Hirata Atsutane
Hirata Atsutane was a Japanese scholar, conventionally ranked as one of the Four Great Men of Kokugaku studies, and one of the most significant 19th century theologians of the Shintō religion. His literary name was Ibukinoya, and his primary assumed name was Daigaku. He also used the names Daikaku, Gentaku, and Genzui. His personal name was Hanbē.
Biography
Early life
Hirata was born as the fourth son of Ōwada Seihē Toshitane, an Obangashira ''samurai of Kubota Domain, in what is now part of the city of Akita in northern Japan. Little is known of his early childhood, but it appears he was impoverished and faced hostility from his step-mother. He left home in 1795, renouncing his ties to his family and to the Domain and traveled to Edo and worked as a laborer and as a servant, while pursuing opportunities to study rangaku, geography, and astronomy. In 1800, at the age of 25, he caught the attention of Hirata Tōbē, a scholar and instructor in the Yamaga school of military strategy, formerly of Bitchū-Matsuyama Domain, who adopted him and from whom he received the family name of Hirata. Around this time, he met his future wife, the daughter of Ishibashi Tsunefusa, a hatamoto'' of Numazu Domain, whom he married the following year. Evidently the two became romantically involved while Hirata was working as a menial servant in the Ishibashi household. Taking his family name, she was known as Hirata Orise. Orise died in 1812.Hirata claimed to be a descendant of Taira no Masakado.
Development of Kokugaku studies
While in Edo, Hirata was a student of the Neo-Confucianism of Yamazaki Ansai ; however, his interests were very broad. Concerned by Russian raids and incursions into north Ezo, he studied modern Dutch medicine under the surgeon. His studies under Yoshida included at least one human dissection. He later turned towards Daoism as found in the works of the Chinese philosopher Zhuangzi. He learned about the works of Motoori Norinaga, the founder of the kokugaku movement, in 1803, two years after Motoori's death. Hirata claimed later to have received the mantle of kokugaku teacher in a dream directly from Motoori Norinaga, but the story is apocryphal. Originally, he published under the name of Masuganoya, meaning "house of sedge", but during a tour of rural shrines in 1816 he acquired an ancient stone vessel flute which he cherished dearly and changed his publishing name to Ibukinoya, or "house of breath". He became a student of Motoori Haruniwa, and read voraciously the ancient and Chinese classics, foreign works by Nicolaus Copernicus and Isaac Newton and treatises on Buddhism and Shinto. He was also a prolific writer. Representative works in the study of ancient Japanese traditions include Tama no mihashira, Koshi seibun, Kodō taii and Zoku shintō taii, and the commentaries Koshichō and Koshiden. He is also noted for his studies of ancient Indian and Chinese tradition, and texts dealing with the spirit world, including Senkyō ibun and Katsugorō saisei kibun. His early work Honkyō gaihen indicates an acquaintance with Christian literature that had been authored by Jesuits in China.Though he is traditionally ranked fourth in the lineage of kokugaku scholars, Hirata actually represents a break with the purely scholarly urban culture characteristic of the revival of classical nativist learning, and represents a trend toward a populist message. Hirata laid particular emphasis on reaching the average man, and adapted his own style to them by employing at times the vernacular idiom. Hirata frequently expressed hostility to the Confucian and Buddhist scholars of the day, advocating instead a revival of the “ancient ways” in which the emperor was to be revered. Hirata's first published work, Kamōsho was a scathing attack on the works of Confucian philosopher Dazai Shundai on Buddhism, and resulted in an invitation to teach from the Yoshida family, the hereditary clan leading Yoshida Shinto.
The contents of his 1841 treatise Tenchō mukyūreki, in which he suggested that loyalty to the Emperor ought to take precedence over loyalty to one's lord, angered the ruling Tokugawa government, and he was sentenced to house arrest in Akita until his death in 1843.
Influence
Hirata's activities eventually attracted over 500 pupils, including Okuni Takamasa and Suzuki Shigetane. His nationalist writings had considerable impact on the samurai who supported the Sonnō jōi movement and who fought in the Boshin War to overthrow the Tokugawa Shogunate during the Meiji Restoration.Hirata's influence on kokugaku has recently been thought to be overestimated. While he is called one of the "four great men of kokugaku", this is a phrase he invented himself. His work more often influenced religious groups than the government in the Empire of Japan.
Among Hirata's more enduring contributions to Japanese thought was to remind all Japanese that they were descended from the kami, not only the Imperial family and certain aristocratic families. As he put it, "this, our glorious land, is the land in which the kami have their origin, and we are one and all descendants of the kami. For this reason, if we go back from the parents who gave us life and being, beyond the grandparents and great-grandparents, and consider the ancestors of ancient times, then the original ancestors of those must necessarily have been the kami."
A poem by Atsutane, collected by Tsunoda Tadayuki in Ibukinoya kashū, was included in the 1942.
Hirata Atsutane's grave
[file:平田篤胤墓.jpg|right|thumb|250 px|Hirata Atsutane's grave]Hirata died at his home in Nakakame-cho, Akita in 1843, and as per the provisions of his will, was buried on a hillside in the city. The tombstone is a natural stone simply inscribed with his name, surrounded by a stone fence and a stone torii gate are placed at the entrance. The tomb was designated a National Historic Site of Japan in 1934.
Selected works
Chishima no shiranamiHonkyō gaihenKodō taiiTama no mihashiraTamadasukiZoku shintō taiiKoshichō KoshidenShizu no iwayaShutsujō shōgoIndo zōshiMorokoshi taikodenSenkyō ibunKatsugorō saisei kibunReihō gogaku shinkeizuSaiseki gaironTenchūkiKamōshoKokon yōmikōTenchō mukyūreki- A commentary on the Inō mononokeroku of 1749.