All for You (Janet Jackson album)
All for You is the seventh studio album by American singer Janet Jackson. It was first released on April 16, 2001, by Virgin Records. Contrary to The Velvet Rope, which saw Jackson tackling darker themes such as domestic violence and depression, All for You showcased a mix of upbeat dance-pop and slow R&B sounds, incorporating rock, disco, and funk, as well as soft rock and East Asian music. Its lyrics focus on passion, romance, and intercourse, while also discussing themes of betrayal and deceit. The explicit language and sexual content of several songs sparked controversy, causing the album to be banned in several countries.
All for You received generally positive reviews from music critics, who commended on its upbeat nature. It was also considered one of her sexiest albums and among the best of her career. The album received three Grammy Award nominations, including Best Pop Vocal Album, winning Best Dance Recording for its title track. It became Jackson's fifth consecutive album to top the Billboard 200 albums chart in the United States. All for You logged the biggest opening week sales of her career, as well as the second highest first-week sales for a female artist in Nielsen Soundscan history. It reached the top five of most countries internationally and was the biggest selling international pop album of the year in Japan. Certified double platinum by the Recording Industry Association of America, it has sold over three million copies in the US according to Nielsen and an estimated seven million copies internationally. All for You was the twelfth best-selling album of the year worldwide, and was one of the best-selling albums of the decade in the United States.
Its lead single "All for You" was one of Jackson's most successful singles and broke multiple airplay records. In the US, it was the biggest hit of the year, topping the Billboard Hot 100 for seven weeks and became a top ten hit on the majority of singles charts worldwide. "Someone to Call My Lover" reached number three on the Hot 100 and the top twenty internationally while "Son of a Gun " peaked within the top forty in most territories. "Come On Get Up" was also released as a promotional single in Japan.
In promotion for the album, Jackson was declared MTV's inaugural Icon, receiving a televised tribute titled MTV Icon: Janet Jackson. The special honored Jackson's contribution within music and popular culture, in recognition of "one of the most influential and beloved tastemakers in contemporary pop." During that period, Jackson was presented numerous career accolades, including the American Music Award's Award of Merit, the TMF Awards Lifetime Achievement Award, and the Recording Academy's Governor's Award.
Background and development
In 2000, Jackson was separated from René Elizondo Jr., exposing their secret nine-year marriage to the public as he filed for divorce, leading to intense media scrutiny.Amidst the divorce, Jackson began recording her seventh album. MTV News reported Jackson had nearly completed work on the "upbeat, fun and carefree" record, in contrast to the darker tone of her prior release. Producer Jimmy Jam stated, "This record now, even though it may not be the best of times in her personal life, she feels that the future is bright... She's excited about music and about life in general. She's excited about what the next year will hold for her, and that's the tone she's set for herself and ." Jam added, "In the history of Janet, the records that are the happy records, that make people smile, have always traditionally been the more successful records.. going back as far to songs like 'When I Think of You' to 'Doesn't Really Matter.' This continues that tradition, with kind of a nod to the dance music of the '80s." Virgin Records' president Roy Cooper stated, "The new album is very bright, it's very upbeat and dynamic. She wanted to make an album that was rhythmically strong as well as melodically strong. She also wanted as explosive and strong a start as possible, and this certainly qualifies." Explaining its concept, Jackson said:
Recording and production
