Black Francis
Charles Michael Kittridge Thompson IV, known professionally as Black Francis and formerly Frank Black, is an American singer, songwriter, and guitarist who is the lead vocalist of the alternative rock band Pixies. Following the band's breakup in 1993, he embarked on a solo career releasing fifteen albums and forming his band, the Catholics. The Pixies regrouped in 2004, and he declared his solo career to be over in 2013.
His vocal style varies from a screaming, yowling delivery with Pixies to a more measured, melodic style in his solo career. His cryptic lyrics mostly explore unconventional subjects, such as surrealism, UFOs, and biblical violence, along with science fiction and surf culture. His use of atypical meter signatures, loud–quiet dynamics, and distinct preference for live-to-two-track recording during his time with the Catholics have given him a distinct style within alternative rock.
Biography
Youth and college
Charles Michael Kittridge Thompson IV was born in Boston, Massachusetts. His father was a bar owner. Thompson lived in Los Angeles, California, because his father wanted to "learn more about the restaurant and bar business". Thompson's parents introduced him to 1960s folk rock at a young age. His first guitar was his mother's, a Yamaha classical guitar bought with money from his father's bar tips, which he started to play at age "11 or 12".Thompson's family moved around, first with his father, and then his stepfather, a religious man who "pursued real estate on both coasts"; his parents had separated twice by the time he was in first grade. When Thompson was 12, his mother and stepfather joined an evangelical church that was tied to the Pentecostal denomination Assemblies of God, a move that influenced many of his songs written with the Pixies, which often refer to the Bible.
He discovered the music of Christian rock singer-songwriter Larry Norman at 13 when Norman played at a religious summer camp that Thompson attended. Norman's music influenced Thompson to the extent that he titled the Pixies' first EP and a lyric in the band's song "Levitate Me" after one of Norman's catchphrases, "Come on, pilgrim!" Thompson later described the music he listened to during his youth:
Thompson lived in an apartment in Marblehead, Massachusetts. Just before his senior year, his family moved to Westport, Massachusetts, where he received a Teenager of the Year award—the title of a later solo album. During this time, Thompson composed several songs that appeared in his later career, including "Here Comes Your Man" from Doolittle, and "Velvety Instrumental Version".
After graduating from Westport High School in 1983, Thompson studied at the University of Massachusetts Amherst, majoring in anthropology. Thompson shared a room with another roommate for a semester before moving in with future Pixies guitarist Joey Santiago. The two shared an interest in rock music, and Santiago introduced Thompson to 1970s punk and the music of David Bowie; they began to jam together. It was at this time that Thompson discovered The Cars, a band he described as "very influential on me and the Pixies".
In his second year of college, Thompson embarked on a trip to San Juan, Puerto Rico, as part of an exchange program. He spent six months in an apartment with a "weird, psycho roommate" who later served as a direct inspiration for the Pixies song "Crackity Jones"; many of the band's early songs refer to Thompson's experiences in Puerto Rico. Thompson failed to learn to speak Spanish formally, and left his studies after debating whether he would go to New Zealand to view Halley's Comet, or start a rock band. He wrote a letter urging Santiago, with the words "we gotta do it, now is the time, Joe", to join him in a band upon his return to Boston.
Pixies
Soon after returning to Massachusetts, Thompson dropped out of college, and moved to Boston with Santiago. He spent 1985 working in a warehouse, "managing buttons on teddy bears", composing songs on his acoustic guitar, and writing lyrics on the subway. In January 1986, Thompson formed Pixies with Santiago. Bassist Kim Deal was recruited a week later via a classified advertisement placed in a Boston paper, which requested a bassist "into Hüsker Dü and Peter, Paul and Mary". Drummer David Lovering was later hired on recommendation from Deal's husband.In 1987 Pixies released an 18-track demo tape, commonly referred to as The Purple Tape. Thompson's father assisted the band financially, lending $1,000 in order to record the demo tape; Thompson later said that his father "wasn't around for a lot of my younger years, so I think he was doing his best to make up for lost time". The Purple Tape led to a recording contract with the English independent record label 4AD. For the release of the mini album Come On Pilgrim, Thompson adopted the alias "Black Francis", a name inspired by his father: "he had been saving that name in case he had another son".
In 1988 Pixies recorded their debut album Surfer Rosa. Thompson wrote and sang on all the tracks, with the exception of the single "Gigantic", which was co-written and sung by Deal. To support the album, the band undertook a European tour, during which Thompson met Eric Drew Feldman, a later collaborator on Pixies and solo albums. Doolittle, with Thompson-penned songs such as "Debaser" and "Monkey Gone To Heaven", was released the following year to widespread critical acclaim. However, by this time, tensions between Thompson and Deal, combined with exhaustion, led the band to announce a hiatus. Thompson has an aversion to flying, and spent this time driving across America with his girlfriend, Jean Walsh, performing solo shows in order to raise funds to buy furniture for his new Los Angeles apartment.
