The Lunchbox
The Lunchbox is a 2013 drama film written and directed by Ritesh Batra. Produced by Guneet Monga, Anurag Kashyap and Arun Rangachari, The Lunchbox is an international co-production of studios in India, the US, Germany and France. It stars Irrfan Khan and Nimrat Kaur alongside Nawazuddin Siddiqui, Bharti Achrekar and Nakul Vaid in supporting roles.
The Lunchbox was screened at Critics' Week at the 2013 Cannes Film Festival, and later won the Critics' Week Viewers Choice Award also known as Grand Rail d'Or. It was shown at the 2013 Toronto International Film Festival. The film was released in theatres in India on 20 September 2013. The Lunchbox was a box-office success and received unanimous critical acclaim. It was Khan's highest-grossing Hindi film, until it was surpassed by Hindi Medium. The Lunchbox was nominated for Best Film Not in the English Language at the 2015 British Academy Film Awards.
Plot
Ila is a young housewife seeking the attention of her husband, Rajeev, and searching for ways to bring the romance back into her marriage; one of her ideas is to cook delicious lunches for him. Through a rare mix-up of the dabbawalas, the tiffin carrier Ila prepares for her husband gets accidentally delivered, instead, to Saajan Fernandes, a middle-aged widower who is about to retire from his job of an accountant. Ila eventually realises the mistake and with the advice of her neighbour aunt, Mrs. Deshpande, living in the apartment above her, writes a letter to Saajan about the mix-up and places it in the lunchbox the next day. An exchange of letters sent back and forth with the lunches ignites a friendship between the two, as they share memories and events from their own lives.At work, Saajan is tasked with training his replacement, Aslam Shaikh. Socially distant after his wife's death, Saajan is initially reluctant to interact with Shaikh and train him. After Shaikh reveals that he is an orphan who taught himself accounting, Saajan gradually warms up to him, and eventually the duo strike a close friendship. At one point, Saajan saves Shaikh's job by covering for his blatant mistakes and becomes the best man at his marriage with Mehrunissa. Meanwhile, Ila discovers that Rajeev is having an extramarital affair and gives up hope of rekindling her marriage. In one of the lunchbox letters, she suggests moving to Bhutan where the cost of living is much cheaper than India. Saajan writes back with the suggestion that the two move there together. Ila then offers to meet in person at a popular restaurant but at the appointed time, Saajan does not show up. Upon receiving an empty lunchbox in disappointment the next day, Saajan writes back to the dejected Ila and apologises to her, stating that he did arrive and watched her from a distance, but could not approach her. He explains how young and beautiful she looked, while surmising that he is too old for her and advising her to move on.
Some time later, Ila's father, battling lung cancer, dies in the care of her mother, who confesses how unhappy her marriage was. She gives Ila the advice “Sometimes, the wrong train takes us to the right station”. Ila receives the address of Saajan's office from the dabbawalas only to learn from Shaikh that he has already retired and headed to Nashik. She writes a farewell message to Saajan announcing that she has decided to leave Rajeev and move to Bhutan with her young daughter, Yashvi. Meanwhile, Saajan changes his mind en route to Nashik and returns to Mumbai. The film ends with Ila waiting for Yashvi to return from school and Saajan heading to her house with the dabbawalas who regularly picked up and delivered the eponymous lunchbox.
Cast
- Irrfan Khan as Saajan Fernandes
- Nimrat Kaur as Ila Singh
- Nawazuddin Siddiqui as Aslam Shaikh, Saajan's colleague
- Lillete Dubey as Ila's mother
- Nakul Vaid as Rajeev Singh, Ila's husband
- Bharati Achrekar as Mrs. Deshpande a.k.a. "Auntie", Ila's neighbour
- Yashvi Puneet Nagar as Yashvi Singh, Ila & Rajeev's daughter
- Denzil Smith as Mr. Shroff, Saajan's office boss
- Shruti Bapna as Mehrunissa, Shaikh's wife
Production
Development
Ritesh Batra, who had made the short films The Morning Ritual, Gareeb Nawaz Ki Taxi and Cafe Regular, Cairo, started researching a documentary on the famous dabbawala Lunchbox delivery system of Mumbai which is known for its efficiency, however after spending a week with them in 2007, he heard many interesting personal stories the workers would overhear while waiting outside apartments. This experience birthed the idea for the film, and instead of making a documentary, he began writing a film script. In time the film became a joint production between Sikhya Entertainment, DAR motion pictures, National Film Development Corporation of India, India, ROH Films, Germany, ASAP Films, France and the Cine Mosaic, a production company based in New York City and founded by Lydia Dean Pilcher who had previously produced films such as The Talented Mr Ripley and The Namesake. Germany's Match Factory became its international sales agent.Writing
Batra completed the first draft of the screenplay in 2011. He was assisted by Rutvik Oza. It went on to win an Honorable Jury Mention at the 2012 Cinemart at the Rotterdam International Film Festival. Thereafter the project was part of the Talent Project Market of Berlin International Film Festival and was mentored at the screenwriter's lab at the Torino Film Festival. The character of Ila played by Nimrat Kaur, six months prior to the shooting, and the character played by Nawazuddin Siddiqui was further developed and improvised during shooting.Casting
Irrfan Khan liked the script of the film and the concept of his character, not speaking much but talking through notes. After seeing Batra's short film and having a couple of meetings he agreed to act in the film. Batra wanted to work with Nawazuddin Siddiqui, another principal character in the film, for a long time. For the female lead, auditions were conducted, wherein Nimrat Kaur was selected. Kaur had extensive experience at the Mumbai theatre and had worked in films like Peddlers. Some of the dabbawalas whom the director befriended while researching the film were also cast in minor roles.Filming
The film was shot in 2012 in Mumbai at a budget of ₹220 million. Prior to the filming, the cast rehearsed for six months. It was shot using the Arri Alexa digital film camera. Many of the scenes were logistically broken down to make way for last minute location changes. According to Ritesh Batra, scenes on the train involved the use of only one compartment, and even included actual local commuters when needed.Principal photography lasted 29 days, with a majority of the film's scenes done in three weeks. Afterwards, footage taken in a documentary manner were shot. Mumbai's famous dabbawalas were provided actual lunchboxes to deliver, and followed by a four-member film crew, which filmed the process in documentary style.
