L. Frank Baum
Lyman Frank Baum was an American author best known for his children's fantasy books, particularly The Wonderful Wizard of Oz, part of a series. In addition to the 14 Oz books, Baum penned 41 other novels, 83 short stories, over 200 poems, and at least 42 scripts. He made numerous attempts to bring his works to the stage and screen; the 1939 adaptation of the first Oz book became a landmark of 20th-century cinema.
Born and raised in Chittenango, New York, Baum moved west after an unsuccessful stint as a theater producer and playwright. He and his wife opened a store in Aberdeen, South Dakota, and he edited and published a newspaper called The Aberdeen Saturday Pioneer. They then moved to Chicago, where he worked as a newspaper reporter and published children's literature, coming out with the first Oz book in 1900. While continuing his writing, among his final projects he sought to establish a film studio in Los Angeles, California.
His works anticipated such later commonplace things as television, augmented reality, laptop computers, wireless telephones, women in high-risk and action-heavy occupations, and the ubiquity of advertising on clothing.
Childhood and early life
Baum was born in Chittenango, New York, in 1856 into a devout Methodist family. He had German, Scots-Irish, and English ancestry. He was the seventh of nine children of Cynthia Ann and Benjamin Ward Baum, only five of whom survived into adulthood. "Lyman" was the name of his father's brother, but he always disliked it and preferred his middle name "Frank".His father succeeded in many businesses, including barrel-making, oil drilling in Pennsylvania, and real estate. Baum grew up on his parents' expansive estate called Rose Lawn, which he fondly recalled as a sort of paradise. Rose Lawn was located in Mattydale, New York. Baum was a sickly, dreamy child, tutored at home with his siblings. From the age of 12, he spent two years at Peekskill Military Academy but, after being severely disciplined for daydreaming, he had a possibly psychogenic heart attack and was allowed to return home.
Baum started writing early in life, possibly prompted by his father buying him a cheap printing press. He had always been close to his younger brother Henry Clay Baum, who helped in the production of The Rose Lawn Home Journal. The brothers published several issues of the journal, including advertisements from local businesses, which they gave to family and friends for free. By the age of 17, Baum established a second amateur journal called The Stamp Collector, printed an 11-page pamphlet called Baum's Complete Stamp Dealers' Directory, co-written by Henry Clay Baum and William Norris, and started a stamp dealership with friends.
At 20, Baum took on the national craze of breeding poultry. He specialized in raising the Hamburg chicken. In March 1880, he established a monthly trade journal, The Poultry Record and, in 1886, when Baum was 30 years old, his first book was published: The Book of the Hamburgs: A Brief Treatise upon the Mating, Rearing, and Management of the Different Varieties of Hamburgs.
Baum had a flair for being the spotlight of fun in the household, including during times of financial difficulties. His selling of fireworks made the Fourth of July memorable. His skyrockets, Roman candles, and fireworks filled the sky, while many people around the neighborhood would gather in front of the house to watch the displays. Christmas was even more festive. Baum dressed as Santa Claus for the family. His father would place the Christmas tree behind a curtain in the front parlor so that Baum could talk to everyone while he decorated the tree without people managing to see him. He maintained this tradition all his life.
Career
Theater
Baum embarked on his lifetime infatuation—and wavering financial success—with the theater. A local theatrical company duped him into replenishing their stock of costumes on the promise of leading roles coming his way. Disillusioned, Baum left the theater—temporarily—and went to work as a clerk in his brother-in-law's dry goods company in Syracuse. This experience may have influenced his story "The Suicide of Kiaros", first published in the literary journal The White Elephant. A fellow clerk one day had been found locked in a store room dead, probably from suicide.Baum could never stay away long from the stage. He performed in plays under the stage names of Louis F. Baum and George Brooks. In 1880, his father built him a theater in Richburg, New York, and Baum set about writing plays and gathering a company to act in them. The Maid of Arran proved a modest success, a melodrama with songs based on William Black's novel A Princess of Thule. Baum wrote the play and composed songs for it, and acted in the leading role. His aunt Katharine Gray played his character's aunt. She was the founder of Syracuse Oratory School, and Baum advertised his services in her catalog to teach theater, including stage business, play writing, directing, translating, revision, and operettas.
On November 9, 1882, Baum married Maud Gage, a daughter of Matilda Joslyn Gage, a famous women's suffrage and feminist activist. A local newspaper reported that their ceremony was "one of equality" and that their marriage vows were "precisely the same." While Baum was touring with The Maid of Arran, the theater in Richburg caught fire during a production of Baum's ironically titled parlor drama Matches, destroying the theater as well as the only known copies of many of Baum's scripts, including Matches, as well as costumes.