The band reconvened in 1990, and recorded two further albums: 1990's Bossanova and 1991's Trompe le Monde; the latter was Thompson's first collaboration with Feldman. The later Pixies albums were characterized by Feldman's increasing influence on the band's output, as well as a focus on science fiction themes, including aliens and UFOs. These themes would continue to be explored throughout his early solo work. Trompe le Monde includes the song "U-Mass", which was written about the university he attended as a youth, and due to the keyboard part played by Feldman, signified a move away from the band's alternative rock sound. Although Deal had contributed on the songs "Gigantic" and "Silver", from Bossanova on, Thompson wrote all the band's original material. This contributed to the increasing tension between him and Deal, and the Pixies broke up in 1992; this was not publicly announced until early 1993.
Early solo career
While Pixies' 1991 album Trompe le Monde was being recorded, Thompson had discussions with the album's producer, Gil Norton, about a possible solo record. He told Norton he was keen to record again, even though he had no new material; as a result, the two decided on a cover album. However, by the time Thompson visited a recording studio again in 1992, he had "plenty of tunes and musical scraps".He collaborated with Feldman to record new material; they began by trimming down the number of covers to one, The Beach Boys' "Hang On to Your Ego". Feldman became the album's producer, and played keyboard and bass guitar on several songs, with Santiago featuring on lead guitar and Nick Vincent on drums. Francis recorded the album during the hiatus and breakup of Pixies in late 1992 and early 1993. He then adopted the stage name "Frank Black" and released the results as Frank Black in March 1993. Frank Black was characterized by a focus on UFOs and science fiction, although he explored other subjects, such as in "I Heard Ramona Sing", a song about the Ramones. The album was similar in style, both musically and lyrically, to the Pixies' albums Bossanova and Trompe le Monde. Feldman later said that the first record connected his solo career with Trompe le Monde, "but at the same time it is an island, like nothing else he did".
The following year, Black released his second solo record, a 22-song double album entitled Teenager of the Year. Teenager included the song "Headache", a moderate success on alternative rock playlists; critics described the song as "irresistible pop". The production of Teenager of the Year was markedly different from Frank Black; in the previous album, MIDI templates were used when writing songs, but in Teenager, Black showed individual parts to band members, the core of which included drummer Vincent and Lyle Workman on lead guitar. Feldman noted that Thompson's songwriting became "a lot more spontaneous" while recording the album. Thompson had begun to stray from his style with Pixies, writing songs that covered a variety of genres and topics, and his new-found method of recording was closer to later albums than that of Frank Black and Trompe le Monde.
Both Frank Black and Teenager of the Year were critically well received, although they enjoyed limited commercial success. In 1995, Thompson left his long-time labels 4AD and Elektra. In 1996, he released The Cult of Ray on Rick Rubin's American Recordings; the album marked a turn away from the elaborate production of his first solo works and was recorded primarily live with few overdubs. His band for this album featured sole Teenager holdover Lyle Workman on lead guitar, along with bassist David McCaffrey and Scott Boutier on drums. Though the album was neither critically nor commercially successful, its stripped-down approach would increasingly define Thompson's working methods for the next several years.
Frank Black and the Catholics
Thompson dubbed his new band "Frank Black and the Catholics" and recorded their eponymous first album in 1997. Recorded live-to-two-track initially as merely a demo, he was so pleased with the results that he decided to release the sessions with no further production. The album was delayed for over a year by conflicts at American, both internal and over its production, and was ultimately released in late 1998 by SpinArt Records in the US. Since leaving American Recordings, Black has avoided long-term contracts with labels, and has maintained ownership of his album masters, licensing each album individually for release.Frank Black and the Catholics became the first album to be posted to the eMusic service; they claim it is "the first album ever made legally available for commercial download". Critical reception to the album was mixed, with some writers noting Thompson's seemingly deliberate turn away from the "quirkiness" of the Pixies and his early solo work for a self-consciously straightforward approach, and the "disappointingly straightforward punk-pop" musical style present on the album.
He would continue to eschew multi-track recording for the live-to-two-track technique for all subsequent releases under the group name. Live-to-two-track recording precludes the use of overdubs to correct errors or add texture; all takes are recorded continuously, and mixing is done "on the fly". On later albums, he incorporated more musicians into the sessions to allow for more varied instrumental textures. Explaining his rationale behind the method, he commented:
Workman left the Catholics in 1998 to pursue session and sideman work; Rich Gilbert was added to the band to replace him. Frank Black and the Catholics released Pistolero in 1999 and Dog in the Sand in 2001. Dog in the Sand added Dave Philips on pedal steel guitar and lead guitar, and Santiago and Feldman began making occasional appearances with the group live and on record.
By this time, while dismissing the possibility of a Pixies reunion, Thompson had begun to incorporate an increasing number of the band's songs into Catholics concerts, as well as including Santiago in his solo work again. Black and the Catholics continued to release records; two separate albums, Black Letter Days and Devil's Workshop, were released simultaneously in 2002. Devil's Workshop included the song "Velvety", a version of the Pixies song "Velvety Instrumental Version" that Black wrote as a teenager, with lyrics. The song was one of the first signs that he had acknowledged his past work with the Pixies in his solo output. A sixth album with the Catholics, Show Me Your Tears, was released in 2003. Show Me Your Tears