploratory meeting with Albert Grossman, the impresario balked at booking the group for a Christmas engagement at The Bitter End when he discovered that the Shilohs were high school students. Following a recording session at the radio station of Bob Jones University, the group reached a creative impasse amid the emergence of folk rock and dissolved in the spring of 1965.The International Submarine Band (1966–1967)
In 1966, he and other musicians from the Boston folk scene formed a group called the International Submarine Band. In 1967, after briefly residing in the Kingsbridge section of the Bronx, they moved to Los Angeles. Following several lineup changes, the band signed with Lee Hazlewood's LHI Records, where they spent late 1967 recording Safe at Home. The album contains one of Parsons' best-known songs, "Luxury Liner", and an early version of "Do You Know How It Feels," which he revised later in his career. Safe at Home would remain unreleased until mid-1968, by which time the International Submarine Band had broken up.The International Submarine Band appeared in the Peter Fonda film The Trip as a performing band in one of the clubs. Their song "Lazy Days" was offered for the film's soundtrack, but the soundtrack was done by Mike Bloomfield's Electric Flag. In 1967, Peter Fonda recorded a version of Parsons' song "November Nights" titled "November Night". The song was released as a single in March 1967, with Donovan's "Catch the Wind" on the B side.
The Byrds (1968)
By 1968, Parsons came to the attention of The Byrds' bassist, Chris Hillman, via business manager Larry Spector, who was looking for a new band member following the departures of David Crosby and Michael Clarke. In February 1968, Parsons passed an audition for the band, being initially recruited as a jazz pianist but soon adding rhythm guitar and vocals.Although Parsons was an equal contributor to the band, he was not regarded as a full member by the band's label, Columbia Records. Consequently, when the Byrds' recording contract was renewed on February 29, 1968, it was signed only by original members Roger McGuinn and Chris Hillman. Parsons, like fellow new recruit Kevin Kelley, was hired as a sideman and received a salary from McGuinn and Hillman. In later years, this led Hillman to state, "Gram was hired. He was not a member of the Byrds, ever. He was on salary; that was the only way we could get him to turn up." Parsons and Kelley were given equal billing alongside McGuinn and Hillman on the Sweetheart of the Rodeo album, and in press coverage.
Sweetheart of the Rodeo was conceived by McGuinn as a double-album history of American popular music. It was to begin with bluegrass, then move through country and western, jazz, rhythm and blues, and rock music, before ending with electronic music. However, as recording plans were made, Parsons persuaded the other members to leave Los Angeles and record the album in Nashville. McGuinn's concept was jettisoned in favor of a country project, which included Parsons' songs "One Hundred Years from Now" and "Hickory Wind", and songs by Bob Dylan, Woody Guthrie and Merle Haggard.
Recording sessions for Sweetheart of the Rodeo commenced at Columbia Records' recording studios in the Music Row area of Nashville on March 9, 1968. Mid-way through, the sessions moved to Columbia Studios, Hollywood and were completed on May 27, 1968. However, Parsons was still under contract to LHI Records and Hazlewood threatened legal action over Parsons' appearance on the album. As a result, McGuinn replaced three of Parsons' lead vocals with his own; in 1973, in an interview with Cameron Crowe, Parsons said that McGuinn "erased it and did the vocals himself and fucked it up." Parsons remained as lead vocalist on the songs "You're Still on My Mind", "Life in Prison", and "Hickory Wind".
While in England with the Byrds in the summer of 1968, Parsons left the band over a planned concert tour of South Africa and his opposition to apartheid. During this period Parsons became acquainted with Mick Jagger and Keith Richards of The Rolling Stones. After leaving the band, Parsons stayed at Richards' house and the pair developed a close friendship, with Parsons reintroducing the guitarist to country music.
The Flying Burrito Brothers (1969–1970)
Returning to Los Angeles, Parsons sought out Chris Hillman, and the two formed The Flying Burrito Brothers with bassist Chris Ethridge and pedal steel player Sneaky Pete Kleinow. Their 1969 album The Gilded Palace of Sin marked the culmination of Parsons' post-1966 musical vision: a modernized variant of the Bakersfield sound that was popularized by Buck Owens amalgamated with strands of soul and psychedelic rock. The band appeared on the album cover wearing Nudie suits emblazoned with hippie symbols, including marijuana, Tuinal, and Seconal-inspired patches. Along with the Parsons-Hillman originals "Christine's Tune" and "Sin City" were versions of the soul music classics "The Dark End of the Street" and "Do Right Woman, Do Right Man", the latter featuring David Crosby on high harmony. The original songs were the result of a productive songwriting partnership between Parsons and Hillman, who were sharing a bachelor pad in the San Fernando Valley. The pronounced gospel-soul influence on this album likely evolved from the ecumenical tastes of bassist Chris Ethridge, who co-wrote "Hot Burrito No. 1/I'm Your Toy" and "Hot Burrito No. 2" with Parsons.Original drummer Eddie Hoh was unable to perform adequate takes due to a substance abuse problem. He was dismissed after two songs and the band used session drummers, including former International Submarine Band drummer Jon Corneal and Popeye Phillips. Before commencing live performances, the group settled on original Byrds drummer Michael Clarke.
The Gilded Palace of Sin was commercially unsuccessful. Critic Robert Christgau called it "an ominous, obsessive, tongue-in-cheek country-rock synthesis, absorbing rural and urban, traditional and contemporary, at point of impact." Parsons suffered from fear of flying and the band toured via train. The band members lost most of their money in a perpetual poker game and their concerts were met with bewilderment. Parsons was taking psilocybin and cocaine, so his performances were erratic. The most successful appearance was in Philadelphia, where the group opened for the reconstituted Byrds. Midway through their set, Parsons joined the headline act and fronted his former group on renditions of "Hickory Wind" and "You Don't Miss Your Water".
After returning to Los Angeles, the group recorded "The Train Song", written during an increasingly infrequent songwriting session on the train and produced by 1950s R&B legends Larry Williams and Johnny "Guitar" Watson. Despite a request from the Burritos that the remnants of their publicity budget be diverted to the promotion of the single, it also flopped. During this period, Ethridge departed, saying that he did not share Parsons' and Hillman's affinity for country music. He was replaced by lead guitarist Bernie Leadon, while Hillman reverted to bass.
By this time, Parsons's drug use had increased to the point where new songs were rare, and much of his time was spent partying with the Rolling Stones, who were in America finishing Let It Bleed. As the Stones prepared to play the nation's largest venues, the Burritos played to dwindling nightclub audiences. But they were booked as one of the acts at the Altamont Music Festival. They played a short set, including "Bony Moronie" and "Six Days on the Road", which was included in the event's documentary Gimme Shelter.
With mounting debt incurred, A&M hoped to recoup some of its losses by marketing the Burritos as a straight country group. Manager Jim Dickson instigated a session where the band recorded honky tonk staples and contemporary pop covers in a countrified vein, but this was scrapped in favor of a second album of originals on an extremely reduced budget.
Faced with a dearth of new material, most of the album was hastily written in the studio by Leadon, Hillman, and Parsons, with two Gilded Palace of Sin outtakes thrown into the mix. The resulting album, Burrito Deluxe, was released in April 1970. Although it is considered less inspired than its predecessor, it is notable for the song "Older Guys" and for the band's take on "Wild Horses".
Like its predecessor, Burrito Deluxe under-performed commercially but also failed to carry the critical cachet of the debut. Disenchanted, Parsons left the Burritos in mutual agreement with Hillman; under Hillman, the group recorded one more album before dissolving in 1971.