Chicago (band)
Chicago is an American rock band formed in Chicago, Illinois, in 1967. Self-described as a "rock and roll band with horns", their songs often also combine elements of classical music, jazz, R&B, and pop music.
Growing out of several bands from the Chicago area in the late 1960s, the original line-up consisted of Peter Cetera on bass, Terry Kath on guitar, Robert Lamm on keyboards,
Lee Loughnane on trumpet, James Pankow on trombone, Walter Parazaider on woodwinds, and Danny Seraphine on drums. Cetera, Kath, and Lamm shared lead vocal duties. The group initially called themselves The Big Thing, then changed to the Chicago Transit Authority in 1968, and finally shortened the name to Chicago in 1969.
Laudir de Oliveira joined the band as a percussionist and second drummer in 1974. Kath died in 1978 and was replaced by several guitarists in succession. Bill Champlin joined in 1981, providing vocals, keyboards, and rhythm guitar. Cetera left the band in 1985 and was replaced by Jason Scheff. Seraphine left in 1990 and was replaced by Tris Imboden. Although the band's lineup has been more fluid since 2009, Lamm, Loughnane, and Pankow have remained constant members. Parazaider "officially retired" in 2017. In 2021, he revealed he had been diagnosed with Alzheimer's disease. Since 2025, Lamm and Pankow have been on hiatus from touring amidst health problems, though they remain official members of the band.
In September 2008, Billboard ranked Chicago at number thirteen in a list of the top 100 artists of all time for Hot 100 singles chart success, and ranked them at number fifteen on that same list in October 2015. Billboard also ranked Chicago ninth on the list of the 100 greatest artists of all time in terms of Billboard 200 album chart success in October 2015. Chicago is one of the longest-running and most successful rock groups, and one of the world's best-selling groups of all time, having sold more than 100 million records. In 1971, Chicago was the first rock act to sell out Carnegie Hall for a week. Chicago is also considered a pioneer in rock music marketing, featuring a recognizable logo on album covers, and sequentially naming their albums using Roman numerals.
In terms of chart success, Chicago is one of the most successful American bands in Recording Industry Association of America and Billboard history, and are one of the most successful popular music acts of all time. To date, Chicago has sold over 40 million units in the U.S., with 23 gold, 18 platinum, and eight multi-platinum albums. They had five consecutive number-one albums on the Billboard 200, 20 top-ten singles on the Billboard Hot 100, and in 1974 the group had seven albums, its entire catalog at the time, on the Billboard 200 simultaneously. The group has received ten Grammy Award nominations, winning one for the song "If You Leave Me Now". The group's first album, Chicago Transit Authority, released in 1969, was inducted into the Grammy Hall of Fame in 2014. The original line-up of Chicago was inducted into the Rock and Roll Hall of Fame in 2016. In 2017, Cetera, Lamm, and Pankow were elected to the Songwriters Hall of Fame. Chicago received a Grammy Lifetime Achievement Award on October 16, 2020.
History
The Big Thing
The group now known as Chicago began on February 15, 1967, at a meeting involving saxophonist Walter Parazaider, guitarist Terry Kath, drummer Danny Seraphine, trombonist James Pankow, trumpet player Lee Loughnane, and keyboardist/singer Robert Lamm. Kath, Parazaider, and Seraphine had played together previously in two other groups—Jimmy Ford and the Executives, and the Missing Links. Parazaider had met Pankow and Loughnane when they were all students at DePaul University. Lamm, a student at Roosevelt University, was recruited from his group, Bobby Charles and the Wanderers. The group of six called themselves the Big Thing, and like most other groups playing in Chicago nightclubs, played Top 40 hits. Realizing the need for both a tenor to complement baritones Lamm and Kath, and a bass player because Lamm's use of organ bass pedals did not provide "adequate bass sound", local tenor and bassist Peter Cetera was invited to join the Big Thing in late 1967.Chicago Transit Authority and early success
While gaining some success as a cover band, the group began working on original songs. In June 1968, at manager James William Guercio's request, the Big Thing moved to Los Angeles, California, where they signed with Columbia Records and changed their name to Chicago Transit Authority. While performing on a regular basis at the Whisky a Go Go nightclub in West Hollywood, the band got exposure to more famous musical artists of the time, subsequently opening for Janis Joplin and Jimi Hendrix. Group biographer William James Ruhlmann recorded Walt Parazaider as saying that Jimi Hendrix once told him: Jeez, your horn players are like one set of lungs and your guitar player is better than me.Their first record, Chicago Transit Authority, is a double album, a rarity for a band's initial studio release. The album made it to No. 17 on the Billboard 200 album chart, sold over one million copies by 1970, and was awarded a platinum disc. The album included a number of pop-rock songs – "Does Anybody Really Know What Time It Is?", "Beginnings", "Questions 67 and 68", and "I'm a Man" – which were later released as singles. For this inaugural recording effort the group was nominated for a Grammy Award for 1969 Best New Artist of the Year. In 2025, the Library of Congress selected Chicago Transit Authority for inclusion as an album in the National Recording Registry.
