Charlie Watts
Charles Robert Watts was an English musician who was the drummer of the Rolling Stones from 1963 until his death in 2021.
Originally trained as a graphic artist, Watts developed an interest in jazz at a young age and joined the band Blues Incorporated. He also started playing drums in London's rhythm and blues clubs, where he met future bandmates Mick Jagger, Keith Richards and Brian Jones. In January 1963, he left Blues Incorporated and joined the Rolling Stones as drummer, while doubling as designer of their record sleeves and tour stages. Watts's first public appearance as a permanent member was in February 1963; he remained with the band for 58 years until his death, at which time he, Jagger and Richards were the only members of the band to have performed on every one of their studio albums.
Nicknamed "the Wembley Whammer" by Jagger, Watts cited jazz as a major influence on his drumming style. Aside from his career with the Rolling Stones, Watts toured with his own group, the Charlie Watts Quintet, and appeared in London at Ronnie Scott's Jazz Club with the Charlie Watts Tentet.
In 1989, Watts was inducted into the Rock and Roll Hall of Fame with the Rolling Stones, and in 2004, he was inducted into the UK Music Hall of Fame, also with the Rolling Stones. He has been ranked among the greatest drummers of all time.
Early life
Charles Robert Watts was born on 2 June 1941 at University College Hospital in Bloomsbury, London, to Charles Richard Watts, a lorry driver for the London, Midland and Scottish Railway, and wife Lillian Charlotte, who had been a factory worker. He had a sister, Linda, with whom he was close.As a child, Watts lived in Wembley, at 23 Pilgrims Way. Many of Wembley's houses had been destroyed by Luftwaffe bombs during World War II; Watts and his family lived in a prefab, as did many in the community. Watts would remember little of the Second World War, stating "I heard bombs exploding in the neighbourhood. I remember the mad rush from the house into the air-raid shelters. I was very young. War was something of a game to me – I don't think I ever really and truly got frightened."
In 1946, Watts met neighbour Dave Green, who had moved next door at 22 Pilgrims Way; they became childhood friends, and remained so until Watts's death. Green became a jazz bass player, and recalls that as boys, "we discovered 78rpm records. Charlie had more records than I did... We used to go to Charlie's bedroom and just get these records out." Watts's earliest records were jazz recordings; he remembered owning 78 RPM records of Jelly Roll Morton and Charlie Parker. Green recalls that Watts also "had the one with Monk and the Johnny Dodds Trio. Charlie was ahead of me in listening and acquisitions." Green and Watts would become bandmates in many of Charlie's jazz projects.
Watts and his family subsequently moved to Kingsbury, where he attended Tylers Croft Secondary Modern School from 1952 to 1956; as a schoolboy, he displayed a talent for art, music, cricket and football. When he and Green were both about thirteen, Watts became interested in drumming:
In 1955, Watts received a £12 drum kit for Christmas, and he practised drumming along to jazz records he collected. After completing secondary school, Watts enrolled at Harrow Art School, which he attended until 1960.
Career
Jazz bands and Blues Incorporated
After leaving art school, he worked as a graphic designer for an advertising company called Charlie Daniels Studios, and also played drums occasionally with local bands in coffee shops and clubs. He and Green began their musical careers together from 1958 to 1959, playing in a jazz band in Middlesex called the Jo Jones All Stars. Watts initially found his transition to rhythm and blues puzzling: "I went into rhythm and blues. When they asked me to play, I didn't know what it was. I thought it meant Charlie Parker, played slow."In 1961, Watts met Alexis Korner, who invited him to join his band Blues Incorporated. At that time, Watts was on his way to a sojourn working as a graphic designer in Denmark, but he accepted Korner's offer when he returned to London in February 1962. Watts played regularly with Blues Incorporated and maintained a job with the advertising firm Charles, Hobson and Gray.
Career with the Rolling Stones
In mid-1962, Watts first met Brian Jones, Ian "Stu" Stewart, Mick Jagger and Keith Richards, who also frequented the London rhythm and blues clubs, but it was not until January 1963 that Watts finally agreed to join the Rolling Stones. Initially, the band could not afford to pay Watts, who had been earning a regular salary from his gigs. His first public appearance as a permanent member was at the Ealing Jazz Club on 2 February 1963. Watts was often introduced as "The Wembley Whammer" by Jagger during live concerts.Besides his work as a musician, Watts contributed graphic art and comic strips to early Rolling Stones records such as the Between the Buttons record sleeve, and was responsible for the 1975 tour announcement press conference in New York City. The band surprised the throng of waiting reporters by driving and playing "Brown Sugar" on the back of a flatbed truck in the middle of Manhattan traffic. Watts remembered this was a common way for New Orleans jazz bands to promote upcoming dates. Moreover, with Jagger, he designed the elaborate stages for tours, first contributing to the lotus-shaped design of the Tour of the Americas, as well as the Steel Wheels/Urban Jungle Tour, the Bridges to Babylon Tour, the Licks Tour, and the A Bigger Bang Tour.
