The Shape of Water
The Shape of Water is a 2017 period romantic dark fantasy film directed and produced by Guillermo del Toro, who co-wrote the screenplay with Vanessa Taylor. It stars Sally Hawkins, Michael Shannon, Richard Jenkins, Doug Jones, Michael Stuhlbarg, and Octavia Spencer. Set in 1962 Baltimore, Maryland, the film follows a mute cleaner at a high-security government laboratory who falls in love with a captured humanoid amphibian creature and decides to help him escape from death at the hands of an evil colonel. Filming took place on location in Ontario, Canada, from August to November 2016.
The Shape of Water was screened as part of the main competition in the 74th Venice International Film Festival, where it premiered on August 31, 2017, and was awarded the Golden Lion. It was also screened at the 2017 Toronto International Film Festival. It began a limited release in two theaters in New York City on December 1, 2017, before expanding wide on December 22, and grossed $195 million worldwide.
The Shape of Water was widely acclaimed by critics, who lauded its acting, screenplay, direction, visuals, production design, cinematography, and musical score. The American Film Institute selected it as one of the top ten films of 2017. The film was nominated for a leading thirteen awards at the 90th Academy Awards, winning four, including Best Picture and Best Director, and received numerous other accolades; it was the second fantasy film to win Best Picture, after The Lord of the Rings: The Return of the King. A novelization by del Toro and Daniel Kraus was published on March 6, 2018.
Plot
In 1962, during the Cold War, Elisa Esposito works as a janitor in a secret government laboratory in Baltimore, Maryland. Found abandoned by the side of a river as an infant with scars on her neck, Elisa is mute and communicates through sign language. Her only friends are her closeted middle-aged neighbor Giles, an advertising illustrator, and her coworker Zelda.Colonel Richard Strickland has captured a creature from a South American river and taken it to the facility for study. Elisa discovers it is a humanoid amphibian, and bonds with the creature after visiting him in secret. Seeking an advantage in the Space Race, Strickland persuades General Frank Hoyt to vivisect the Amphibian Man to examine his respiratory system. Scientist Robert Hoffstetler, a Soviet spy, pleads with Strickland to keep him alive for further study, while being ordered by his handlers to kill the creature.
Giles relucantly agrees to help Elisa free Amphibian Man after failing a work assignment and being rejected by a local restaurant manager whom he discovered was both racist and homophobic. Hoffstetler and Zelda also become involved in the plot and successfully get the Amphibian Man to Elisa's apartment. Elisa keeps him in her bathtub, planning to release him into a nearby canal when heavy rain allows access to the ocean. When Giles tries to stop the Amphibian Man from devouring one of his cats, his arm is slashed and the Amphibian Man flees. Elisa coaxes him back to her apartment and the creature touches Giles on his balding head and wounded arm. The next morning, Giles discovers his hair is regrowing and the wounds on his arm have healed. Elisa's infatuation with the Amphibian Man culminates in sexual intercourse.
General Hoyt gives Strickland an ultimatum to recover the Amphibian Man or his career will be over. Hoffstetler is told by his handlers he'll be extracted from the US in two days. The Amphibian Man's health begins to deteriorate.
Strickland follows Hoffstetler to a meeting with his handlers where Hoffstetler is shot. Strickland intervenes, shooting the handlers, then tortures the dying spy into revealing the Amphibian Man's whereabouts. Strickland confronts Zelda in her home and her husband reveals Elisa has the Amphibian Man. Zelda warns Elisa to release the creature before Strickland can arrive. He ransacks Elisa's apartment and finds evidence of the creature in the bathtub and a calendar note revealing where she plans to release him.
Elisa and Giles are bidding farewell to the creature at the canal when Strickland arrives, knocks Giles down, and shoots both the Amphibian Man and Elisa. Giles and Strickland fight while the Amphibian Man heals himself, then fatally slashes Strickland's throat. As the police arrive with Zelda, the Amphibian Man jumps into the canal with the unconscious Elisa. He kisses her and when he uses his healing power the scars on her neck open to reveal gills. Elisa revives and embraces the Amphibian Man.
Cast
Production
Development
It was co-produced between the United States and Mexico. The film was directed by Guillermo del Toro from a screenplay he co-wrote with Vanessa Taylor. Del Toro formed the idea for The Shape of Water over breakfast in December 2011 with Daniel Kraus, his future collaborator on the novel Trollhunters. It was primarily inspired by del Toro's childhood memories of seeing Creature from the Black Lagoon and wanting to see the Gill-man and Kay Lawrence succeed in their romance.When del Toro was in talks with Universal to direct a remake of Creature from the Black Lagoon, he tried pitching a version focused more on the creature's perspective, where the Creature ended up together with the female lead, but the studio executives rejected the concept.
