Greek hero cult
Hero cults were one of the most distinctive features of ancient Greek religion. In Homeric Greek, "hero" refers to the mortal offspring of a human and a god. By the historical period, the word came to mean specifically a dead man, venerated and propitiated at his tomb or at a designated shrine, because his fame during life or his unusual manner of death gave him power to support and protect the living. A hero was more than human but less than a god, and various kinds of minor supernatural figures came to be assimilated to the class of heroes; the distinction between a hero and a god was less than certain, especially in the case of Heracles, the most prominent, but atypical hero.
The grand ruins and tumuli remaining from the Bronze Age gave the pre-literate Greeks of the 10th century BC a sense of a once grand and now vanished age; they reflected this in the oral epic tradition, which would become famous by way of works such as the Iliad and the Odyssey. Copious renewed offerings begin to be represented, after a hiatus, at sites like Lefkandi, even though the names of the grandly buried dead were hardly remembered. "Stories began to be told to individuate the persons who were now believed to be buried in these old and imposing sites", observes Robin Lane Fox. In other words, this is a clear cut example of an origin story for Heroes and what they meant to the Ancient Greeks.
Nature of hero cult
Greek hero-cults were distinct from the clan-based ancestor worship from which they developed, in that as the polis evolved, they became a civic rather than familial affair, and in many cases none of the worshipers traced their descent back to the hero any longer: no shrine to a hero can be traced unbroken from Mycenaean times. Whereas the ancestor was purely local, Lewis Farnell observed, the hero might be tended in more than one locality, and he deduced that hero-cult was more deeply influenced from the epic tradition, that "suggested many a name to forgotten graves", and provided even Dorians a connection to Mycenaean heroes, according to Coldstream. Coldstream believed that the popularity of epic poetry could explain the presence of votive offerings in Dorian regions, where an alien, immigrant population might otherwise be expected to show little reverence for their Mycenaean predecessors. Large Mycenaean tholos tombs that betokened a grander past, were often the site of hero-cults. Not all heroes were even known by names.File:Hero cult Louvre CA308.jpg|thumb|right|upright=1.25|Cult of Oedipus on a Lucanian amphora, ca. 380–70 BC
Aside from the epic tradition, which featured the heroes alive and in action rather than as objects of cultus, the earliest written reference to hero-cult is attributed to Dracon, the Athenian lawgiver of the late seventh century BC, who prescribed that gods and local heroes should both be honoured according to ancestral custom. The custom, then, was already established, and there were multiple local heroes. The written sources emphasise the importance of heroes' tombs and the temenos or sanctuary, where chthonic rites appeased their spirits and induced them to continue to favour the people who looked to them as founders, of whom founding myths were related. In the hero's restricted and local scope he "retained the limited and partisan interests of his mortal life. He would help those who lived in the vicinity of his tomb or who belonged to the tribe of which he himself was the founder," observes Robert Parker, with the reservation that Heracles, with his pan-Hellenic scope, was again the exception.
Whitley interpreted the final stage, in which hero-cult was co-opted by the city-state as a political gesture, in the archaic aristocratic tumulus surrounded by stelae, erected by Athens to the cremated citizen-heroes of Marathon, to whom chthonic cult was dedicated, as the offering trenches indicate.
On the other hand, Greek heroes were distinct from the Roman cult of dead emperors, because the hero was not thought of as having ascended to Olympus or become a god: he was beneath the earth, and his power purely local. For this reason hero cults were chthonic in nature, and their rituals more closely resembled those for Hecate and Persephone than those for Zeus and Apollo: libations in the dark hours, sacrifices that were not shared by the living.
Two exceptions to the above were Heracles and Asclepius, who might be honored as either heroes or gods, with chthonic libation or with burnt sacrifice. Heroes in cult behaved very differently from heroes in myth. They might appear indifferently as men or as snakes, and they seldom appeared unless angered. A Pythagorean saying advises not to eat food that has fallen on the floor, because "it belongs to the heroes". Heroes if ignored or left unappeased could turn malicious: in a fragmentary play by Aristophanes, a chorus of anonymous heroes describe themselves as senders of lice, fever and boils.
