Chernobyl (soundtrack)
Chernobyl: Music from the Original TV Series is the soundtrack album to the historical drama miniseries Chernobyl, based on the aftermath of Chernobyl disaster that occurred during 1986. The musical score was composed by Icelandic composer Hildur Guðnadóttir, which was created using sound recordings from an actual nuclear power plant. The score album features thirteen tracks, and was released under Deutsche Grammophon and WaterTower Music labels on May 31, 2019. A vinyl edition of the soundtrack was released by Decca Records on September 6, 2019.
The score opened to positive reception, with listeners appreciating the soundscape, composition and live recording methods. The authentic approach to capture the sounds from a nuclear plant were highlighted and praised by critics. It was named one of Guðnadóttir's best original score compositions, followed by Joker's soundtrack, which was released later that year. Guðnadóttir has received several awards and nominations for her work, including the Best Score Soundtrack for Visual Media at the 62nd Annual Grammy Awards.
Development
In August 2018, during filming of the series, Guðnadóttir and score producer Chris Watson, went to the Ignalina Nuclear Power Plant in Lithuania to record dark ambient sounds for the score. Whilst recording in the nuclear facility, the music team wore hazmat suits as a safety measure. According to Guðnadóttir, she wanted the power plant—and the radiation—to be a voice in itself, and had "wanted to understand the feeling of what must have gone through people’s heads as they were trying to navigate through that disaster", resulting in a sound of "creeping death".Every single sound from the score was made from the recordings they captured on site. Instead of artificially creating the sounds using instruments and pre-recorded material, Guðnadóttir wanted to "observe the setting", hoping to experience from a listener's perspective what it's like to actually be inside of a power plant. She explained the same in a podcast interview, saying: "How does that sound? Like, does a catastrophe really feel like and how does it sound We associate certain sounds of a nuclear disaster and those emitters, but there are so many other sounds that are there that were just so interesting to observe." She recorded the sounds of reactor halls, hallways, turbine saws, the hums of machinery, walls and the engine room door, and started composition with the sounds she had collected. She also used reverb and her own recordings, to make it actually sound like "singing in the rooms of the nuclear power plant and not in her music studio". Deciding against writing theme music for the series, Guðnadóttir created an individual soundscape for each episode. The composition process took more than seven months.