Claude Rains
William Claude Rains was a British and American actor whose career spanned almost seven decades. He was the recipient of numerous accolades, including four Academy Award nominations for Best Supporting Actor, and is considered one of the screen's great character stars who played cultured villains during the Golden Age of Hollywood.
The son of a stage actor, Rains began acting onstage in his native London in the 1900s. He became a leading thespian on the West End, and an acting teacher at the Royal Academy of Dramatic Arts. He moved to the United States in the late 1920s and became a successful Broadway star, before making his American film debut as Dr. Jack Griffin in The Invisible Man. He went on to play prominent roles in such big-screen productions as The Adventures of Robin Hood, Mr. Smith Goes to Washington, The Wolf Man, Casablanca, Kings Row, Phantom of the Opera and Notorious.
In 1951, he won the Tony Award for Best Actor in a Play for his performance in Darkness at Noon. He continued to work as a prominent character actor in films, notably as Mr. Dryden in Lawrence of Arabia and his final role in the Biblical epic The Greatest Story Ever Told.
In 1960, he received a star on the Hollywood Walk of Fame for his contributions to the film industry. Richard Chamberlain described him as "one of the finest actors of the 20th century," while Bette Davis considered him one of her favorite co-stars.
Early life
William Claude Rains was born on 10 November 1889 at 26 Tregothnan Road in Clapham, London. His parents were Emily Eliza and stage actor Frederick William Rains. He lived in the slums of London. Rains was one of twelve children, of whom all but four died while still infants. His mother took in boarders in order to support the family. Rains grew up with a Cockney accent and a speech impediment.Because his father was an actor, the young Rains would spend time in theatres and was surrounded by actors and stagehands. There he observed actors as well as the day-to-day running of a theatre. Rains made his stage debut at age 10 in the play Sweet Nell of Old Drury at the Haymarket Theatre, so that he could run around onstage as part of the production. He slowly worked his way up in the theatre, becoming a call boy at His Majesty's Theatre and later a prompter, stage manager, understudy, and then moving on from smaller parts with good reviews to larger, better parts.
Early career and military service
Rains moved to the United States in 1912 owing to the opportunities that were being offered in the New York theatres. However, at the outbreak of World War I in 1914, he returned to England and was commissioned into the British Army's London Scottish regiment, alongside fellow actors Basil Rathbone, Ronald Colman, Herbert Marshall and Cedric Hardwicke. In November 1916, Rains was involved in a gas attack at Vimy, which resulted in his permanently losing 90 percent of the vision in his right eye as well as suffering vocal cord damage. He never returned to combat but continued to serve with the Transport Workers Battalion of the Bedfordshire Regiment, in which he was commissioned as a temporary lieutenant on 9 May 1917. In March 1918, he was promoted to temporary captain, the rank he held at the end of the war. On 8 October 1918 he was appointed as adjutant, and continued to serve in that role until March 1919.After his return to civilian life, Rains remained in England and continued to develop his acting talents. These talents were recognised by Sir Herbert Beerbohm Tree, the founder of the Royal Academy of Dramatic Art. Tree told Rains that in order to succeed as an actor, he would have to get rid of his Cockney accent and speech impediment. With this in mind, Tree paid for the elocution books and lessons that Rains needed to help him change his voice. Rains eventually shed his accent and speech impediment after practising every day. His daughter Jessica, when describing her father's voice, said, "The interesting thing to me was that he became a different person. He became a very elegant man, with a really extraordinary Mid-Atlantic accent. It was 'his' voice, nobody else spoke like that, half American, half English and a little Cockney thrown in." Soon after changing his accent, he became recognised as one of the leading stage actors in London. At age 29, he made his film debut, playing the role of Clarkis in his only silent film, the British film Build Thy House.
During his early years, Rains taught at the Royal Academy of Dramatic Arts. John Gielgud and Charles Laughton were among his students.
Career
In London theatre, he achieved success in the title role of John Drinkwater's play Ulysses S. Grant, the follow-up to the same playwright's Abraham Lincoln. Rains portrayed Faulkland in Richard Brinsley Sheridan's The Rivals, presented at London's Lyric Theatre in 1925. He returned to New York City in 1927 and appeared in nearly 20 Broadway roles, in plays which included George Bernard Shaw's The Apple Cart and dramatisations of The Constant Nymph and Pearl S. Buck's novel The Good Earth.Although he had played the single supporting role in the silent, Build Thy House, Rains came relatively late to film acting. While working for the Theatre Guild, he was offered a screen test with Universal Pictures in 1932. His screen test for A Bill of Divorcement for a New York representative of RKO was a failure but, according to some accounts, led to his being cast in the title role of James Whale's The Invisible Man after his screen test and unique voice were inadvertently overheard from the next room. His agent, Harold Freedman, was a family friend of Carl Laemmle, who controlled Universal Pictures at the time, and had been acquainted with Rains in London and was keen to cast him in the role. According to Rains' daughter, this was the only film of his he ever saw. He also did not go to see the rushes of the day's filming "because he told me, every time he went he was horrified by his huge face on the huge screen, that he just never went back again."
