Darius Khondji
Darius Khondji is an Iranian-French cinematographer. He is known for his work with directors such as Jean-Pierre Jeunet, David Fincher, Michael Haneke, Woody Allen, James Gray, Bong Joon-ho, Wong Kar-Wai, and the Safdie brothers. He has been nominated for three Academy Awards, two BAFTA Awards and three César Awards.
Early life and education
Khondji was born in Tehran, Iran, to an Iranian father and a French mother. At an early age, his family moved to France. He became interested in film early on and made Super-8 films in his teens. Later, he moved to the United States to study at UCLA and then majored in film at New York University and the International Center of Photography. Two teachers influenced his decision to become a cinematographer: Jonas Mekas and Haig P. Manoogian. He realized that "all I wanted to do was shoot the other students' films. I was concerned with the power of the image and much less with story."Career
After his time in the United States, Khondji returned to France in 1981 and worked as an assistant for cinematographers like Bruno Nuytten, Martin Schafer and Pascal Marti. He also worked as a lighting director on music videos and commercials.His second feature film was Le tresor des Iles Chiennes, a low-budget, black-and-white, post-atomic adventure film. His work on this movie led the Cahiers du cinéma to publish a rare interview with a cinematographer. It was on this film that he demonstrated an affinity for Cinemascope. He remarked in an interview, "I think it's the most beautiful format to frame. One can become absorbed in the faces when they're framed in 'Scope." His subsequent work on Delicatessen established his international reputation and earned him a Cesar nomination for Best Cinematography. One of his highest profile films was Seven which he got based on a Nike ad he shot with David Fincher and his work on Delicatessen. His work on Evita was nominated for an Oscar for the Best Cinematography.
Darius worked on three European-shot films by Woody Allen: Midnight in Paris, To Rome with Love and Magic in the Moonlight.
In 2012, Khondji shot the Palme d'Or-winning film Amour, which also won the Academy Award for Best Foreign Language Film and was nominated for Best Picture.
Influences
Khondji cites Gregg Toland as his favorite cinematographer. "I particularly admire his work on John Ford's The Grapes of Wrath." He also greatly admires James Wong Howe's work, in particular Hud. Khondji has said that his dream project would be "a 16mm black and white film of On the Road!"Personal life
Khondji is married to Marianne Chemetov, a daughter of the French architect Paul Chemetov, and has three children: Marie-Louise, Josephine, and Alexandre.Exhibitions
- 2010: Discovery award laureate and exhibition at Les Rencontres d'Arles festival, France.
Awards and nominations
Academy Awards| Year | Title | Category | Result |
| 1996 | Evita | Best Cinematography | Nomitated |
| 2022 | Bardo, False Chronicle of a Handful of Truths | Best Cinematography | Nomitated |
| 2025 | Marty Supreme | Best Cinematography |
British Academy Film Awards
| Year | Title | Category | Result |
| 1996 | Evita | Best Cinematography | Nomitated |
| 2025 | Marty Supreme | Best Cinematography |
American Society of Cinematographers Awards
| Year | Title | Category | Result |
| 1995 | Seven | Outstanding Cinematography | Nomitated |
| 1996 | Evita | Outstanding Cinematography | Nomitated |
| 2013 | The Immigrant | Spotlight Award | Nomitated |
| 2025 | Marty Supreme | Outstanding Cinematography |
British Society of Cinematographers Awards
| Year | Title | Category | Result |
| 1995 | Seven | Best Cinematography | Nomitated |
| 1996 | Evita | Best Cinematography | Nomitated |
| 2011 | Midnight in Paris | Best Cinematography | Nomitated |
| 2025 | Marty Supreme | Best Cinematography |
César Awards
| Year | Title | Category | Result |
| 1991 | Delicatessen | Best Cinematography | Nomitated |
| 1995 | The City of Lost Children | Best Cinematography | Nomitated |
| 2012 | Amour | Best Cinematography | Nomitated |
Chicago Film Critics Association Awards
| Year | Title | Category | Result |
| 1995 | Seven | Best Cinematography | Won |
| 1996 | Evita | Best Cinematography | Nomitated |
| 2022 | Bardo, False Chronicle of a Handful of Truths | Best Cinematography | Nomitated |
Independent Spirit Awards
| Year | Title | Category | Result |
| 2011 | Midnight in Paris | Best Cinematography | Nomitated |
| 2013 | The Immigrant | Best Cinematography | Nomitated |
Other accolades
| Year | Award | Category | Title | Result |
| 1995 | Los Angeles Film Critics Association | Best Cinematography | Se7en | Nomitated |
| 1996 | Globo d'oro | Best Cinematography | Stealing Beauty | Won |
| 1996 | Camerimage | Golden Frog | Stealing Beauty | Nomitated |
| 1996 | David di Donatello | Best Cinematography | Stealing Beauty | Nomitated |
| 2012 | European Film Awards | Best Cinematographer | Amour | Nomitated |
| 2013 | New York Film Critics Circle Awards | Best Cinematographer | The Immigrant | Won |
| 2013 | National Society of Film Critics | Best Cinematography | The Immigrant | Nomitated |
| 2014 | Lumière Awards | Best Cinematography | Magic in the Moonlight | Nomitated |
| 2016 | San Diego Film Critics Society | Best Cinematography | The Lost City of Z | Nomitated |
| 2016 | London Film Critics' Circle | Technical Achievement of the Year | The Lost City of Z | Nomitated |