Sweet Dreams (Are Made of This)


"Sweet Dreams " is a song by the British synth-pop duo Eurythmics. It was released in January 1983 by RCA Records as the fourth and final single from their second album of the same name. It was their breakthrough hit, establishing the duo worldwide. It reached number two on the UK Singles Chart in March 1983, and number one on the US Billboard Hot 100 six months later; it was their first single released in the US.
With Annie Lennox appearing with orange cropped hair and wearing a man's business suit in the accompanying music video, which was directed by Chris Ashbrook, the BBC stated Lennox's "powerful androgynous look" was the music video that "broke the mould for female pop stars". Rolling Stone called the song "a synth-pop masterpiece that made Lennox and Dave Stewart MTV superstars".
After the song's rise, the duo's previous single, "Love Is a Stranger", was re-released and also became a worldwide hit. On Rolling Stone's The 500 Greatest Songs of All Time issue in 2003, "Sweet Dreams " was ranked number 356. In 2020, the song was inducted into the Grammy Hall of Fame. In 2023, it was selected by the US Library of Congress for preservation in the National Recording Registry. Eurythmics have regularly performed the song in all their live sets since its release—with an early television performance coming on the BBC's Top of the Pops in February 1983—and it is often performed by Lennox on her solo tours.
Recorded by Eurythmics in a small project studio in the attic of an old warehouse in North London where they were living, the song's success heralded a trend of musicians abandoning larger recording studios for home recording methods. In 1991, the song was remixed and reissued to promote Eurythmics' Greatest Hits album. It re-charted in the UK, reaching number 48, and was also a moderate hit in dance clubs. Another remix by Steve Angello was released in France in 2006, along with the track "I've Got a Life".

Background

Composition

and Dave Stewart wrote the song "Sweet Dreams Are Made of This" after the Tourists had broken up and they formed Eurythmics. Although the two of them also broke up as a couple, they continued to work together. They became interested in electronic music and bought new synthesizers to play around with. According to Stewart, he managed to produce the beat and riff of the song on one of their new synthesizers, and Lennox, on hearing it, said: "What the hell is that?" and started playing on another synthesizer, and beginnings of the song came out of the two dueling synths.
According to Lennox, the lyrics reflected the unhappy time after the breakup of the Tourists, when she felt that they were "in a dream world" and that whatever they were chasing was never going to happen. She described the song as saying: "Look at the state of us. How can it get worse?" adding "I was feeling very vulnerable. The song was an expression of how I felt: hopeless and nihilistic." Stewart thought the lyrics too depressing and added the "hold your head up, moving on" line to make it more uplifting.
Commenting on the line "Some of them want to use you some of them want to be abused", Lennox said that "people think it's about sex or S&M, and it's not about that at all." On the song's title she said, "Apparently, it's the most misheard lyric in British pop. People think I'm singing: 'Sweet dreams are made of cheese.'"

Recording

"Sweet Dreams " was created and recorded in two places, first in Eurythmics' tiny project studio in the attic of an old warehouse in the Chalk Farm district of North London where they were living at the time, then in a small room at The Church Studios in north London. The home studio was equipped with a Tascam 80-8, 8-track half-inch tape recorder, a Soundcraft mixer, a Roland Space Echo, a Klark Teknik DN50 spring reverb, a B.E.L. Electronics noise reduction unit, and a single Beyerdynamic M 201 TG microphone. The gear was purchased second-hand after Lennox and Stewart obtained a bank loan for.
Also purchased with the bank loan was a £2000 Movement Systems Drum Computer, one of only about 30 built, with the band having to sleep for a few days at the Bridgwater apartment of the manufacturer while their early prototype unit was being assembled. The MCS Drum Computer provided drum sounds, and also triggered sequences on a Roland SH-101 synthesizer, used for the synth bass line. To fill out the complement of instruments, Lennox played a borrowed Oberheim OB-X for sustained string sounds. Their only microphone, a utilitarian model typically used for hi-hat, performed all the acoustic duties, including tracking Lennox's vocals.
Stewart recalls he was in a manic mood while Lennox was depressed. Stewart was upbeat because he had just survived surgery on a punctured lung, and felt like he had been given a new lease on life. Lennox was feeling low because of the poor results from past musical work. She perked up when she heard Stewart first experimenting with the song's bass line sequence. She "leaped off the floor" and started to fill in the song with the Oberheim synth.
According to Stewart, their record label RCA Records did not think the song was suitable as a single in the United States as it lacked a chorus. After a radio DJ in Cleveland kept playing the song from the album of the same name, and it generated a strong local response, RCA decided to release it in the US.

