Academy Award for Best Sound
The Academy Award for Best Sound is an Academy Award that recognizes the finest sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians, the first of which were Murray Spivack and Jack Solomon for Hello, Dolly!. It is generally awarded to the production sound mixers, re-recording mixers, and supervising sound editors of the winning film. In the lists below, the winner of the award for each year is shown first, followed by the other nominees. For the respective periods from 1963 to 1967 and 1982 to 2019, competitive awards for sound were presented in two separate categories: Best Sound Mixing and Best Sound Effects Editing.
For the second and third years of this category only the names of the film companies were listed. Paramount Publix Studio Sound Department won in both years.
Winners and nominees
2000s
Multiple awards and nominations for Best Sound Editing
Multiple awards
;5 awards;4 awards
;3 awards
;2 awards
- Bub Asman
- Karen Baker Landers
- Christopher Boyes
- Mike Hopkins
- Stephen Hunter Flick †
- Alan Robert Murray
- Paul N. J. Ottosson
- George Watters II
- Ethan Van der Ryn
Multiple nominations
;10 nominations;9 nominations
;8 nominations
;7 nominations
;6 nominations
;5 nominations
;4 nominations
;3 nominations
- Richard L. Anderson †
- Mike Hopkins
- Skip Lievsay
- Paul N. J. Ottosson
- Mark Stoeckinger
- Gwendolyn Yates Whittle
- John Wilkinson (sound engineer)
- Erik Aadahl
- Karen Baker Landers
- Tom Bellfort
- Steve Boeddeker
- Gloria S. Borders
- Robert Bratton
- Brent Burge
- Glenn Freemantle
- Eugene Gearty
- Cecelia Hall
- Robert G. Henderson
- Martin Hernández
- Mildred Iatrou Morgan
- Ren Klyce
- Ai-Ling Lee
- Tom Myers
- Walter Rossi
- Philip Stockton
- Oliver Tarney