Rains signed a long-term contract with Warner Bros. on 27 November 1935, with Warner able to exercise the right to loan him to other studios and Rains having a potential income of up to $750,000 over seven years. He played the villainous role of Prince John in The Adventures of Robin Hood. Roddy McDowall once asked Rains if he had intentionally lampooned Bette Davis in his performance as Prince John, and Rains only smiled "an enigmatic smile." Rains later revealed to his daughter that he had enjoyed playing the prince as a homosexual, by using subtle mannerisms. Rains later credited the film's co-director Michael Curtiz with teaching him the more understated requirements of film acting, or "what not to do in front of a camera." On loan to Columbia Pictures, he portrayed a corrupt but honourable U.S. senator in Mr. Smith Goes to Washington, for which he received his first Academy Award nomination as Best Supporting Actor. For Warner Bros., he played Dr. Alexander Tower, who commits murder-suicide to spare his daughter a life of insanity in Kings Row and the cynical police chief Captain Louis Renault in Casablanca. On loan again, Rains played the title character in Universal's remake of Phantom of the Opera.
In her 1987 memoir, This 'N That, Bette Davis stated that Rains was her favorite co-star. Rains became the first actor to receive a million-dollar salary when he portrayed Julius Caesar in a large-budget but unsuccessful version of Shaw's Caesar and Cleopatra, filmed in Britain. Shaw apparently chose him for the part, although Rains intensely disliked Gabriel Pascal, the film's director and producer. Rains followed it with Alfred Hitchcock's Notorious as a refugee Nazi agent opposite Cary Grant and Ingrid Bergman. Back in Britain, he appeared in David Lean's The Passionate Friends.
His only singing and dancing role was in a 1957 television musical version of Robert Browning's The Pied Piper of Hamelin, with Van Johnson as the Piper. The NBC colour special, broadcast as a film rather than a live or videotaped programme, was highly successful with the public. Sold into syndication after its first telecast, it was repeated annually by many local US TV stations.
Rains remained active as a character actor in the 1950s and 1960s, appearing in films and as a guest in television series. He played the ventriloquist Fabian on Alfred Hitchcock Presents Season 1 Episode 20 "And So Died Riabouchinska" which aired on February 10, 1956, and again, in 1957, Season 2 Episode 24 in "The cream of the jest" as a failing drunk actor. He ventured into science fiction for Irwin Allen's The Lost World and Antonio Margheriti's Battle of the Worlds. Two of his late screen roles were as Dryden, a cynical British diplomat in Lawrence of Arabia and King Herod in The Greatest Story Ever Told, his last film. In CBS's Rawhide, he portrayed Alexander Langford, an attorney in a ghost town, in the episode "Incident of Judgement Day".
He additionally made several audio recordings, narrating some Bible stories for children on Capitol Records, and reciting Richard Strauss's setting for narrator and piano of Tennyson's poem Enoch Arden, with the piano solos performed by Glenn Gould. He starred in The Jeffersonian Heritage, a 1952 series of 13 half-hour radio programmes recorded by the National Association of Educational Broadcasters and syndicated for commercial broadcast on a sustaining basis.
Reception
Jessica Rains remembered her father's work ethic:Bette Davis in an interview with Dick Cavett said about Rains:
Davis later went on to describe him: "Claude was witty, amusing and beautiful, really beautiful, thoroughly enchanting to be with and brilliant." She also praised his performances: "He was marvelous in Deception and was worth the whole thing as the picture wasn't terribly good, but he was so marvelous in the restaurant scene where he's talking about all the food...brilliant, and of course in Mr. Skeffington he was absolutely brilliant as the husband, just brilliant."
Richard Chamberlain worked with Rains in what would be his second-to-last film, Twilight of Honor. In 2009, Chamberlain recorded a tribute to the actor when Rains was featured as Turner Classic Movies' Star of the Month:
In Twilight of Honor Rains played a retired lawyer acting as a mentor to Chamberlain's character. Reminiscing about his work with Rains, Chamberlain said:
Many years after Rains had gone to Hollywood and become a well-known film actor, John Gielgud commented, tongue-in-cheek:
Gielgud later went on to recollect a time when he was in New York and in the audience during an event that included a focus on Bette Davis: "A number of clips from many of her most successful films were shown and I was particularly delighted, when, as soon as Claude Rains appeared in the close-up of one of the clips, the whole audience burst into a great wave of applause."
Bette Davis often cited Rains as one of her favorite actors and colleagues. Gielgud said that he once wrote that "The London stage suffered a great loss when Claude Rains deserted it for motion pictures," and that he later added, "but when I see him now on the screen and remember him, I must admit that the London stage's loss was the cinema's gain. And the striking virtuosity that I witnessed as a young actor is now there for audiences everywhere to see for all time. I'm so glad of that."