Some of the earliest hero and heroine cults well attested by archaeological evidence in mainland Greece include the Menelaion dedicated to Menelaus and Helen at Therapne near Sparta, a shrine at Mycenae dedicated to Agamemnon and Cassandra, another at Amyklai dedicated to Alexandra, and another in Ithaca's Polis Bay dedicated to Odysseus. These all seem to date to the 8th century BC. The cult of Pelops at Olympia dates from the Archaic period.
Heroes and heroines
Hero cults were offered most prominently to men, though in practice the experience of the votary was of propitiating a cluster of family figures, which included women who were wives of a hero-husband, mothers of a hero-son, and daughters of a hero-father. As Finley observed of the world of Odysseus, which he reads as a nostalgic eighth-century rendering of traditions from the culture of Dark Age Greece,Penelope became a moral heroine for later generations, the embodiment of goodness and chastity, to be contrasted with the faithless, murdering Clytaemnestra, Agamemnon's wife; but 'hero' has no feminine gender in the age of heroes.
Where local cult venerated figures such as the sacrificial virgin Iphigeneia, an archaic local nymphe has been reduced to a mortal figure of legend. Other isolated female figures represented priestess-initiators of a local cult. Iconographic and epigraphal evidence marshalled by Larson combine to depict heroines as similar in kind to heroes, but in androcentric Greek culture, typically of lesser stature. This is consistent with the role that women played in not only Ancient Greece, but the ancient world as a whole — more in the shadows and service-oriented than focused on personal development and relaxation.
Types of hero cult
distinguishes four or five essential types of hero cult:- Oikist cults of founders. Such cults arose in colonies in the Hellenic world in Magna Graecia and Sicily at the grave of the founder, the oikist. In the case of cults at the tombs of the recently heroised, it must be assumed that the identity of the occupant of the tomb was unequivocally known. Thucydides gives the example of Brasidas at Amphipolis. Battus of Cyrene might also be mentioned. "Such historical examples," Whitley warns, "have clearly colored the interpretation of certain tomb cults in the Archaic period." Such Archaic sites as the heroön at Lefkandi and that close to the West Gate at Eretria cannot be distinguished by archaeological methods from family observances at tombs and the cult of ancestors.
- Cults to named heroes. A number of cult sites known in Classical times were dedicated to known heroes in the Greek and modern senses, especially of the Iliad and other episodes of the Epic Cycle. Whitley makes two points here, first that the earliest heria associate the male hero with earlier and stronger female presences, and second, that figures such as Odysseus, Agamemnon and Menelaus all have strong local connections. The cults of Oedipus at Athens and Pelops at Olympia are examples.
- Cults to local heroes. Such local figures do not figure among the Panhellenic figures of epic. Examples would be Akademos and Erechtheus at Athens.
- Cults at Bronze Age tombs. These are represented archaeologically by Iron Age deposits in Mycenaean tombs, not easily interpreted. Because of the gap in time between the Bronze Age collapse and the earliest votive objects, continuity appears to be broken. A sherd from above the Grave Circle A at Mycenae is simply inscribed "to the hero", and Whitley suggests that the unnamed race of the Silver Age might have been invoked. In Attica, such cults are those associated with tholos tombs at Thorikos and Menidhi.
- Oracular hero cults. Whitley does not address this group of local cults where an oracle developed, as in the case of Amphiaraus, who was swallowed up by a gaping crack in the earth. Minor cults accrued to some figures who died violent or unusual deaths, as in the case of the dead from the Battle of Marathon, and those struck by lightning, as in several attested cases in Magna Graecia.
Tombs and tumuli
Most commonly in Ancient Greece, these mounds could have had any 1 of 3 main components, composed in a staircase-like format, within the mound. This staircase like structure may have 1 or 2 steps that would help carry out various ceremonial functions as well as serve as storing places for valuable items. The first step would be used for cremation and the ashes piled in after that while the second step would hold any votives or items of sentimental value. Then the whole thing would be covered by a giant mound. In the case of the Athenian monument they also surrounded it with tall, skinny stone slabs that may read an honoring message or be dedicated to any one 'hero'.