A Catalogue of Crime


A Catalogue of Crime is a critique of crime fiction by Jacques Barzun and Wendell Hertig Taylor, first published in 1971. The book was awarded a Special Edgar Award from the Mystery Writers of America in 1972. A revised and enlarged edition was published in 1989. Barzun and Taylor both graduated in the class of 1924 from Harrisburg Technical High School.

Purpose

In the preface to the 1989 second edition of A Catalogue of Crime, Jacques Barzun credits the contributions of Wendell Hertig Taylor, who died in November 1985. "He had finished, I am happy to say, his half of the substantive work is therefore as fully co-author of this edition as of the first. Had he lived, it would have appeared much sooner."

Layout

The work contains 952 pages. It is divided as follows:
  • Part I Novels of Detection, Crime, Mystery, and Espionage
  • Part II Short Stories, Collections, Anthologies, Magazines, Pastiches, and Plays
  • Part III Studies and Histories of the Genre, Lives of Writers, and the Literature of "Edwin Drood"
  • Part IV True Crime: Trials, Narratives of Cases, Criminology and Police Science, Espionage and Cryptography
  • ''Part V The Literature of Sherlock Holmes : Studies and Annotations of the Tales, Nonfiction Parodies, and Critical Pastiches''

Entries

The book contains a total of 5,045 entries sorted, in each of the sections, in alphabetical order by the author's last name; where there is more than one entry for an author, each is in alphabetical order of the name of the work. Some entries are very short : one such—the only one for the author named—is:
1587 GRIFFIN, FRANK, Appointment with My Lady West 1946
A good opening chapter, after which everything goes to pieces. The narrator-hero always shouts and commits acts, including murder, without rhyme or reason.
The "West 1946" refers to the publisher, John Westhouse Publishers, and to the year of publication.
However, there are fifty-one entries for the prolific Agatha Christie. Christie wrote many other mystery stories, using several different detectives but Barzun and Taylor chose to review these only.
The first entry for her After the Funeral, published in 1953, says in part:
Not one of Agatha's best. The scheme is obvious and worked repetitiously.
The last entry for her Why Didn't They Ask Evans?, published in 1935, contains three sentences, one of which is:
The merit consists largely in Agatha's maintaining suspense about the small mystery of a name.
The other forty-nine entries for Christie are quite mixed. They range in praise from:
A Poirot story, and very dull... to:
A triumph of her art...of motive-building. That is where A.C. is unrivaled. She knows how to make plausible the divergence between action and motive that maintains uncertainty until the physical clues...mesh with motive to disclose the culprit..
Part V The Literature of Sherlock Holmes... contains 81 entries. Included are, of course, Sir Arthur Conan Doyle himself, the originator of Holmes and the author of the 60 Holmes stories. Also represented are a host of writers, some well-known from their works in other fields, and others little known to the general public but recognized by Sherlockian scholars as having made notable contributions to the Holmesian literature.
Among the former are Isaac Asimov, the renowned science-fiction writer; the Roman Catholic clergyman Ronald Knox; and Christopher Morley, a long-time writer for the Saturday Review of Literature and author of some 50 literary works, among the best known of which are Kitty Foyle and Parnassus on Wheels; and, of course, Jacques Barzun himself. In the latter category are Dorothy Sayers, the British crime novelist ; Howard Haycraft, a U.S. publishing executive whose The Art of the Mystery Story is a recognized survey of the mystery genre; and Edgar Smith, a General Motors corporate executive who was one of the U.S. founders of the Baker Street Irregulars, the first organized group in the United States dedicated to the formation of local groups of Holmes aficionados around the country for the purpose of meeting regularly for the scholarly study of the Holmes adventures and to participate in such activities of other scion societies, in the United States and around the world.

Reception

A Catalogue of Crime received a Special Edgar Award in 1972 from the Mystery Writers of America.
The book won immediate praise for its sections on studies and histories of crime fiction, true crime, the Sherlock Holmes canon and stories of the supernatural, and for assembling the most complete annotated bibliography of mystery and detective fiction then known. But upon its publication and in the years since, A Catalogue of Crime has been criticized for its errors, omissions and genteel point of view. Ross Macdonald's May 1971 review for The New York Times is headed, "A study of mystery and detective fiction—massive and limited":
We are given pages of descriptions of books by such respectable but pedestrian writers as John Rhode and Freeman Wills Crofts, while a brilliant innovator and master of construction like Eric Ambler is represented in the main descriptive text by two books. Graham Greene, perhaps the most distinguished crime novelist of this century, is represented by a single early work, "A Gun for Sale," with the thumbs-down comment, "Suspense only." Georges Simenon has just one entry. Jorge Luis Borges, probably Poe's greatest living literary descendant, is left out entirely.... An even more striking and inexplicable omission is that of Dashiell Hammett's The Glass Key, which was Hammett's own favorite among his novels.

"While any ambitious bibliographical/critical work of this scope is bound to contain errors, A Catalogue of Crime has some true honkers," wrote Kevin Burton Smith, editor of The Thrilling Detective website. "Some of the omissions are truly jaw-dropping, and some of the critiques are almost cute in their old-fashioned, damn-the-facts way. Its age is showing, more than most.... Nonetheless, it's an important source, albeit more entertaining at this point than informative."