Al Capp
Alfred Gerald Caplin, better known as Al Capp, was an American cartoonist and humorist best known for the satirical comic strip Li'l Abner, which he created in 1934 and continued writing and drawing until 1977. He also wrote the comic strips Abbie an' Slats and Long Sam. He won the National Cartoonists Society's Reuben Award in 1947 for Cartoonist of the Year, and their 1979 Elzie Segar Award, posthumously for his "unique and outstanding contribution to the profession of cartooning".
Capp's comic strips dealt with urban experiences in the Northern United States until the year he introduced "Li'l Abner". Although Capp was from Connecticut, he spent 43 years writing about the fictional Southern town of Dogpatch, reaching an estimated 60 million readers in more than 900 American newspapers and 100 more papers in 28 countries internationally. M. Thomas Inge says Capp made a large personal fortune through the strip and "had a profound influence on the way the world viewed the American South".
Early life and education
Capp was born in New Haven, Connecticut, of East European Jewish heritage. He was the eldest child of Otto Philip Caplin and Matilda Caplin. Otto Caplin was a failed businessman and an amateur cartoonist; Al's brothers Elliot and Jerome were also cartoonists, and his sister Madeline was a publicist. Capp's parents were both natives of Latvia whose families had migrated to New Haven in the 1880s. "My mother and father had been brought to this country from Russia when they were infants", wrote Capp in 1978. "Their fathers had found that the great promise of America was true — it was no crime to be a Jew." The Caplins were indigent; Capp recalled stories of his mother going out in the night to sift through ash barrels for reusable bits of coal.In August 1919, at age nine, Capp was run over by a trolley car and had his left leg amputated above the knee. According to his father Otto's unpublished autobiography, young Capp was not prepared for the amputation beforehand; having been in a coma for days, he suddenly awoke to discover that his leg had been removed. He was eventually given a prosthetic leg but only learned to use it by adopting a slow way of walking which became increasingly painful as he aged. The childhood tragedy of losing a leg likely helped shape Capp's cynical worldview, which was darker and more sardonic than that of most newspaper cartoonists. "I was indignant as hell about that leg," he revealed in a November 1950 interview in Time magazine.
"The secret of how to live without resentment or embarrassment in a world in which I was different from everyone else", Capp philosophically wrote, "was to be indifferent to that difference." The prevailing opinion among his friends was that Capp's Swiftian satire was, to some degree, a creatively channeled, compensatory response to his disability.
Capp's father introduced him to drawing as a form of therapy. He became quite proficient, advancing mostly on his own. Among his earliest influences were Punch cartoonist–illustrator Phil May and American comic strip cartoonists Tad Dorgan, Cliff Sterrett, Rube Goldberg, Rudolph Dirks, Fred Opper, Billy DeBeck, George McManus, and Milt Gross. At about this same time, Capp became a voracious reader. According to Capp's brother Elliot, Alfred had finished all of Shakespeare and George Bernard Shaw before he was 13 years old. Among his childhood favorites were Dickens, Smollett, Mark Twain, Booth Tarkington, and later, Robert Benchley and S. J. Perelman.
Capp spent five years at Bridgeport High School in Bridgeport, Connecticut, without receiving a diploma. He liked to joke about how he failed geometry for nine straight terms. His formal training came from a series of art schools in the Northeast. Attending three of them in rapid succession, the impoverished Capp was thrown out of each for nonpayment of tuition—the Boston Museum School of Fine Arts, the Pennsylvania Academy of the Fine Arts, and Designers Art School in Boston—the last before launching his career. Capp already had decided to become a cartoonist. "I heard that Bud Fisher got $3,000 a week and was constantly marrying French countesses", Capp said. "I decided that was for me."
In early 1932, Capp hitchhiked to New York City. He lived in "airless rat holes" in Greenwich Village and turned out advertising strips at $2 each while scouring the city hunting for jobs. He eventually found work at the Associated Press when he was 23 years old. By March 1932, Capp was drawing Colonel Gilfeather, a single-panel, AP-owned property created in 1930 by Dick Dorgan. Capp changed the focus and title to Mister Gilfeather but soon grew to hate the feature. He left the Associated Press in September 1932. Before leaving, he met Milton Caniff and the two became lifelong friends. Capp moved to Boston and married Catherine Wingate Cameron, whom he had met earlier in art class. She died in 2006 at the age of 96.
Leaving his new wife with her parents in Amesbury, Massachusetts, he subsequently returned to New York in 1933, in the midst of the Great Depression. "I was 23, I carried a mass of drawings, and I had nearly five dollars in my pocket. People were sleeping in alleys then, willing to work at anything." There he met Ham Fisher, who hired him to ghost on Joe Palooka. During one of Fisher's extended vacations, Capp's Joe Palooka story arc introduced a stupid, coarse, oafish mountaineer named "Big Leviticus", a crude prototype.
