Wayland Flowers


Wayland Parrott Flowers Jr. was an American actor, comedian and puppeteer. Flowers was best known for the comedy act he created with his puppet Madame. His performances as "Wayland Flowers and Madame" were a major national success on stage and on screen in the 1970s and 1980s.
Flowers is frequently cited as a ventriloquist even though he made no effort to conceal that he was voicing his characters. He instead preferred to be called an "illusionist," because onlookers tended to focus their attention on his animated puppets, who seemed to do all the talking.

Early life

Wayland Parrott Flowers Jr. was born November 26, 1939, in Dawson, Georgia, the second of three children. His father soon shipped off to World War II and was killed, leaving him to be raised in a devoutly religious all-female household, save for his younger brother. There was a neighborhood girl with whom he liked to play with dolls; however, this was socially unacceptable for a boy in 1940s Georgia, so he would wrap up the dolls in paper bags, bring them to her house, and they would play with them in her garage.
As he reached adulthood, his mother encouraged him to go to college, so he spent a year-and-a-half at Young Harris College, transferred to Rollins College, and then dropped out and enlisted in the Coast Guard. While stationed in Connecticut, he traveled to New York City, saw the Broadway productions of Gypsy and West Side Story, and fell in love with the city. He briefly returned to Atlanta, decided he was unhappy there, hitchhiked to New York City with $5 in his pocket, and began living the life of a struggling artist.

Career

Origins of Madame

In a 1982 interview with Armistead Maupin, Flowers remarked that he had never worked with puppets until he landed a job as a puppeteer for Bil Baird's Marionettes show at the 1964 New York World's Fair. In a program created for a memorial at the Center for Puppetry Arts, it was claimed that he had a long history of working with puppets, dating back to his early childhood. Regardless, World's Fair coworker Bob Payne noticed Flowers' affection for the toys and gave him a puppet that had been created as The Wicked Witch of the West for a production of The Wizard of Oz. He hung her in the closet and found her soulful eyes staring back at him each time he opened the door.
One day, he was sitting in a bar when a doddering little old lady walked in with a small dog on a leash. As a joke, the bartender picked up the woman by her crotch and hoisted her in the air, upon which she screamed, "Put me down, ya cocksucker!" Flowers was taken aback hearing such language from an old woman, so he struck up a conversation with her and discovered she had been a Ziegfeld girl. He suddenly got the idea to transform the witch into a character loosely patterned after this woman, although he also cited his mother and aunt for inspiring Madame's attitude. Bedecked in fabulous evening wear and "summer diamonds", Madame's look was patterned after movie stars such as Gloria Swanson and Tallulah Bankhead.
When he was between jobs, Flowers began performing street theater for tips, and that's where Madame began her career. If he wanted a drink, he'd go into a bar, prop up the puppet and say, "Buy me a fucking drink." Someone would always oblige, and Madame would lipsync to records as Wayland drank. A Greenwich Village bar owner was amused by their antics and offered the duo $20 to sit at her piano and perform, so Wayland quickly concocted an act. He developed double entendres, witty comebacks, and recycled old vaudevillian jokes, which became Madame's schtick. He garnered success in the gay clubs of New York, and eventually debuted Madame Off-Broadway at the Village Gate in 1971's Kumquats, billed as "the world's first erotic puppet show," which also included the "notorious ejaculating Punchinello." The show played 53 performances between November 1971 and January 1972.
His success in New York led him to get booked into The Pilgrim House in Provincetown, Massachusetts, in 1972, where he continued to perform nearly every season until his death. He was initially booked as a 15-minute opening lounge act, but within a week, he had attracted massive crowds. Madame had been primarily playing to gays, but Wayland found a more diverse audience in Provincetown, where they were treated like major celebrities. "This was an underground act that took root and shot up out of nowhere," Flowers remarked.
Several of Madame's character traits were also found in another popular puppet character of the time, The Muppets' Miss Piggy. Flowers felt that Jim Henson and his team had lifted material that he had created for Madame. When asked about the similarities, Flowers as Madame, responded; "Well. I think that every pig must have her own day. She's certainly had hers. Took all my ideas and just went to market with 'em, while this little piggy stayed home."
Flowers created an elaborate backstory for Madame, which he committed to the page with Gary Simmons in the 1983 book Madame: My Misbegotten Memoirs. In addition to Madame, Flowers featured other puppets in his act that included Crazy Mary, Jiffy, Mr. Macklehoney, and Michael Honey.

