Ame-no-Minakanushi

Ame-no-Minakanushi is a deity in Japanese mythology, portrayed in the Kojiki and the Nihon Shoki as the first or one of the first deities who manifested when heaven and earth came into existence.

Name

The kami is given the name 'Ame-no-Minakanushi-no-Kami' in the Kojiki. The same deity is referred to as 'Ame-no-Minakanushi-no-Mikoto' in a variant account cited in the Nihon Shoki.

Mythology

The Kojiki portrays Ame-no-Minakanushi as the first god to appear in the heavenly realm of Takamagahara after the emergence of heaven and Earth from the primeval chaos:
Unlike later generations of kami, the first seven gods were "single" or "solitary" in that they came into being one by one, without any counterparts, and are described as hiding their presence upon coming into existence. Ame-no-Minakanushi is reckoned as the first of the "three deities of creation" and one of the five "distinguished heavenly gods".
In the Nihon Shoki's main narrative and many of the variant accounts cited in it, the first kami is identified instead as Kuni-no-Tokotachi; Ame-no-Minakanushi only appears in passing in one of these variants:
In the Sendai Kuji Hongi, the first deity to appear is named 'Ame-Yuzuruhi-Ame-no-Sagiri-Kuni-Yuzurutsuki-Kuni-no-Sagiri-no-Mikoto'. Here, Ame-no-Minakanushi - given the alias 'Ame-no-Tokotachi-no-Mikoto' - along with the deity Umashiashikabihikoji is instead counted as the first generation that emerged after this god.
No further mention is made of Ame-no-Minakanushi in these texts.

	Kojiki	Nihon Shoki	Nihon Shoki	Nihon Shoki	Nihon Shoki	Sendai Kuji Hongi
The first generations of kami	1. Ame-no-Minakanushi 2. Takamimusubi 3. Kamimusubi 4. Umashi-Ashikabi-Hikoji 5. Ame-no-Tokotachi 1. Kuni-no-Tokotachi 2. Toyokumono 3. Uijini, Suijini 4. Tsunugui, Ikugui 5. Ōtonoji, Ōtonobe 6. Omodaru, Ayakashikone 7. Izanagi, Izanami	1. Kuni-no-Tokotachi 2. Kuni-no-Satsuchi 3. Toyokumunu 4. Uijini, Suijini 5. Ōtonoji, Ōtomabe 6. Omodaru, Kashikone 7. Izanagi, Izanami	1. Umashi-Ashikabi-Hikoji 2. Kuni-no-Tokotachi 3. Kuni-no-Satsuchi	1. Kuni-no-Tokotachi 2.Kuni no Satsuchi 1. Ame-no-Minakanushi 2. Takamimusubi 3. Kamimusubi	1. Ame-no-Tokotachi 2. Umashi-Ashikabi-Hikoji	Ame-Yuzuruhi-Ame-no-Sagiri-Kuni-Yuzurutsuki-Kuni-no-Sagiri 1. Ame-no-Minakanushi, Umashi-Ashikabi-Hikoji 2. Kuni-no-Tokotachi, Toyokuninushi + Ame-no-Yakudari 3. Tsugunui, Ikugui + Ame-no-Mikudari 4. Uijini, Suijini + Ameai 5. Ōtonoji, Ōtomabe + Ame-no-Yaohi 6. Aokashikine, Ayakashikine + Ame-no-Yasorodama 7. Izanagi, Izanami + Takamimusubi, Kamimusubi, Ikumusubi, Tsuhayamusubi, Furutama, Yorotama

Descendants

An imperially commissioned genealogical record known as the Shinsen Shōjiroku identifies two clans as the progeny of deities descended from Ame-no-Minakanushi:

The Hattori no Muraji clan, descended from Ame-no-Mihoko, the 11th generation descendant of Ame-no-Minakanushi
The Miteshiro no Obito clan, descended from Ame-no-Minakanushi's 10th generation descendant Ame-no-Morokami

Analysis

There is no extant undisputed record of Ame-no-Minakanushi being worshiped at any known ancient shrines ; this, combined with the lack of information concerning the god outside of documents associated with the imperial court such as Kojiki and the Shoki, has led some scholars to consider Ame-no-Minakanushi to be an abstract deity created under the influence of Chinese thought. Other scholars, however, argue that the paucity of evidence for the worship of Ame-no-Minakanushi in antiquity does not necessarily mean that the god is purely a literary invention.
Konishi Jin'ichi saw the creation narratives of the Kojiki and the Shoki as a combination of three different traditions: one which traces the origin of the gods to Ame-no-Minakanushi, another that began with Umashi-Ashikabi-Hikoji, and a third one starting with Kuni-no-Tokotachi. He saw similarities between Ame-no-Minakanushi and the sky deities Tangaloa and Tengri, suggesting that these myths may ultimately share a common origin.
Kawai Hayao compared Ame-no-Minakanushi with the moon deity Tsukuyomi and Hosuseri, in that all three are portrayed as belonging to a triad of important deities and yet are not recorded as doing anything of significance. He considered these three 'inactive' deities to serve a mythic function as the 'hollow center' acting as a buffer zone between two opposite or conflicting forces.

