52 Pick-Up
52 Pick-Up is a 1986 American neo-noir crime film directed by John Frankenheimer and starring Roy Scheider, Ann-Margret, and Vanity. It is based on Elmore Leonard's 1974 novel 52 Pickup and is the second adaptation of it after The Ambassador.
Plot
Harry Mitchell is a successful construction magnate living in Los Angeles, whose wife Barbara is running for city council. One day, Harry is confronted by three hooded blackmailers who demand $105,000 per year for a videotape of him and his mistress, a young stripper named Cini. Because of his wife's political aspirations, he cannot go to the police; however, guilt eventually drives him to confess, and she kicks him out of their bedroom.Harry initially refuses to cave to the blackmailers' demands. The lead blackmailer breaks into Harry's house, stealing his gun and some of his clothing. Later, the trio kidnap Harry and force him to watch a video of Cini being murdered with his stolen gun. They demand $105,000 a year for the rest of Harry's life in exchange for their silence. Harry, however, vows to get revenge.
Using deduction and his business contacts, Harry tracks down and confronts Alan Raimy, the leader of the blackmailers and an amateur adult filmmaker. Knowing he has a background in accounting, Harry shows Raimy his financial records, which indicate that the majority of his wealth is illiquid, making him unable to afford the ransom. Harry offers Raimy $52,000 in cash as an initial payment instead, which Raimy accepts.
Through Doreen, a stripper who was friends with Cini, Harry learns the names of the other blackmailers: the sociopathic Bobby Shy and the cowardly Leo. He first makes Raimy suspicious by suggesting Leo gave up his name; Bobby, realizing the truth, violently interrogates Doreen, who manages to convince Bobby she did not give up the plan. That night, Bobby breaks into the Mitchell house and tries to kill Harry, but Harry and Barbara overpower him. Harry realizes Raimy did not tell his accomplices about the $52,000 offer, and reveals it to Bobby before allowing him to leave. Afterwards, Bobby angrily confronts Raimy and demands half of Harry's offer.
Leo, cracking under the pressure, confesses everything to Harry, saying he never wanted to hurt Cini and that both her body and the videotape have been disposed of. He also warns that Raimy and Bobby intend to kill him and Barbara after the payment is made. Bobby later confronts Leo, who is planning to leave town, and kills him. Meanwhile, Raimy kidnaps Barbara as collateral, drugging and raping her in a motel. He then lures Bobby and Doreen to a warehouse and kills both of them before going to meet Harry, who has agreed to exchange the money for Barbara.
At the exchange, Harry warns Raimy that if anything happens to them, his lawyer will send Raimy's fingerprints to the police. Raimy had previously expressed interest in Harry’s sports car, a '65 Jaguar E-Type OTS, so Harry offers it as a getaway vehicle. Unknown to Raimy, the car has been rigged with a bomb. When Raimy starts the car, the doors lock, trapping him inside before the bomb explodes, killing him, as Harry and Barbara walk away.
Cast
- Roy Scheider as Harry Mitchell
- Ann-Margret as Barbara Mitchell
- Vanity as Doreen
- John Glover as Alan Raimy
- Clarence Williams III as Robert Lee "Bobby" Shy
- Lonny Chapman as Jim O'Boyle
- Kelly Preston as Cynthia "Cini" Frazier
- Robert Trebor as Leo Franks
- Doug McClure as Mark Arveson
- Tom Byron as Party Goer
- Randy West as Party Goer
- Ron Jeremy Hyatt as Party Goer
- Amber Lynn as Party Goer
- Sharon Mitchell as Party Goer
- Jamie Gillis as Party Goer
Production
Release
52 Pick-Up opened in New York and Los Angeles on November 7, 1986. The film was distributed by the Cannon Group. It debuted poorly at the box office.Reception
Patrick Goldstein, writing in the Los Angeles Times, described the film as "a dull, plodding thriller that finds Mitchell in a deadly war with a trio of crazed blackmailers." On the other hand, Roger Ebert, writing in the Chicago Sun-Times, claimed it "provides us with the best, most reprehensible villain of the year and uses his vile charm as the starting point for a surprisingly good film.... This is a well-crafted movie by a man who knows how to hook the audience with his story; it's Frankenheimer's best work in years." The New York Times film critic Janet Maslin described it as "fast-paced, lurid, exploitative and loaded with malevolent energy. John Frankenheimer, who directed, hasn't done anything this darkly entertaining since Black Sunday." Tom Milne described the film as "enjoyable, up to a point, as anything Frankenheimer has done in recent years." while noting that the weakness in the film was that "the protagonist and his wife are much too sketchily realised"On Rotten Tomatoes the film has an approval rating of 58% based on reviews from 19 critics.