The Charge of the Gauchos
The Charge of the Gauchos is a 1928 American-Argentine silent historical film directed by Albert H. Kelley and starring Francis X. Bushman, Jacqueline Logan, and Guido Trento. Bushman plays Manuel Belgrano, one of the leaders of the 1810 May Revolution. The film's Spanish title refers to a line from the Argentine national anthem. It was made as a patriotic endeavor designed to boost the small Argentine film industry, but with enough action and romance to appeal to international audiences particularly in the UK and the United States. The film was also released under the title The Beautiful Spy.
Plot
General Manuel Belgrano is leading a military campaign against Spanish rule. His sweetheart, Monica, the daughter of a Spanish loyalist, is acting as a spy and supplying information. Monica is captured and sentenced to be executed. Belgrano has to rally his supporters to free her.Cast
- Francis X. Bushman as Manuel Belgrano
- Jacqueline Logan as Monica Salazar
- Guido Trento as Monteros
- Paul Ellis as Balcarce
- Henry Kolker as Viceroy Cisneros
- Charles Hill Mailes as Saavedra
- Jack Hopkins as Lezica
- Charles K. French as Salazar
- Olive Hasbrouck as Mariana
- Mathilde Comont as Aunt Rosita
- Jack Ponder as George Gordon
- Lige Conley as Gómez
- Gino Corrado as Moreno
- Frank Hagney as Goyeneche
- Otto Hoffman as Balcarce's Father
- Margaret McWade as Balcarce's Mother
- James Gordon as Bishop
- Serge Tatarski as Castelli
- Henry Hebert as Martin Rodriguez
- Harry Semels as Beruti
- Elmer Dewey as French
- Curt Furburg as Patriot
Production
The Spanish-born Argentine producer Julián Ajuria was unhappy with previous representations of Argentina in Hollywood films. After failing to secure Hollywood backing for his project, he raised the finances elsewhere but decided to shoot in North America with a largely American cast in order to boost the film's chances of a good release there. Bushman had been a major star during the silent era, although his career was starting to decline.Ajuria went to great lengths to recreate authentic costumes and settings of the period. During its production, the film was criticized by Argentine newspapers who felt that it would be another Hollywood-style retelling of Argentina's history, but these attitudes began to change once preview screenings were held.