Watts's last live concert with the band was 30 August 2019 at Hard Rock Stadium in Miami, Florida. He had never missed a single concert throughout his career with the band. Besides Jagger and Richards, he is the only member to have appeared on every album in the Rolling Stones discography.
In October 2023, two years after Watts's death, the Rolling Stones released Hackney Diamonds. The album features two songs on which Watts plays the drums: "Mess It Up" and "Live By The Sword".
Activities outside the Stones
Watts was involved in many activities outside his life as a member of the Rolling Stones. In December 1964, he published a cartoon tribute to Charlie Parker titled Ode to a High Flying Bird. Although he made his name in rock, his personal tastes lay principally in jazz.In the late 1970s, he joined Ian Stewart in the back-to-the-roots boogie-woogie band Rocket 88, which featured many of the UK's top jazz, rock and R&B musicians. In the 1980s, he toured worldwide with a big band – the Charlie Watts Orchestra – that included such names as Evan Parker, Courtney Pine and Jack Bruce, who was also a member of Rocket 88.
In 1991, he organised a jazz quintet as another tribute to Charlie Parker. The year 1993 saw the release of Warm and Tender by the Charlie Watts Quintet, which included vocalist Bernard Fowler. This same group released Long Ago and Far Away in 1996. Both records included a collection of Great American Songbook standards. Following their collaboration on the Rolling Stones' 1997 album Bridges to Babylon, he and drummer Jim Keltner released a techno/instrumental album titled Charlie Watts/Jim Keltner Project. Watts stated that even though the tracks bore such names as the "Elvin Suite" in honour of the late Elvin Jones, Max Roach and Roy Haynes, they were not copying their style of drumming, but rather capturing a feeling by those artists. Watts at Scott's was recorded with his group, "the Charlie Watts Tentet", at the Ronnie Scott's Jazz Club in London.
In April 2009, he began performing with the ABC&D of Boogie Woogie. When asked by pianist Ben Waters to join the ensemble, he quickly agreed; his only demand being that Dave Green play bass, stating, "If Dave does it, I'll do it."
Personal life and public image
On 14 October 1964, Watts married Shirley Ann Shepherd, whom he had met before joining the Stones in 1963. The couple had one daughter, Seraphina, born in March 1968, who in turn gave birth to Watts's only grandchild, a girl named Charlotte. Watts and Shirley were married for 57 years, until Watts's death in 2021.Watts lived at Halsdon House near Dolton, a rural village in North Devon, where he owned an Arabian horse stud farm. He also owned a percentage of the Rolling Stones' various corporate entities.
While all the Rolling Stones collected cars, Watts never had a driving licence, preferring to view his cars as beautiful objects. Watts was also a fan of cricket, and had a collection of cricket memorabilia.
Touring and band relationships
Watts expressed a love–hate attitude towards touring, stating in 2003 that he "loved playing with Keith and the band" but "wasn't interested in being a pop idol sitting there with girls screaming". He left the band after every tour, once stating "I don't actually like touring", citing the time commitment and travel required. In 1989, when the Rolling Stones were inducted into the Rock and Roll Hall of Fame, Watts did not attend the ceremony.Watts's personal life appeared to be substantially quieter than those of his bandmates and many of his rock-and-roll colleagues; onstage, he seemed to furnish a calm and amused counterpoint to his flamboyant bandmates. Known for his loyalty to Shirley, Watts consistently refused sexual offers from groupies on the road; in Robert Greenfield's STP: A Journey Through America with The Rolling Stones, a documentary of the 1972 American Tour, it is noted that when the group was invited to the Playboy Mansion during that tour, Watts took advantage of Hugh Hefner's game room instead of frolicking with the women. "I've never filled the stereotype of the rock star", he remarked. "Back in the '70s, Bill Wyman and I decided to grow beards, and the effort left us exhausted." In a 1996 interview with Rolling Stone magazine, he said that he had sketched every bed he had slept on while on tour since 1967. By 2001, he had filled 12 to 15 diaries.
One anecdote relates that in the mid-1980s, an intoxicated Jagger phoned Watts's hotel room in the middle of the night, asking, "Where's my drummer?" Watts reportedly got up, shaved, dressed in a suit, put on a tie and freshly shined shoes, descended the stairs, and punched Jagger in the face, saying: "Never call me your drummer again. You're my fucking singer!" He expressed regret for the incident in 2003, attributing his behaviour to alcohol.