During the medieval and early modern periods

Until the medieval era, the Nihon Shoki, owing to its status as one of the six national histories, was more widely read and commented upon than the Kojiki, which was regarded as an ancillary work. In a similar vein, the Sendai Kuji Hongi, due to its preface claiming it to be compiled by Prince Shōtoku and Soga no Umako, was seen as being earlier and more reliable. References to Ame-no-Minakanushi were thus solely in terms of his role as one of the primeval kami.
Yoshida Kanetomo, the founder of the Yoshida Shintō sect, identified Kuninotokotachi with Amenominakanushi and regarded him as the primordial god of the Universe.
During the Kamakura period, the school of thought developed by the Watarai priestly house of the Outer Shrine of Ise known as Ise Shinto, identified the shrine's deity, Toyouke, with Ame-no-Minakanushi and Kuni-no-Tokotachi. By doing so, the Outer Shrine asserted superiority over the Inner Shrine and its goddess, Amaterasu.
It was upon the flourishing of nativist studies and the rediscovery and reappraisal of the Kojiki in the Edo period that Ame-no-Minakanushi's significance was reevaluated, with different authors expressing their own opinions on the god's role and importance.
Motoori Norinaga, in his commentary on the Kojiki, criticized the Watarai priesthood for laying emphasis on the importance of Ame-no-Minakanushi, arguing that the deities' order of appearance in time has no bearing on their rank or status. In his view, while Ame-no-Minakanushi is indeed the first among the gods to manifest, he is neither the ruler of heaven nor the "first ancestor" of the imperial line, as some in his time believed. Motoori instead characterized Takamimusubi and Kamimusubi as the "first ancestors of heaven and earth, of the kami, and of all existence."
Tsurumine Shigenobu, who attempted to make a rational interpretation of the creation myths of the Kojiki and Shoki based on a synthesis with his understanding of European science and astronomy, associated Ame-no-Minakanushi with gravity:
By linking gravity to Ame-no-Minakanushi, Tsurumine identifies the deity as the "lord" who oversees the process whereby the activity of the two gods of "coalescing" results in the creation of all things out of the basic elements represented by "particles." Using language apparently borrowed from Christian conceptions of God, Tsurumine then went on to describe the three deities of creation as "the ancient ancestral kami of heaven and great kami sovereign over first origins... who have made all things, from sun and moon, the planets, and earth to every other thing."
Motoori's admirer and self-proclaimed disciple Hirata Atsutane, in contrast to Motoori, described Ame-no-Minakanushi as a supreme deity with no beginning and no end who holds sovereignty over all existence, residing in the pole star at the very center of heaven.
A number of Hirata's disciples, meanwhile, came to formulate different understandings of Ame-no-Minakanushi from their mentor. One such disciple, Mutobe Yoshika, for instance argued that all the stars in the sky have their own planetary system similar to the Sun; the Kojiki's description of the generation of heaven and Earth thus does not refer to the entire cosmos as Hirata interpreted it, but the Solar System alone. According to Mutobe, all the stars with their respective planetary system were formed by the three deities of creation, who then came down to dwell in the Solar System. Unlike Hirata, Mutobe relegated Ame-no-Minakanushi and the other two deities of creation to a minor role and instead accorded high status to the earthly deity Ōkuninushi, who he argued was given jurisdiction by the gods Takamimusubi and Amaterasu not only over the lives and fates of human beings but also over grains and other foods. He thus took the evaluation Hirata had given to the three kami of creation and reapplied it to Ōkuninushi, essentially elevating him to a kind of supreme deity.

Worship

The Buddhist deity Myōken, who was worshiped in Japan since at least the 7th century, became conflated with Ame-no-Minakanushi during the early modern period due to Myōken's association with the Big Dipper and the northern pole star. When the Meiji government mandated the separation of Buddhism and Shinto, many shrines dedicated to Myōken became shrines to Ame-no-Minakanushi. Ame-no-Minakanushi was also one of the patron deities of the Taikyo Institute, a short-lived government organization that promoted a state-sponsored fusion of Buddhism and Shinto after the earlier separation policy was deemed as being too divisive.
In the Oomoto religious text Michi no Shiori, written by Onisaburo Deguchi in 1904, the Supreme God of the universe is identified as Ame-no-Minakanushi.