Basic Instinct
Basic Instinct is a 1992 erotic thriller film directed by Paul Verhoeven and written by Joe Eszterhas. It follows San Francisco detective Nick Curran as he investigates the murder of a rock star, only to begin an intense relationship with the prime suspect Catherine Tramell.
The script was developed by Eszterhas in the 1980s and became the subject of a bidding war, which Carolco Pictures won before bringing Verhoeven on board to direct. Stone was cast as Tramell after the role was rejected by several other actresses, and production was plagued by protests and intense conflict between Eszterhas and Verhoeven.
Basic Instinct premiered in Los Angeles on March 18, 1992, and was theatrically released in the United States by TriStar Pictures two days later. It received mixed reviews; praise was given to the performances, score, and editing, while the script and character development were criticized. The film also generated controversy due to its depiction of sexually explicit content, violence, and homosexual relationships. Despite public protest, it was a commercial success, grossing $353 million worldwide on a $49 million budget and becoming the fourth highest grossing film of 1992. Due to its success and controversy, it inspired many imitators and has been labelled as "perhaps the quintessential erotic thriller of the 1990s".
Since its release, Basic Instinct has undergone a critical reevaluation. The film has been recognized for its groundbreaking depictions of sexuality in mainstream Hollywood cinema, and was described by one scholar as "a neo-film noir masterpiece that plays with, and transgresses, the narrative rules of film noir". Numerous versions have been released on home video, including a director's cut with extended footage previously unseen.
Verhoeven considers The Fourth Man as a spiritual prequel to Basic Instinct. The film was also followed by the sequel Basic Instinct 2, which starred Stone but was made without the involvement of Verhoeven or Douglas. It received negative reviews and was relatively unsuccessful.
Plot
In San Francisco, a blonde woman ties retired rock star Johnny Boz to a bed with a silk scarf during sex, then stabs him to death with an ice pick. SFPD Detective Nick Curran and his partner, Gus Moran, investigate the murder. The prime suspect is Boz's girlfriend, crime novelist Catherine Tramell, whose latest novel mirrors the details of the killing.Catherine is uncooperative with the investigators, taunting them by smoking during questioning and exposing herself. Though released for lack of evidence, she becomes a person of interest when Nick learns that she has a history of close relationships with violent individuals. These include her girlfriend Roxanne "Roxy" Hardy, who killed her younger brothers as a teenager, and Hazel Dobkins, a convicted family murderer.
Nick, a recovering alcoholic with a history of drug abuse and a prior incident in which he accidentally shot two tourists, attends mandatory counseling with police psychologist Dr. Elizabeth Garner, with whom he has an unstable romantic relationship. He discovers that Catherine is using him as the inspiration for a new character—a detective who is murdered after falling for the wrong woman. When Nick suspects that his confidential psychiatric file has been leaked, he assaults internal affairs lieutenant Marty Nilsen, who had access to the file. Nilsen is later found murdered, and Nick is placed on administrative leave.
At Boz's nightclub, Nick sees Catherine and Roxy using cocaine. Later, at Catherine's home, she ties Nick to the bed during sex while Roxy watches. Moran expresses concern about Nick's involvement with Catherine and uncovers that Nilsen received a $50,000 payment months before Nick met her.
Roxy, jealous of Nick, attempts to kill him in a car attack but dies in the ensuing crash. Catherine reveals that she had an intense relationship with a woman in college who became obsessed with her. Nick suspects the woman was Garner, who claims the obsession went the other way. Investigating further, Nick finds that Nilsen had withdrawn a complaint Catherine filed against Garner years earlier. He also uncovers that a professor shared by Garner and Catherine was killed with an ice pick in an unsolved case resembling Catherine's fiction, and that Garner's former husband was murdered in another unresolved case investigated by Nilsen.
Nick finds the draft of Catherine's new novel, which depicts a detective discovering his partner's body in an elevator. Catherine abruptly ends their relationship. Later, Moran tells Nick he has arranged to meet Catherine's former college roommate in Oakland to learn more about her and Garner. When Nick arrives, he finds Moran stabbed to death with an ice pick in an elevator, mirroring the novel. Garner arrives shortly afterward, claiming she was lured there by a message. Believing she is reaching for a weapon, Nick shoots and kills her, but she is found to be unarmed.
Police find evidence in Garner's apartment implicating her in multiple murders, including files and photographs related to Catherine. Nick is left confused and emotionally shaken. Later, Catherine returns to Nick's apartment and they have sex. As they lie in bed discussing their future, an ice pick lies unseen beneath the bed.
