Women of the Prehistoric Planet
Women of the Prehistoric Planet is a 1966 independently made American science fiction/action film written and directed by Arthur C. Pierce, with Wendell Corey receiving the top billing among the cast.
Plot
A spacefaring crew from an advanced civilization is preparing to return home after an extended voyage. The crew includes "humans" and "Centaurians".The Centaurians have been rescued from their home planet after an unspecified catastrophic event has devastated their planet. They are being returned with the spacefaring explorers with an expectation that they will be assimilated into their new parent culture. One of the ships in the fleet is hijacked by a few of its Centaurian passengers and crash-lands on a prehistoric planet in the "Solaris" system. Countermanding orders, the rest of the fleet returns to search for survivors after the crash.
By the time the rescuers are able to return to the planet, they encounter the descendants of the original crash survivors – explained in a simplified version of time dilation. Linda, a Centaurian from the rescue ship, falls in love with Tang after he saves her from drowning.
After fighting the planet's indigenous species, Tang and Linda – revealed to be the Admiral's daughter – are marooned on this savage and primitive planet.
Cast
- Wendell Corey as Admiral David King
- Keith Larsen as Commander Scott
- John Agar as Dr. Farrell
- Paul Gilbert as Lt. Red Bradley
- Merry Anders as Lt. Karen Lamont
- Stuart Margolin as Chief
- Todd Lasswell as Lt. Charles Anderson
- Irene Tsu as Linda
- Robert Ito as Tang Anderson
- Nobuko Miyamoto as Zenda Anderson
- Glenn Langan as Captain Ross
- Sally Frei as Sally
- Suzie Kaye as Ensign Stevens
- Kam Tong as Jung
- Ron Stokes as Sgt. Allen
- Adam Roarke as Harris
- Paul Hampton as Wilson
- Ronald Lyon as Sgt. Nevins
- Hans Wedemeyer as Jang
- Anthony Lee as Navigation Officer
- Joyce Carol as Centaurian girl on ship
- Jamie McRae as Sgt. Long
Themes
Race relations are the film's overarching theme, although its approach to the subject has been typically criticized in retrospect."... a blatant social commentary on race relations. Even though the screenplay tries to preach fairness, some of the subtle signals send contradictory messages. The crew members of the Cosmos are portrayed as superior. The Centaurians as inferior. The crew are clearly all-white. They dress in tidy white uniforms with snappy cravats. They are in control, follow orders, and are concerned for others. The Centaurians are "rustic," Their outfits are sleeveless. Their men are hotheads and trouble makers.. Even the "progressive" notion of Tang being the mixed-race son of a "white" and a Centaurian, is undermined by his apparent comfort at being a cave man. Subtle signal: "They" are savages at heart.
"The real subject matter of the film is race relations, with the "Centaurians" all being played by Asian actors and the "Humans" all played by whites and the message is that different races can and should get along. This is a noble sentiment of course, but the movie around it is both incredibly clunky, unintentionally condescending and has an incredibly lazy twist at the end."