Release and reception
Screenings and film festivals
The film was screened on 19 May 2013 as a part of the Critics' Week at the 2013 Cannes Film Festival, where it received a standing ovation and positive reviews. It won the Critics' Week Viewers Choice Award also known as Grand Rail d'Or. Variety called it "a notable debut from tyro helmer-scripter Ritesh Batra", for creating a film with the "crossover appeal of Monsoon Wedding", and also praised the acting of Irrfan Khan and Nimrat Kaur.Thereafter, Sony Pictures Classics picked up North American distribution rights.
In India, this film was released on more than 400 screens on 20 September 2013. In Japan, a Japanese dubbed version of the film was released on 9 August 2014, screening in a hundred theaters.
Box office
The Lunchbox grossed ₹71 million in its first weekend of release in India, and ₹110 million in its first week. The film continued to gross significant amounts over the next few weeks, earning over ₹200 million in the first three weeks and another estimated ₹40–50 lakhs on its fourth weekend.In the United States, The Lunchbox grossed $4.23 million, and was 2014's third highest grossing foreign film behind Cantinflas and P.K.. By 28 May 2014, the film's worldwide collection was. The film's total worldwide gross for the original Hindi version was . Most of its gross was from overseas with for the Hindi version, becoming 2013's third highest-grossing Indian film overseas after Dhoom 3 and Chennai Express. It was Irrfan Khan's highest-grossing Hindi film, up until it was surpassed by Hindi Medium.
The Japanese dubbed version, released later in 2014, screened in a hundred theaters for ten weeks. The film grossed over in Japan. Combined, the Hindi and Japanese versions grossed an estimated overseas and worldwide.
Critical reception
The Lunchbox received critical acclaim from critics and audiences.Critic Rajeev Masand of CNN-IBN gave the film a rating of 5 out of 5 stating, "The greatest love stories are the ones that make you root for the protagonists to come together, despite their destinies. This film illustrates how love transforms the unlikeliest of people." Pratim D. Gupta of The Telegraph gave The Lunchbox two thumbs up calling it "as much a moving and muted love story as it is an evocative portrayal of loneliness." Taran Adarsh of Bollywood Hungama gave the movie a 4 out of 5 rating, stating "A well-told old-fashioned romance, The Lunchbox gracefully unknots the trials, tribulations, fears and hopes of everyday people sans the glamour that the city of Mumbai has become synonymous with." Karan Anshuman of Mumbai Mirror also gave the film a perfect 5 out of 5 saying the film was, "one of the best films to come out of India in a long time."
Raja Sen of Rediff.com also praised the film, giving it 5 out of 5 and offering particular compliments to the director Ritesh Batra, stating "Batra, who has also written The Lunchbox, has allowed his smashing actors tremendous room to improvise, all the while himself sketching in nuanced details about the city, its food-ferriers, and the many disparities Mumbai is crammed with." Filmmaker/critic Khalid Mohammed of the Deccan Chronicle said "What stays in the mind at the end of The Lunchbox is pretty much what stays in mind at the end of a memorable set by jazzmen – not their lapses but the heights they scale." Aditya Grover of YouthTimes gave it 4 out of 5 stars and said, "The Lunchbox is delicious and delightful! If you're in the mood to witness genuinely moving cinema, you're in for a treat. The delectable taste of this lunchbox remains in your mouth much after you've left the theatre. Go for it!" Suparna Sharma of The Asian Age gave it 4 out of 5 stars and said: "The Lunchbox is a gently pulsating sweet-sad story of loneliness and love, of wilting spirits finding water again. There are three women in three marriages in this film, of which two are ailing. The third one is over, almost, only the last rites haven't been performed. There are two men in the film – one who has lived a full life and is getting ready to quietly slip off the face of the earth; the other is eager to begin… What's both shocking and soothing is what the film shows us — that it takes very little for a soul to come back to life. Mostly, just a hint of hope will do."
Trisha Gupta in the Sunday Guardian wrote "The Lunchbox is a lovely little film. But it does tick all the boxes that might appeal to festival audiences: quaint Asian urbanism, Indian home-cooking, romance. It provides local colour, without being demandingly untranslatable." In a less positive review for the Chicago Reader, J. R. Jones criticized the film's premise as a gimmick and its purported use of an "irritating comic foil" in reference to Nawazuddin Siddiqui's and Bharati Achrekar's characters as Shaikh and Mrs. Deshpande, respectively.