Cast
Production
The screenplay, which was written in the 1980s, sparked a bidding war until it was finally purchased by Carolco Pictures for US$3 million. Joe Eszterhas, who had previously been the creative force behind several blockbuster films such as Flashdance and Jagged Edge, managed to complete the script in just 13 days. However, Paul Verhoeven had suggested changes to the script that Eszterhas strongly disagreed with, including a lesbian sex scene that Eszterhas deemed "exploitative". With Verhoeven unwilling to budge, Eszterhas and producer Irwin Winkler left the production.Gary Goldman was subsequently brought on board to rewrite the script four times at Verhoeven's suggestion. However, by the fourth draft, Verhoeven himself acknowledged that his proposals were "undramatic" and "really stupid". By the fifth and final draft, the script had returned to Eszterhas' original vision, with only minor tweaks to visuals and dialogue. As a result, Eszterhas received sole writing credit for the film. In preparation for the car chase scene, Michael Douglas drove up the steps on Kearny Street in San Francisco for four nights by himself.
The home of Sharon Stone's character, prominently featured in the film, is said to be in Stinson Beach, California, just north of San Francisco. The scenes were shot at a mansion near Carmel-by-the-Sea, about south of San Francisco. The property had been previously owned by the late adventurer Steve Fossett and his wife until her death in 2017. In 2018, the residence was purchased by software engineer Gary Vickers, who combined it into an estate with four adjoining cottages he also owned; he put the entire property on sale the following year for $52.4 million. By 2022, the asking price had been lowered to $29.6 million.
Casting
After numerous actors turned down the lead role, Carolco worried they would not be able to cast a suitable male lead. CAA's agent Ronald Meyer called Carolco and said that he knew the script had been turned down by actors; Meyer said Michael Douglas would agree to star in the film if Carolco could meet his salary requirement, and Carolco quickly agreed. Douglas was cast in the project early on. He recommended Kim Basinger for the role of Catherine Tramell, but she declined. He also suggested Julia Roberts, Greta Scacchi, and Meg Ryan, but they all turned down the role. Debra Winger, Michelle Pfeiffer, Geena Davis, Kathleen Turner, Kelly Lynch, Ellen Barkin, and Mariel Hemingway all turned down the role as well when offered by Verhoeven and producers.Verhoeven considered Demi Moore, but ultimately chose Sharon Stone, with whom he had previously worked on Total Recall. Verhoeven had been particularly struck by the way she quickly transitioned from evil to love in a couple of seconds before her character's death in that film. Stone wanted the role but they refused to send her the script, until her manager broke into the studio's office locker to give her the script. Verhoeven tested with Stone as Douglas first refused to test with her. Verhoeven kept playing her test after testing everyone else, and Douglas later agreed to test with Stone after 12 other actresses turned down the role. Michael Douglas was initially upset that the relatively unknown Stone was cast in the role, determined to have another A-list actress star in the movie with him. Worried about taking the risk on his own, he said, "I need someone to share the risks of this movie. I don't want to be up there all by myself. There's going to be a lot of shit flying around." He later remarked that "we had a fabulous actress in Sharon. She was just perfect for the role". Stone also suspected that a heated argument between Douglas and herself at a Cannes Festival party sometime earlier was a contributing factor. Ultimately, Stone was paid $500,000 for her role, while Douglas received $14 million.
Music
Soundtrack
The musical score for Basic Instinct was composed by Jerry Goldsmith and earned him nominations for an Academy Award and a Golden Globe Award. Goldsmith described the process as challenging, stating, "Basic Instinct was probably the most difficult I've ever done. It's a very convoluted story with very unorthodox characters. It's a murder mystery, but it isn't really a murder mystery. The director, Paul Verhoeven, had a very clear idea of how the woman should be, and I had a hard time getting it. Because of Paul pushing me, I think it's one of the best scores I've ever written. It was a true collaboration."In terms of featured music, commercially released tracks played a minor role in the film. The club scene prominently features "Blue" by Chicago house music performer LaTour and "Rave the Rhythm" by the group Channel X, as well as "Movin' on Up" by Jeff Barry and Ja'Net DuBois. Chris Rea's "Looking for the Summer" is heard during a scene between Douglas and his partner at Mac's Diner.
The film's official soundtrack was released on March 17, 1992. In 2004, Prometheus Records issued an expanded version of Goldsmith's score, which included previously omitted sections and alternative compositions for certain elements.