In placing the film in the 1960s, del Toro said "the movie is a movie about our problems today and about demonizing the other and about fearing or hating the other, and how that is a much more destructive position than learning to love and understand if I say once upon a time in 1962, it becomes a fairy tale for troubled times. People can lower their guard a little bit more and listen to the story and listen to the characters and talk about the issues, rather than the circumstances of the issues."
Casting
A fan of her performances in Fingersmith and Happy-Go-Lucky, del Toro wrote the script with Sally Hawkins in mind for the female lead and pitched the idea to her while he was intoxicated at the 2014 Golden Globes. Hawkins prepared for the role by watching films of silent comedians Charlie Chaplin, Buster Keaton, Harold Lloyd, and Stan Laurel from Laurel and Hardy, the last of whom Del Toro told her to watch because he thought Laurel could "do a state of grace without conveying it verbally".Doug Jones was chosen to portray the Amphibian Man in The Shape of Water, having collaborated with del Toro on Mimic, Hellboy, Pan's Labyrinth, Hellboy II: The Golden Army, and Crimson Peak, with Jones also playing a different amphibian man in the Hellboy series. In an interview with NPR, Jones said his initial reaction to learning the creature would also be a romantic lead was "utter terror" but trusted the director to expand the character's development. As Jones wanted to portray a creature distinct from others in monster films, he practiced a variety of movements in a dance studio. After del Toro told him to make the character "animalistic, but royal and regal", Jones decided to also portray the character as a Matador. The voice of the Amphibian Man was created by supervising sound editor Nathan Robitaille, who combined his own vocalizations, various animal sounds, and recordings of del Toro breathing.
The part of Giles was originally written with Ian McKellen in mind, and del Toro was inspired to do so by his performance in Gods and Monsters as the real-life closeted gay filmmaker James Whale, the director of Frankenstein, The Invisible Man, and Bride of Frankenstein, who found himself unemployable in his later years. When McKellen proved unavailable, del Toro sent an e-mail to Richard Jenkins, who accepted the part.
Michael Shannon was cast as Richard Strickland, the villain of the film. Shannon and del Toro had early conversations about the notion that Strickland would have been the hero of the film if it had been made in the 1950s, something that fascinated the actor. Octavia Spencer, who played the role of Elisa's co-worker, friend, and interpreter Zelda, found it funny that the people del Toro used to speak for the mute main character were people who represent very disenfranchised groups.
Filming and visuals
began on August 15, 2016, in Toronto and Hamilton, Ontario, and wrapped on November 6, 2016. The interior of the Orpheum, is that of the Elgin and Winter Garden Theatres in Toronto, while the exterior of the building is the façade of the Victorian Massey Hall, a performing arts theatre not far from the other one. Elisa and Giles's old flats, which in the film are just above the Orpheum, were actually a set built at Cinespace Studios, West Toronto. Parts of the government laboratory was filmed in the Humanities Wing of the John Andrews Building at the University of Toronto Scarborough.Del Toro was torn between making the film in color or in black and white, and was at one point leaning toward the latter. Fox Searchlight Pictures offered del Toro either a $20 million budget to make the film in color or a $17 million budget to shoot it in black and white. Del Toro admitted he was in "a battle I was expecting to lose. I was of two minds. On one hand I thought black and white would look luscious, but on the other hand I thought it would look postmodern, like I was being reflective rather than immersed." As a result, he chose to shoot it in color. In an interview with IndieWire about the film, del Toro said the project was a "healing movie for me", as it allowed him to explore and "speak about trust, otherness, sex, love, where we're going. These are not concerns that I had when I was nine or seven."
Music
Three years before The Shape of Water was released, del Toro met with composer Alexandre Desplat to talk about the film's premise. In January 2017, Desplat was shown a rough cut of the finished film, and finding it similar to a musical, he agreed to compose a score. As a result, Desplat tried to capture the sound of water extensively to have audiences experience a "warm feeling" that is also caused by love. In an interview, he said the melody from the opening scene was "actually made of waves. I did not do that on purpose, but by being completely immersed in this love and these water elements, I wrote a melody that plays arpeggios like waves."Writing the film score took six weeks; it was purposely composed to create the sense of immersion and to give the "sense that you, yourself, are floating". The two melodies, one titled "Elisa's Theme", are heard at the beginning of the film and later merge into a single piece of music by the end of it. To emphasize this effect and its final result, Desplat changed the sounds of the accompanying flutes, accordions, and whistles to "something blurred". On composing the score overall, he said that it was "a matter of sculpting the music and making it take the shape of the storyline." As a result, Desplat opted out of giving Shannon's character a melody.
The music for The Shape of Water was released on December 1, 2017, by Decca Records. At the 90th Academy Awards, it received the Academy Award for Best Original Score. Desplat noted that "when the movie's that beautiful—and I actually think this movie is a masterpiece—it makes your life much easier. You just have to put your hands on it and it takes you anywhere you want."