According to Cetera, the band was booked to perform at Woodstock in 1969, but promoter Bill Graham, with whom they had a contract, exercised his right to reschedule them to play at the Fillmore West on a date of his choosing, and he scheduled them for the Woodstock dates. Santana, which Graham also managed, took Chicago's place at Woodstock, and that performance is considered to be Santana's "breakthrough" gig. A year later, when he needed to replace headliner Joe Cocker, and then Cocker's intended replacement, Jimi Hendrix, Graham booked Chicago to perform at Tanglewood, which has been called a "pinnacle" performance by Concert Vault.
After the release of their first album, the band's name was shortened to Chicago to avoid legal action being threatened by the actual mass-transit company of the same name.
1970s: ''Chicago''
In 1970, less than a year after its first album, the band released a second album, titled Chicago, which is another double-LP. The album's centerpiece track is a seven-part, 13-minute suite composed by Pankow called "Ballet for a Girl in Buchannon". The suite yielded two top ten hits: "Make Me Smile" and "Colour My World", both sung by Kath. Among the other tracks on the album: Lamm's dynamic but cryptic "25 or 6 to 4", which is a reference to a songwriter trying to write at 25 or 26 minutes before 4 o'clock in the morning, and was sung by Cetera with Kath on guitar; the lengthy war-protest song "It Better End Soon"; and, at the end, Cetera's 1969 Moon landing-inspired "Where Do We Go from Here?" The double-LP album's inner cover includes the playlist, the entire lyrics to "It Better End Soon", and two declarations: "This endeavor should be experienced sequentially", and, "With this album, we dedicate ourselves, our futures and our energies to the people of the revolution. And the revolution in all of its forms." The album was a commercial success, rising to number four on the Billboard 200, and was certified gold by the Recording Industry Association of America in 1970, and platinum in 1991. The band was nominated for two Grammy Awards as a result of this album, Album of the Year and Best Contemporary Vocal Performance by a Duo, Group or Chorus.Chicago III, another double LP, was released in 1971 and charted at No. 2 on the Billboard 200. Two singles were released from it: "Free" from Lamm's "Travel Suite", which charted at No. 20 on the Billboard Hot 100; and "Lowdown", written by Cetera and Seraphine, which made it to No. 35. The album was certified gold by the RIAA in February 1971, and platinum in November 1986.
The band released LPs at a rate of at least one album per year from their third album in 1971 on through the 1970s. During this period, the group's album titles primarily consisted of the band's name followed by a Roman numeral, indicating the album's sequence in their canon. The exceptions to this scheme were the band's fourth album, a live boxed set entitled Chicago at Carnegie Hall, their twelfth album Hot Streets, and the Arabic-numbered Chicago 13. While the live album itself did not bear a number, the four discs within the set were numbered Volumes I through IV.
In 1971, the band released Chicago at Carnegie Hall Volumes I, II, III, and IV, a quadruple LP, consisting of live performances, mostly of music from their first three albums, from a week-long run at Carnegie Hall. Chicago was the first rock act to sell out a week at Carnegie Hall and the live recording was made to chronicle that milestone. Along with the four vinyl discs, the packaging contained some strident political messaging about how "We can change the System", including wall posters and voter registration information. The album went gold "out of the box" and on to multi-platinum status. William James Ruhlmann says Chicago at Carnegie Hall was "perhaps" the best-selling box set by a rock act and held that record for 15 years. In recognition of setting Carnegie Hall records and the ensuing four-LP live recordings, the group was awarded a Billboard 1972 Trendsetter Award. Drummer Danny Seraphine attributes the fact that none of Chicago's first four albums were issued on single LPs to the productive creativity of this period and the length of the jazz-rock pieces.
In 1972, the band released its first single-disc release, Chicago V, which reached No. 1 on both the Billboard pop and jazz album charts. It features "Saturday in the Park", written by Robert Lamm, which mixes everyday life and political yearning in a more subtle way. It peaked at No. 3 on the Billboard Hot 100 in early 1972. The second single released from the album was the Lamm-composed "Dialogue ", which featured a musical "debate" between a political activist and a blasé college student. It peaked at No. 24 on the Hot 100 chart.
Other albums and singles followed in each of the succeeding years. 1973's Chicago VI was the first of several albums to include Brazilian jazz percussionist Laudir de Oliveira and saw Cetera emerge as the main lead singer. According to William James Ruhlmann, de Oliveira was a "sideman" on Chicago VI and became an official member of the group in 1974. Chicago VI featured two top ten singles, "Just You 'n' Me", written by Pankow, and "Feelin' Stronger Every Day", written by Pankow and Cetera. Chicago VII was the band's double-disc 1974 release. Three singles were released from this album: " Searchin' So Long", written by Pankow, and "Call On Me", written by Loughnane, both of which made it into the top ten; and the Beach Boys-infused "Wishing You Were Here", written by Cetera, which peaked at number eleven.