All for You marked the first time Jackson enlisted additional producers aside from Jam & Lewis since the release of her breakthrough Control, collaborating with hip-hop producer Rockwilder. After recording exclusively with the duo, Jackson felt the desire to recruit new talent, explaining "I think it was The Velvet Rope that brought all of that to some sort of completion for me... it was very cathartic for me doing that — I felt it was OK to go out and explore other producers." She pursued Rockwilder upon hearing Method Man and Redman's single "Da Rockwilder", desiring uptempo productions in a similar vein. Jackson also collaborated with The Neptunes. Several confirmed titles included "Boys," "Ecstasy," "My Big Secret," and "What It Is." However, the songs did not make the final album, with "Boys" later recorded by Britney Spears and "What It Is" recorded by Kelis. Spears released "Boys" as a single in remix form with Pharrell Williams, referencing Jackson's hit "Nasty" during several lines and citing it as her favorite song to perform. Additionally, Spears' single "I'm a Slave 4 U" was originally written and produced for the album. "My Big Secret" was later recorded for Spears' In the Zone album, though was not released.Upon expressing admiration for Basement Jaxx's debut album Remedy, Jackson contacted the house duo to collaborate. Jackson was offered to record the Jaxx's single "Get Me Off" for the album, though declined. She would later record several unreleased songs with them for her following album, Damita Jo. An unreleased collaboration with Jay-Z was recorded. Outkast also featured on an unreleased remix of "Someone to Call My Lover". Jackson had planned to record a duet with Aaliyah, intended to appear on All for You in addition to Aaliyah's self-titled album released several months later, though was unable to proceed due to scheduling conflicts. A collaboration with Missy Elliott titled "Nasty Girl 2000," an updated cover of Jackson's hit "Nasty," was intended to feature Jackson and additional vocals from Aaliyah, but was not recorded. Jackson also desired to collaborate with British singer Robbie Williams. The album intended to feature a house and hip-hop direction during its early stages, with other potential collaborators including Dallas Austin, Swizz Beatz, Diddy, Missy Elliott, Teddy Riley, Kandi Burruss, and Darrell "Delite" Allamby. However, the collaborations did not come to fruition due to scheduling conflicts while filming and periodic illness throughout recording. An unreleased song titled "New Beginning" appeared in initial press releases but was not included on the album.
Composition
Themes and influences
During the divorce, Jackson decided to record an uptempo, optimistic album rather than songs about sadness or anger. Producer Jimmy Jam said, "You go through all these emotions and then you come out of it on the other side and say, "I'm going to be okay and I have a lot of things to be thankful for,' and that was the overriding feeling in her life when we were making this album." Its concept focuses largely on the demise of her marriage to René Elizondo, Jr. and subsequent embrace of the single life, experiencing dating for the first time. It also contains themes of sensuality, deceit, and betrayal. Jackson said, "It's a different thing for me. Growing up, I never dated. I'm doing that now, experiencing that whole life." Its upbeat tempo intended to reflect Jackson's self-esteem, described as "a work in progress." Jam commented, "She doesn't see herself the way other people see her. You know...gorgeous and sexy and all that. That isn't the kind of person she is. Although she is closer to feeling like that person now than she was 15 years ago. Or even three of four years ago." Jackson commented, "I look back at pictures of myself from four years ago and I see the unhappiness in my eyes. But I'm in the greatest space now... I believe we have choices and paths, and it's about choosing the right path, the promising path." While recording, Jackson listened to artists such as St. Germain, Buena Vista Social Club, Thievery Corporation, Basement Jaxx, Outkast and Papa Roach.John Mulvey of Yahoo! Music noted that All For You was a concept album which was rooted in Jackson's "traumatic" separation from former husband and collaborator René Elizondo, Jr. and detailed that with its first tracks, the record starts "tremendously, with a bunch of party tracks illustrating a newly-free woman checking out men on the dancefloor", before moving "to the bedroom, and some explicit shagging tracks, before a virulent suite detailing what a bastard her ex is", and concludes with a "soppy phase heralding a new life and the prospects of new love." According to Stephen Thomas Erlewine of AllMusic, the album is divided into three segments: divorce, industry, and sex. However, MTV News perceived All for You as "dominated by two themes: the liberation that comes with ending a bad relationship, and sex," blending elements of pop, funk, R&B and rock.