Television

Soon after The World's Fair ended, Flowers began dabbling in puppetry on New York television, creating and performing characters on the Aniforms segment of the 1965 series The Surprise Show and Captain Kangaroo.
Paul Lynde caught one of his performances in Provincetown and invited Flowers to come to Hollywood, where his career exploded. His first major national TV gig was designing and puppeteering the Baby Smedley puppets for the all-star 1974 TV special Free to Be... You and Me, a tie-in with the successful children's album of the same name. According to various sources, he earned a special Emmy Award for his puppets. That same year, Madame appeared in her first TV special for WNEW, Old is Somebody Else: Aging, Everybody is Doing It, which garnered Wayland a New York Emmy Award for "Special Use of an Unusual Craft."
In 1975, he and Madame appeared in the sketch comedy show Keep on Truckin'. Debuting as a summer series was enough to prove that the network had little faith in it, but the show was dealt a crippling blow when host Rod Serling died two weeks before the premiere. Serling's segments were removed, and the show lasted a scant four weeks on the air.
The duo soon rebounded as regulars on the 1976 series Andy, a syndicated revival of The Andy Williams Show. This cemented their success, leading to talk show appearances, a small role in the Redd Foxx movie Norman... Is That You?, a long run on the game show Hollywood Squares, a featured role on the 1977 revival of Laugh-In, a recurring comedy skit on Solid Gold, TV guest spots, and even regional commercials.
Feeling he could take his act further, he began developing the TV sitcom Madame's Place, which debuted in 1982 and costarred Susan Tolsky, Johnny Haymer, Judy Landers, Corey Feldman and Ty Henderson. The show was serialized, following the day-to-day goings-on of Madame and those closest to her, and featuring celebrities, comedians, and musical acts in a show within a show that she hosted nightly from her mansion. Outside of a shot in the opening credits, Flowers only appeared on-screen once; in "Comedy, Sex, and Pathos," he popped up in drag as inebriated cooking show host Julia Chives.
Production began in August 1982, with the cast and crew working at a breakneck pace to churn out 75 half-hour shows in 26 weeks. In addition to shooting the shows on weekdays, Madame also had a regular gig on Solid Gold, which they'd shoot on Friday nights. It's been alleged that Flowers developed a heavy cocaine habit during the production in an effort to keep up the pace, and that he was often so blitzed that he had to be carried on and off the set of Solid Gold. During an interview on the set of Madame's Place, Armistead Maupin remarked that he'd lost a significant amount of weight. Despite its wide exposure, Madame's Place was initially considered unsuccessful and canceled after one season. However, the show went on to have a long life in daytime reruns on the USA Network.
After the failure of Madame's Place, Flowers kept his Solid Gold gig temporarily, then stepped away from the Hollywood spotlight, focusing more on live venues—but Madame did eventually briefly return to Solid Gold and a revival of The Hollywood Squares.

Personal life

Flowers was shy and lived vicariously through Madame, who became his constant companion everywhere he went.
Although he has been posthumously cited as one of the first mainstream entertainers who was openly gay, this is untrue. He was well-known for performing on the gay circuit, but feared that publicly saying the words "I am gay" would "cost him a million dollars a year." When the Bay Area Reporter's Steve Warren asked about his sexuality in a 1982 interview, Flowers lashed out, asking, "What's the point anyway? Why does everyone have to have a label? I don't know what I am. I've tried everything, although I have my preferences."
In the years since his death, there have been claims of promiscuity, temperamental behavior, and a snowballing drug habit that led him to alienate friends and associates, but he lived his life outside of the spotlight, which was generally shining on his alter ego.

Death

In September 1987, Flowers was diagnosed with HIV, but he did not publicly announce his diagnosis and continued to perform. He eventually developed Kaposi's sarcoma, an AIDS-related cancer. On September 2, 1988, he collapsed onstage while performing at Harrah's in Lake Tahoe. After a brief hospitalization, he returned to his hometown of Dawson, Georgia, where he visited family. Upon returning to Los Angeles, he moved into the Hughes House hospice for palliative care. On October 11, 1988, Flowers died at Hughes House of complications from AIDS-related Kaposi's sarcoma at the age of 48. His remains were cremated at Grand View Memorial Park & Crematory in Glendale, California, and shipped back to his hometown of Dawson, Georgia, where they are interred at Cedar Hills Cemetery. He went on to be memorialized on The AIDS Quilt, although his name was misspelled as Waylon Flowers.
Following Flowers' death, the Star tabloid reported that Madame was buried with him, a falsehood that has frequently been repeated. Flowers bequeathed the puppets and his estate to his friend, manager, and ultimately, his caregiver, Marlena Shell.