The South Dakota years
In July 1888, Baum and his wife moved to Aberdeen, Dakota Territory where he opened a store called "Baum's Bazaar". His habit of giving out wares on credit led to the eventual bankrupting of the store, so Baum turned to editing the local newspaper The Aberdeen Saturday Pioneer where he wrote the column Our Landlady. Following the death of Sitting Bull at the hands of Indian agency police, Baum recommended the wholesale extermination of all America's native peoples in a column that he wrote on December 20, 1890. It is unclear whether Baum meant it as a satire or not, especially since his mother-in-law Matilda Joslyn Gage received an honorary adoption into the Wolf Clan of the Mohawk Nation and was a fierce defender of Native American rights, but on January 3, 1891, he returned to the subject in an editorial response to the Wounded Knee Massacre:Baum's description of Kansas in The Wonderful Wizard of Oz is based on his experiences in drought-ridden South Dakota. During much of this time, his mother-in-law was living in the Baum household. While Baum was in South Dakota, he sang in a quartet which included James Kyle, who became one of the first Populist senators in the U.S.
Writing
Baum's newspaper failed in 1891, and he, Maud, and their four sons moved to the Humboldt Park section of Chicago, where Baum took a job reporting for the Evening Post.Beginning in 1897, he founded and edited a magazine called The Show Window, later known as the Merchants Record and Show Window, which focused on store window displays, retail strategies and visual merchandising. The major department stores of the time created elaborate Christmas time fantasies, using clockwork mechanisms that made people and animals appear to move. The former Show Window magazine is still currently in operation, now known as VMSD magazine, based in Cincinnati.
In 1900, Baum published a book about window displays in which he stressed the importance of mannequins in drawing customers. He also had to work as a traveling salesman.
In 1897, he wrote and published Mother Goose in Prose, a collection of Mother Goose rhymes written as prose stories and illustrated by Maxfield Parrish. Mother Goose was a moderate success and allowed Baum to quit his sales job. In 1899, Baum partnered with illustrator W. W. Denslow to publish Father Goose, His Book, a collection of nonsense poetry. The book was a success, becoming the best-selling children's book of the year.
''The Wonderful Wizard of Oz''
In 1900, Baum and Denslow published The Wonderful Wizard of Oz to much critical acclaim and financial success. The book was the best-selling children's book for two years after its initial publication. Baum went on to write thirteen more novels based on the places and people of the Land of Oz.''The Wizard of Oz: Fred R. Hamlin's Musical Extravaganza''
Two years after Wizard publication, Baum and Denslow teamed up with composer Paul Tietjens and director Julian Mitchell to produce a musical stage version of the book under Fred R. Hamlin. Baum and Tietjens had worked on a musical of The Wonderful Wizard of Oz in 1901 and based closely upon the book, but it was rejected. This stage version opened in Chicago in 1902, then ran on Broadway for 293 stage nights from January to October 1903. It returned to Broadway in 1904, where it played from March to May and again from November to December. It successfully toured the United States with much of the same cast, as was done in those days, until 1911, and then became available for amateur use. The stage version starred Anna Laughlin as Dorothy Gale, alongside David C. Montgomery and Fred Stone as the Tin Woodman and Scarecrow respectively, which shot the pair to instant fame.The stage version differed quite a bit from the book, and it was aimed primarily at adults. Toto was replaced with Imogene the Cow, and Tryxie Tryfle and Pastoria were added as fellow cyclone victims. The Wicked Witch of the West was eliminated entirely in the script, and the plot became about how the four friends were allied with the usurping Wizard and were hunted as traitors to Pastoria II, the rightful King of Oz. It is unclear how much control or influence Baum had on the script; it appears that many of the changes were written by Baum against his wishes due to contractual requirements with Hamlin. Jokes in the script, mostly written by Glen MacDonough, called for explicit references to President Theodore Roosevelt, Senator Mark Hanna, Rev. Andrew Danquer, and oil tycoon John D. Rockefeller. Although use of the script was rather free-form, the line about Hanna was ordered dropped as soon as Hamlin got word of his death in 1904.
Beginning with the success of the stage version, most subsequent versions of the story, including newer editions of the novel, have been titled "The Wizard of Oz", rather than using the full, original title. In more recent years, restoring the full title has become increasingly common, particularly to distinguish the novel from the Hollywood film.
Baum wrote a new Oz book, The Marvelous Land of Oz, with a view to making it into a stage production, which was titled The Woggle-Bug, but Montgomery and Stone balked at appearing when the original was still running. The Scarecrow and Tin Woodman were then omitted from this adaptation, which was seen as a self-rip-off by critics and proved to be a major flop before it could reach Broadway. He also worked for years on a musical version of Ozma of Oz, which eventually became The Tik-Tok Man of Oz. This did fairly well in Los Angeles but not well enough to convince producer Oliver Morosco to mount a production in New York. He also began a stage version of The Patchwork Girl of Oz, but this was ultimately realized as a film.