Wayne Fitzgerald


Wayne Fitzgerald was an American film title designer. Over a career that spanned 55 years, he designed close to five hundred motion picture and television main and end title sequences for top directors such as Francis Ford Coppola, John Huston, Mike Nichols, Robert Redford, Roman Polanski, Arthur Penn, Michael Cimino, Warren Beatty, Herbert Ross, John Hughes, and Quentin Tarantino.

Film title work

A native of Los Angeles, Fitzgerald graduated from Art Center College of Design in 1951, and went to work at Pacific Title & Art Studio. His first major motion picture title design was for MGM's Raintree County. He worked on a great many titles during his 17-year tenure at Pacific Title, becoming head of the art and design department. During that time, Pacific Title did all the motion picture title work for Warner Bros., MGM, and 20th Century Fox, as well as some for Paramount Pictures and Columbia Pictures, plus independents. Neither Pacific Title nor its employees received title design credit. As a result, Fitzgerald did not receive credit for many of his early designs, such as The Three Faces of Eve, Imitation of Life, Pillow Talk, The Music Man, My Fair Lady ; or for early television shows such as Maverick, Mister Ed, and The Beverly Hillbillies.
In addition to providing an entertaining background for the credits, Fitzgerald's titles often set the mood. For The Music Man he directed a group of 35 technicians who built sets and painted and animated the musical instruments and marching band. He then shot and edited the sequence.
In the film Max Dugan Returns, the title character does not appear for half an hour. Fitzgerald's titles with Bob Kurtz animation provided a background for the character. For Bonnie and Clyde, Fitzgerald used old snapshots and a quick-cut style driven by sound that melded seamlessly with film editor Dede Allen's editorial style. The photos established the mood and look of the 1930s, and referenced the fact that Bonnie and Clyde were known for taking snapshots of themselves, which they sent to the press. Until the music starts to fade in, the only sound is the click of a Brownie camera.
While working together on Bonnie and Clyde, Warren Beatty convinced Fitzgerald to strike out on his own. He left his job as head of the art department at Pacific Title and formed Wayne Fitzgerald FilmDesign. Chinatown, Nine to Five, Footloose, Total Recall, to name a few, followed. In addition to opening titles, Fitzgerald shot second unit and edited montage sequences for Rocky III and Tootsie.
Fitzgerald also continued to design titles for prime time television shows Night Gallery, McMillan & Wife, Dallas, Matlock, and Columbo. He won an Emmy Award in 1987 for The Bronx Zoo.
He also designed for the daytime soap operas The Bold and the Beautiful 1987, One Life to Live 1984, and The Guiding Light 1991, and again in 2002 with his son Eric, Fitzgerald, also a title designer.
In 1993, he briefly joined the digital graphic design firm, Pittard-Sullivan. It became Pittard-Sullivan-Fitzgerald. Fitzgerald's last work with the company was in 1995, after which he reformed his company, Wayne Fitzgerald FilmDesign, Inc.
In 1995, Fitzgerald designed the logo for the Motion Picture Editors Guild.

Personal life

Fitzgerald was a member of the Directors Guild of America. He was a two-term governor in the Academy of Television Arts and Sciences, representing title designers, and a member of the Academy of Motion Picture Arts and Sciences. He lectured at UCLA and AFI, and participated in panel discussions in Los Angeles and New York. He also taught at Art Center College of Design.
Fitzgerald died September 30, 2019, aged 89.

Filmography

Select Pacific Title (1956–1968) titles

Raintree County Auntie Mame The Diary of Anne Frank Imitation of Life Pillow Talk Judgment at Nuremberg The Music Man My Fair Lady Cat Ballou Battle of the Bulge Inside Daisy Clover The Silencers Who's Afraid of Virginia Woolf? Murderers' Row In the Heat of the Night Bonnie and Clyde Who's Minding the Mint? Camelot The Ambushers Cool Hand Luke Guess Who's Coming to Dinner The Graduate Rosemary's Baby The Green Berets

Wayne Fitzgerald/FilmDesign (1968–1993)

Alice's Restaurant On a Clear Day You Can See Forever Catch-22 Little Big Man The Owl and the Pussycat Mame The Conversation Chinatown Alice Doesn't Live Here Anymore The Godfather: Part II Funny Lady Mitchell One Flew Over the Cuckoo's Nest The Missouri Breaks Slap Shot The Turning Point The Goodbye Girl Heaven Can Wait The Deer Hunter Grease California Suite Apocalypse Now The Muppet Movie North Dallas Forty The Electric Horseman Private Benjamin Nine to Five Reds Pennies From Heaven Body Heat Tootsie Annie The Outsiders Vacation The Big Chill Terms of Endearment Splash Footloose Sixteen Candles The Breakfast Club Down and Out in Beverly Hills Black Widow The Milagro Beanfield War Total Recall Ghost Dick Tracy City Slickers Basic Instinct White Men Can't Jump A River Runs Through It

Pittard/Sullivan/Fitzgerald (1993–1995)

Groundhog Day Grumpy Old Men Wyatt Earp Maverick

Wayne Fitzgerald/Filmdesign (1995–2003)

Diabolique The Rainmaker Beverly Hills Ninja RocketMan Kingpin Nobody's Baby

Awards

Fitzgerald won a Primetime Emmy with David Oliver Pfeil for outstanding main title design on The Bronx Zoo in 1987. He won Daytime Emmys for The Bold and the Beautiful in 1987, and The Guiding Light in 1992. He was nominated for Daytime Emmys in 1994 with Judy Korin for Days of Our Lives, and with Eric Fitzgerald in 2003 for The 50th Anniversary Season of The Guiding Light.