Ma Yansong


Ma Yansong is the principal architect and founder of MAD Architects, a global design practice with offices located in Los Angeles, Rome, and Beijing. Renowned for his bold designs, Ma has led MAD in the creation of many significant structures around the world, including the Lucas Museum of Narrative Arts, Harbin Opera House, Quzhou Stadium, FENIX Museum, The Yue Cheng Courtyard Kindergarten, Jiaxing Train Station, Shenzhen Bay Culture Park, One River North, and the Tunnel of Light. His design approach emphasizes a harmonious integration of urban landscapes, natural elements, and human experiences.
He shares his knowledge as an adjunct professor and visiting professor at University of Southern California, Beijing University of Civil Engineering and Architecture and Tsinghua University.

Early life and background

Ma Yansong was born in Beijing in 1975. He holds a Master's Degree in Architecture from Yale University and a Bachelor's Degree from the Beijing University of Civil Engineering and Architecture. He is currently a professor at the Beijing University of Civil Engineering and Architecture. During his master's degree at Yale, he first received attention for his project "Floating Islands". Ma Yansong founded MAD Architects in 2004.

Design philosophy: Shanshui City

The famous Chinese scientist Qian Xuesen proposed the concept of "Shanshui City" in the 1980s. Because of the emerging large-scale cement construction, he put forward a new model of urban development based on the Chinese Shanshui spirit, which was meant to allow people to "stay out of nature and return to nature." However, this idealistic urban concept was not put into practice. As the world's largest manufacturing base, a large number of soulless "shelf cities" appeared in contemporary China due to the lack of cultural spirit. Qian Xuesen pointed out that modern cities' worship of power and capital leads to maximization and utilitarianism. "Buildings in cities should not become living machines. Even the most powerful technology and tools can never endow the city with a soul."
To Ma Yansong, Shanshui does not just refer to nature; it is also the individual's emotional response to the surrounding world. "Shanshui City" is a combination of city density, functionality, and the artistic conception of natural landscape. It aims at composing a future city that takes human spirit and emotion at their cores.

Signature Projects

Architecture


  • *No.1, Skyscraper Awards 2012, EMPORIS.

Art

  • Shanshui - Experiment - Complex, Shenzhen, China, 2013
  • Moon Landscape, Beijing, China, 2013
  • "Shanshui City" Exhibition, Beijing, China, 2013
  • "Shansui City" for , Beijing, China
  • The Little Rock Fountain Journal
  • "The Floating Earth" for Alessi
  • Contemplating the Void in Guggenheim, New York, USA, 2009
  • Feelings are facts, Beijing, China, 2010
  • Monster's Footprint, Shenzhen, China, 2009
  • Superstar: A Mobile Chinatown, Venice, Italy, 2008
  • Ink Ice, Beijing, China
  • Fish Tank

Awards and honors

  • 2018 Prix Versailles World Judge
  • 2014 100 Most Creative People in Business, Fast Company
  • 2014 Chaoyang Park Plaza: Chinese Top 10 Buildings
  • 2014 Sheraton Huzhou Hot Spring Resort: No.3, Skyscraper Awards 2013, EMPORIS
  • 2013 Designer of the Year, Good Design
  • 2013 D21 Young Chinese Architect Award
  • 2013 Emporis for the world's best new skyscraper
  • 2013 2nd in the category Designer of the Year
  • 2012 The Best New High-rise Building in the America's by the CTBUH "Council on Tall Buildings and Urban Habitat",
  • 2012 International Property Awards
  • 2011 UED museum award
  • 2011 RIBA International Fellowship
  • 2011 Fast Company – one of 10 most innovative companies in China
  • 2009 Fast Company – one of 10 creative people in architecture
  • 2008 ICON magazine – one of 20 most influential young architects
  • 2006 Architecture League Young Architects Award
  • 2001 American Institute of Architects Scholarship for Advanced Architecture Research

Exhibitions

Quotes

"Ma Yansong is a young Chinese architect – just 35 – who has come to architectural maturity at a time when his country is beginning to allow the freedom of expression so vital to the artist and sufficient freedom to the economy to allow
his ideas to be realized as buildings. His work expresses the tension between the individual imagination and the
needs of society as a whole."