Chart performance

"Sweet Dreams " was Eurythmics' commercial breakthrough in the United Kingdom and all over the world. The single entered the UK Singles Chart at number 63 in February 1983 and reached number two the following month, spending a total of six weeks in the Top 5. The duo performed the song on the BBC's music chart show Top of the Pops on 24 February 1983, and its continued climb up the charts saw them play it on the show's year end Christmas special. It was the 11th best-selling single of 1983 in the UK and has been certified triple platinum by the British Phonographic Industry.
"Sweet Dreams " was the first-ever single released by Eurythmics in the United States when it was released around the end of April 1983. The single debuted at number 90 on the Billboard Hot 100 in May and slowly eased up the chart. By August, the single had reached number two and stayed there for four weeks before it took the number one spot in the first week of September. The song also peaked at number one in Canada, and reached the top ten in a number of countries including Australia, West Germany, Spain and South Africa.

Music video

The music video for "Sweet Dreams" was directed by London-based music video director Chris Ashbrook and filmed in January 1983, shortly before the single and the album were released. The boardroom scenes were filmed in a studio in Wardour Street, West London. The video received heavy airplay on the then-fledgling MTV channel and is widely considered a classic clip from the early-MTV era. Rolling Stone stated it "made Annie Lennox and Dave Stewart MTV superstars".
The video begins with a fist pounding on a table, with the camera panning up to reveal Lennox in a boardroom, with images of a Saturn V launch projected on a screen behind her, which are later replaced by a shot of a crowd walking down a street. Stewart is shown typing on a computer. The camera cuts to Lennox and Stewart meditating on the table. Stewart is next shown playing cello in a field. The scene then returns to the boardroom, with Lennox and Stewart lying down on the table, and a cow walking around them. Stewart is shown again typing on the computer, with the cow feeding next to him. The scene cuts to the duo in a field, with a herd of cows, and Stewart still typing. Lennox and Stewart are then seen floating in a boat, with Stewart again playing the cello. The video ends with Lennox lying in bed, with the last shot being a book on a nightstand bearing a cover identical to the album. The screen then fades to black as Lennox turns off the bedside lamp.
Lennox's androgynous visual image, with close-cropped, orange-coloured hair, and attired in a man's suit brandishing a cane, immediately made her a household name. The BBC stated her "powerful androgynous look" was the music video that "broke the mould for female pop stars“. Her gender-bending image was also explored in other Eurythmics videos such as "Love Is a Stranger" and "Who's That Girl?" and with her appearance as Elvis Presley at the 1984 Grammy Awards.

Critical reception

Contemporary reviews of "Sweet Dreams" were positive, with publications placing particular attention on Lennox's vocals. Record Business was complimentary of Lennox's "gutsy" vocal delivery and "bluesy wailing" and felt that the song was an effective follow-up to "Love is a Stranger". Record Mirror thought that the band created a successful hybrid of electronic blues and soul music with "Sweet Dreams". They also believed that Lennox's vocals were only rivaled by Alison Moyet of Yazoo.
Retrospectively, several publications have praised the song, with AllMusic deeming it one of the greatest showcases of new wave music. Slant Magazine placed the song on its list of the 100 Best Dance Songs and described it as "a triumph of computer programming" that featured "the single greatest use of a prolonged synth line in the history of dance music." Rolling Stone ranked the song number 356 on its 2003 edition of The 500 Greatest Songs of All Time.

Track listings

  • 7-inch single
  • 12-inch single
  • 3-inch CD
  1. "Sweet Dreams " – 3:36
  2. "I Could Give You a Mirror" – 4:15
  3. "Here Comes the Rain Again" – 4:54
  4. "Paint a Rumour" – 7:30
  • CD single
  1. "Sweet Dreams '91" – 3:35
  2. "Sweet Dreams " –
  3. "Sweet Dreams " – 5:21
  4. "Sweet Dreams " – 3:34
  • Digital download
  1. "Sweet Dreams " – 3:22
  2. "Sweet Dreams " – 6:02