Writing for Billboard magazine, Joel Whitburn reported in October 1974 that the group had seven albums, its entire catalog at the time, on the Billboard 200 simultaneously, placing them seventh in a list of artists in that category. Their 1975 release, Chicago VIII, featured the political allegory "Harry Truman" and the nostalgic Pankow-composed "Old Days". That summer also saw a joint tour across America with the Beach Boys, with the two acts performing separately, then coming together for a finale. Chicago VI, VII, and VIII all made it to No. 1 on the Billboard 200, all were certified gold the years they were released, and all have since been certified platinum. Chicago VI was certified two times multi-platinum in 1986. Chicago IX: Chicago's Greatest Hits was released in 1975 and became the band's fifth consecutive No. 1 album on the Billboard 200.
1976's Chicago X features Cetera's ballad "If You Leave Me Now", which held the top spot in the U.S. charts for two weeks and the UK charts for three weeks. It was the group's first No. 1 single, and won Chicago their only Grammy Award to date, the 1976 Best Pop Vocal Performance by a Duo, Group or Chorus, at the 19th Annual Grammy Awards held on February 19, 1977. The single was certified gold by the RIAA the same year of its release. The song almost did not make the cut for the album. "If You Leave Me Now" was recorded at the last minute. The success of the song, according to William James Ruhlmann, foreshadowed a later reliance on ballads. The album reached No. 3 on the Billboard 200, was certified both gold and platinum by the RIAA the same year of its release and two times multi-platinum since, and was also nominated for the Grammy Award for Album of the Year. 1976 was the first year that albums were certified platinum by the RIAA. In honor of the group's platinum album achievement, Columbia Records that year awarded the group a 25-pound bar of pure platinum, made by Cartier. At the 4th Annual American Music Awards, a fan-voted awards show, held January 31, 1977, Chicago won the award for Favorite Pop/Rock Band/Duo/Group, the group's first of two American Music Awards they have received.
The group's 1977 release, Chicago XI, includes Cetera's ballad "Baby, What a Big Surprise", a No. 4 U.S. hit which became the group's last top 10 hit of the decade. Chicago XI performed well commercially, peaking at No. 6 on the Billboard 200, and reaching platinum status during the year of its release. On October 17, 1977, during the intermission of an Emerson, Lake & Palmer concert, Madison Square Garden announced its new Gold Ticket Award, to be given to performers who had brought the venue over 100,000 in unit ticket sales. Because the arena has a seating capacity of about 20,000, this would require a minimum of five sold-out shows there. Chicago was one of at least eleven other acts that were eligible for the award, and weeks later, at its October 28, 1977, Madison Square Garden concert, Chicago was one of the first acts to receive the award for drawing over 180,000 people to the venue in nine sold-out appearances there over the years. Cashbox reviewer Ken Terry said of the 1977 Madison Square Garden concert, "Chicago ultimately presents itself in the best light with AM-oriented, good-time music. Its fans are not looking for complicated, introverted songs; they want music to drive to, dance to and work to."
Besides recording and touring, during the busy 1970s, Chicago also made time for a movie appearance and several television appearances of note. In 1972, Guercio produced and directed Electra Glide in Blue, a film about an Arizona motorcycle policeman. Released in 1973, the film stars Robert Blake and features Cetera, Kath, Loughnane, and Parazaider in supporting roles. The group also appears prominently on the film's soundtrack. Chicago made its "television variety debut" in February 1973 when they were the only rock musicians invited to appear on a television special honoring Duke Ellington, Duke Ellington... We Love You Madly, which aired on CBS. They performed the Ellington composition, "Jump for Joy".
In July 1973, the group starred in a half-hour television special produced by Dick Clark, Chicago in the Rockies, which aired in prime time on ABC. The show was filmed on location at Caribou Ranch, the 3,000-acre ranch-turned-recording studio located outside of Boulder, Colorado, owned by Chicago's producer, James William Guercio. The only musical guest on the show was Al Green, who was rated the number-one male vocalist of 1972, and whom Rolling Stone magazine named "Rock and Roll Star of the Year". That special was followed by a second hour-long special the next year, Chicago... Meanwhile, Back at the Ranch, which aired in prime time on ABC in August 1974. Chicago... Meanwhile, Back at the Ranch was again shot on location at Caribou Ranch and was again produced by Dick Clark. Singer Anne Murray and country music star Charlie Rich were guests on the show. Clark produced a third television special starring Chicago, Chicago's New Year's Rockin' Eve 1975, which aired on ABC on December 31, 1974. Musical guests on the -hour-long show included the Beach Boys, the Doobie Brothers, Olivia Newton-John, and Herbie Hancock. It was the third Rockin' Eve Clark had produced, and it competed with Guy Lombardo's traditional New Year's Eve television show which aired on a different network and was in its 45th consecutive year of broadcast. Clark hoped the Rockin' Eve format would become an "annual TV custom".