The Bequeathed


The Bequeathed is a 2024 South Korean occult thriller television series created and written by Yeon Sang-ho with and, directed by Min, and starring Kim Hyun-joo, Park Hee-soon, Park Byung-eun, and Ryu Kyung-soo. Based on the webtoon of the same name by Kang Tae-kyung. It was released on Netflix on January 19, 2024, and received generally positive reviews.

Synopsis

Yoon Seo-ha, a college lecturer, is surprised to learn that her long-forgotten paternal uncle has died, leaving her as the sole heir to the family's burial ground. This news brings back painful memories of her father who abandoned her and her mother. At the uncle's funeral, Seo-ha's half-brother, Kim Young-ho, demands inclusion in the inheritance. The situation triggers a series of ominous events, causing her immense unease. Meanwhile, police detective Choi Sung-jun discovers that the murder case is not a simple manslaughter case. He investigates the case, which is elusive and leads to many dead ends. Park Sang-min, the chief inspector, disapproves of Sung-jun and excludes him from the case. However, his investigation, which focused on key persons surrounding the burial ground, leads nowhere. Another murder occurs, and the village is turned upside down.

Cast and characters

Main

Supporting

Special appearance

Production

In October 2022, Kim Hyun-joo, Park Hee-soon, Park Byung-eun, and Ryu Kyung-soo were cast to play various roles for the Netflix series The Bequeathed which is created and written by director Yeon Sang-ho, and the production is managed by Wow Point, a global content production company and RedPeter Films, a film company that created movies such as Peninsula, Another Child, Birthday, Psychokinesis and Train to Busan.
In December 2023, it was announced that director Min Hong-nam who assisted Yeon in the film Train to Busan is set to debut his directorial work, co-written by Yeon together with Min and Hwang Eun-young.

Release

The series was released exclusively on Netflix on January 19, 2024.

Reception

Critical response

Christopher Cross of Asynchronous Media stated that the series "is an even, but ultimately satisfying procedural that leaves plenty on the table in its search for narrative closure". Jonathan Wilson of Ready Steady Cut rated it a 3/5 and said that "don't go in expecting Train to Busan and you won't leave disappointed, but you probably won't be thrilled either". Pierce Conrad of South China Morning Post rated it a 3/5 and stated that it "draws us in quickly with its atmosphere but the mystery of its central premise soon loses its lustre" and "viewers looking for full-on supernatural horror may be wise to readjust their expectations". Kate Sánchez of But Why Tho? stated that the series "blends shamanism with a supernatural edge and classic detective noir storytelling to craft something unique" and overall it "expertly uses genre storytelling and a deep human focus to thrill its audience both in flashbacks and in the present-day timeline". Ronak Kotecha of The Times of India rated it a 2.5/5 and stated that it "succumbs to a sluggish pace, challenging the viewer's patience". Stephanie Morgan of Common Sense Media stated that the series' "uninspired writing will only appeal to diehard fans of horror and mystery, leaving other viewers underwhelmed".
Pushpangi Raina of Outlook India rated it a 2.5/5 and stated that "the show stings so much after much-anticipation because the plot was there, the story was there, actors were decent, but the ending really made me get up and think 'Is that it?'" and "leaves you with only questions, with no scope for answers". Rhian Daly of NME rated it a 3/5 and stated that "the main focus of the show, meanwhile, is let down by muddy and convoluted storytelling that rips away the power from the eerie scene-setting", continuing that "everything is largely predictable, which leaves the horror being played out on screen feeling more like a balloon slowly, sadly leaking out air than one commanding your attention with a sudden pop", and "despite some strong performances from the actors, though, doesn't come close to living up to the expectations around it". Nandini Iyengar of Bollywood Hungama stated that "there was a lot of potential that went unchecked as the makers tried to fit in more stories in a limited time".

Viewership

The Bequeathed ranked fourth in Netflix's Global Top 10 TV category after three days of its release and received a warm response in 10 countries being listed in the Top 10 including South Korea, Hong Kong, Indonesia, the Philippines, Qatar, and Singapore. The following week, the series topped the chart with 14.5 million hours watched by 3.1 million viewers, and remained on the chart for another week.