Music and lyrics
The album's interludes consist of Jackson's recorded asides, placing clips from her one-sided conversations between the tracks. Its introduction finds Jackson impersonating actress Fran Drescher. The opening track, "You Ain't Right", is a scathing attack on a former associate, thought to be directed at her former choreographer, Tina Landon. It uses piston-like rhythms, drum machines and synthesizers; its production likened to "a thick sci-fi stomp that suggests a Gary Glitter glam-rock anthem crossed with the soundtrack from Blade Runner." "All for You" is an uptempo dance song utilizing elements of disco and funk. In a nightclub setting, Jackson encourages a man to approach her and imagines an erotic fantasy, admiring the man's "package" and desiring to fornicate. "Come On Get Up" follows with a "synth-frenzied splendor," fusing tribal house and dance-pop. "When We Oooo" consists of a mid-tempo arrangement, emphasizing Jackson's layered vocal harmonies as she describes a sexual encounter."China Love" uses traditional Oriental textures such as gamelan chimes and tablas, as Jackson rhapsodizes about past-life romance and new age ambiguities. Jackson had written the song about her own prior identity in another time, in which she was told to be the daughter of an emperor in love with a warrior, unable to sustain relations when forced to marry into royalty. "Love Scene " is an ambient ballad incorporating flourishes of electronica and guitars, performed in a falsetto to "exquisitely carnal effect." "Would You Mind" depicts Janet confessing a graphic list of myriad sexual desires, conducting a heavy-breathing seminar followed by a risqué "performance evaluation" over a "spacey electro thump." It was described to feature "more moaning than a hospital emergency room," with Jackson singing, "I'm gonna kiss you/Suck you/Taste you." Throughout the song, Jackson requests sexual intercourse, oral sex, and internal ejaculation; as she instructs her lover, "Oh, yeah, baby, just like that." Its erotic nature was regarded as the album's most controversial track in numerous reviews. Jackson expresses a lack of sexual satisfaction in following interlude "Lame," unable to climax.
The "avant-garde" aura of "Trust a Try" fuses elements of mock-operetta and hard rock with classical music, dance, and hip-hop. In the song, Jackson delivers an "angry aria" of betrayal. Its "rock 'n' roll sass" is laced with theatrical vocal arrangements, electric guitars, violins and cinematic strings. The following track, "Son of a Gun " features spoken vocals from singer-songwriter Carly Simon and interpolates Simon's hit "You're So Vain." Its composition excoriates an unfaithful lover for attempting to extort money, described as a "mean-spirited duet that rails against enemies." Jackson unveils anger and deceit, saying "Thought you'd get the money too / Greedy motherfuckers try to have their cake and eat it too." In response to critics regarding it about her divorce, Jackson explained it was directed towards several people, while Jimmy Jam revealed it to be written in regards to music executives and lawyers. On the ballad "Truth", Jackson discusses a failed romance with her former husband. Jackson revealed that the track was her "talking out loud to myself about the relationship. I felt the need to address it on the album, but just once."
"Someone to Call My Lover" is a soft rock song, described as an "innocent daydream for the perfect man built over the acoustic guitar." Its speaks of the yearnings for "love and togetherness," desiring to find a new companion. It uses a guitar motif sampled from America's "Ventura Highway." "Feels So Right" is a mid-tempo ballad using a "fluffy" eighties-influenced texture. "Doesn't Really Matter" is an uptempo dance song, incorporating slight flourishes of Oriental music and strings. Jackson speaks of disregarding physical appearance, choosing to love the person inside. Released as the theme for Jackson's second film The Nutty Professor II: The Klumps, it features an alternate introduction and instrumental breakdown not included in the single edit. The closing track, "Better Days" is a "sweepingly orchestrated" ballad melding soft rock and electronic music, shifting to uptempo during its chorus. It incorporates slight elements of drum and bass during its second verse. It ends the album on a note of uplift, featuring a strong vocal with a guitar solo and "striking" strings. Regarding the song, Jackson said, "I feel light and almost giddy about untying the knots that were choking me, restraining me, preventing my growth... I'm interested in making strides, taking chances, finding my own way in my own time."