Also during this period, Capp was working at night on samples for the strip that eventually became Li'l Abner. He based his cast of characters on the authentic mountain-dwellers he met Leaving Joe Palooka, Capp sold Li'l Abner to United Feature Syndicate. The feature was launched on Monday, August 13, 1934, in eight North American newspapers—including the New York Mirror—and was an immediate success. Alfred G. Caplin eventually became "Al Capp" because the syndicate felt the original would not fit in a cartoon frame. Capp had his name changed legally in 1949.
His younger brother, Elliot Caplin, also became a comic strip writer, best known for co-creating the soap opera strip The Heart of Juliet Jones with artist Stan Drake and conceiving the comic strip character Broom-Hilda with cartoonist Russell Myers. Elliot authored several off-Broadway plays, including A Nickel for Picasso, which was based on and dedicated to his mother and his famous brother.
''Li'l Abner''
What began as a hillbilly burlesque soon evolved into one of the most imaginative, popular, and well-drawn strips of the twentieth century. Featuring vividly outlandish characters, bizarre situations, and equal parts suspense, slapstick, irony, satire, black humor, and biting social commentary, Li'l Abner is considered a classic of the genre. The comic strip stars Li'l Abner Yokum—the simple-minded, loutish but good-natured, and eternally innocent hayseed who lives with his parents—scrawny but superhuman Mammy Yokum, and shiftless, childlike Pappy Yokum."Yokum" was a combination of yokel and hokum, although Capp established a deeper meaning for the name during a series of visits around 1965–1970 with comics historians George E. Turner and Michael H. Price:
The Yokums live in the backwater hamlet of Dogpatch, Kentucky. Described by its creator as "an average stone-age community", Dogpatch mostly consists of hopelessly ramshackle log cabins, pine trees, "tarnip" fields, and "hawg" wallows. Whatever energy Abner had went into evading the marital goals of Daisy Mae Scragg, his sexy, well-endowed, but virtuous girlfriend, until Capp finally gave in to reader pressure and allowed the couple to marry. This newsworthy event made the cover of Life on March 31, 1952.
Capp peopled his comic strip with an assortment of memorable characters, including Marryin' Sam, Hairless Joe, Lonesome Polecat, Evil-Eye Fleegle, General Bullmoose, Lena the Hyena, Senator Jack S. Phogbound, the Scraggs, Available Jones, Nightmare Alice, Earthquake McGoon, and a host of others. Especially notable, certainly from a G.I. point of view, are the beautiful, full-figured women — Daisy Mae, Wolf Gal, Stupefyin' Jones, and Moonbeam McSwine — all of whom found their way onto the nose art of bomber planes during World War II and the Korean War. Perhaps Capp's most popular creations were the Shmoos, creatures whose incredible usefulness and generous nature made them a threat to civilization as we know it.
Another famous character was Joe Btfsplk, who wants to be a loving friend but is "the world's worst jinx", bringing bad luck to all those nearby. Btfsplk always has an iconic dark cloud over his head.
Dogpatch residents regularly combat the likes of city slickers, business tycoons, government officials, and intellectuals with their homespun simplicity. Situations often take the characters to other destinations, including New York City, Washington, D.C., Hollywood, tropical islands, the moon, Mars, and some purely fanciful worlds of Capp's invention, including El Passionato, Kigmyland, The Republic of Crumbumbo, Skunk Hollow, The Valley of the Shmoon, Planets Pincus Number 2 and 7, and a miserable frozen wasteland known as Lower Slobbovia, a pointedly political satire of backward nations and foreign diplomacy that remains a contemporary reference.
According to cultural historian Anthony Harkins:
The strip's popularity grew from an original eight papers to eventually more than 900. At its peak, Li'l Abner was estimated to have been read daily in the United States by 60 to 70 million people, with adult readers far outnumbering children. Many communities, high schools, and colleges staged Sadie Hawkins dances patterned after the similar annual event in the strip.
Li'l Abner has one odd design quirk that has puzzled readers for decades: the part in his hair always faces the viewer, no matter which direction Abner is facing. In response to the question "Which side does Abner part his hair on?", Capp would answer: "Both." Capp said he finally found the right "look" for Li'l Abner with Henry Fonda's character Dave Tolliver in The Trail of the Lonesome Pine.
In later years, Capp always claimed to have effectively created the miniskirt, when he first put one on Daisy Mae in the 1930s.