Tania Antoshina
Tatyana Antoshina, is a ultra contemporary artist, curator, PhD in art history, one of the first participants of the gender movement in Moscow art. In 1991 she completed postgraduate studies and received a PhD in Fine Arts Stroganov Moscow State University of Arts and Industry.
Her work explores the role of women artists in society and in art history and was exhibited in the ‘After the Wall’ exhibition at the Moderna Museet, Stockholm and Hamburger Bahnhof, Berlin; ‘Gender Check’, MUMOK, Vienna; and the 56th Venice Biennale. Her works are in the collections of MUMOK, Vienna; National Museum of Women in the Arts, Washington; Neues Museum Weserburg Bremen; State Russian Museum, St Petersburg; and The Tretyakov Gallery, Moscow.
Antoshina lives and works in Paris.
Collections
MUMOK, Vienna, Austria;New Museum Weserburg Bremen, Bremen, Germany;
National Museum of Women in the Arts, Washington DC, US;
Corcoran Art Museum, Washington DC, US;
American University Museum, Washington DC, US;
Omi International Arts Center collection, New York, US;
Mint Museum, Charlotte, North Carolina, US;
Casoria Contemporary Art Museum, Naples, Italy;
Olympic Fine Arts Museum, Beijing, China;
Penang State Art Museum, Penang, Malaysia;
Russian Museum, Saint Petersburg, Russia;
Tretyakov Gallery, Moscow, Russia;
National Centre for Contemporary Arts, Moscow, Russia;
Museum of Decorative-Applied and Folk Arts, Moscow, Russia;
Perm Museum of Contemporary Art, Perm, Russia;
Krasnoyarsk Cultural Historical Museum complex, Krasnoyarsk, Russia;
Asia-Pacific Institute of Art & Research, Jeollabuk-do, South Korea;
The Francis J. Greenburger, New York;
Kolodzei Art Foundation, New York;
Tony Podesta collection, Washington;
Sir Elton John Collection, London.
Selected exhibitions
Solo shows
- , Galerie Vallois Modern and Contemporary Art, Paris, 2023
- , ZARYA Center for Contemporary Art, Vladivostok, 2017-2018
- Reggae Feminism or 88 March, Dukley Art Center, Kotor, Montenegro, 2017
- Museum of a Woman, Podgorica Museums & Galleries, Gallery Art, Podgorica, Montenegro, 2015
- Cold Land, Krasnoyarsk Museum Center, Krasnoyarsk, Russia, 2014
- My Favorite Artists, Galerie Vallois, Paris, France, 2010
- Alice and Gagarin, VP Studio, Moscow, Russia, 2010
- My Favorite Artists, Mario Mauroner Gallery, Vienna, Austria, 2008
- Space Travelers, Guelman Gallery, Moscow, Russia, 2006
- Museum of a Woman, White Space Gallery, London, UK, 2004
- The Voyeurism of Alice Guy, Guelman Gallery, Moscow, Russia, 2002
- Museum of a Woman, Florence Lynch Gallery, NY, US, 2001
- April in Moscow, Guelman Gallery, Moscow, Russia, 1999
- Museum of a Woman, Guelman Gallery, Moscow, Russia, 1997
- Women of Russia, Guelman Gallery, Moscow, Russia
- To Moor, Expo 88, Moscow, Russia, 1996
- The Hound of Baskervilles, Regina Gallery, Moscow, Russia, 1992
Awards
Olympic Art Gold Medal, Olympic Fine Arts, London, United Kingdom, 2012;Alternative Prize, Moscow, Russia, 2012;
Olympic Art Gold Medal, Olympic Fine Arts, Beijing, China, 2008;
Five Rings Prize, Olympic Landscape Sculpture Design Contest, Beijing, China, 2008;
Laureate of the Magmart video festival, Naples, Italy, 2005;
Winner of the "Silver Camera", Multimedia Art Museum, Moscow, 2005;
Winner of the "Silver Camera", Multimedia Art Museum, Moscow, 2002;
Winner of the contest "Modern Russia", Photo Center on Gogol Boulevard, Moscow, Russia, 2001;
Silver Medal of VDNH for Teaching Work, Moscow, Russia, 1985;
Best Teacher of the Krasnoyarsk Art Academy, Krasnoyarsk, Russia, 1984.
Curatorship projects
, special project of 6 Moscow Biennale 2015;Terra Incognita, expedition to South Siberia for collection of ethnic and cultural material, 2014;
V-5, Space as a Presence, in partnership with A.Galenz and G.Kuznetsov, InteriorDAsein, Berlin, 2012;
Sons of the Big Dipper, together with G.Kuznetsov, PROEKT FABRIKA, Moscow, 2011;
Two Museums, in partnership with G.Vysheslavsky, Champino, Velletri, Italy, 1992.
Select publications
- , 2023-04-06, Galerie Robert Vallois, Paris, France;
- by, ISBN 978-1-62273-277-7, Vernon Press, March 2022;
- ;
- ;
- Thomas Deecke, Markus Bulling. "8. Triennale Kleinplastik Fellbach Vor-Sicht, Rück-Sicht". Germany, Stadt Fellbach Auflage;
- Alexander Borovsky "Once Upon a Time, Zeuxis and Parrhasius… Contemporary Art: Practical Observations", Litres, 2017, ;
- Jonson Lena. "Art and Protest in Putin's Russia", Taylor and Francis, pp. XII, 207, 227, 240, 261, ;
- Viola Hildebrand-Schat. "Appropriation oder Simulacrum?", p. 229-233,, transcript Verlag, ;
- "Working with Feminism: Curating and Exhibitions in Eastern Europe, Acta Universitatis Tallinnensis: Artes", Angela Dimitrakaki, Katrin Kivimaa, Katja Kobolt, Izabela Kowalczyk, Pawel Leszkowicz, Suzana Milevska, Bojana Pejic, Rebeka Põldsam, Mara Traumane, Airi Triisberg, Hedvig Turai, p. 85. Estonia: Tallinn University Press / Tallinna Ülikooli Kirjastus., 2012;
- Klaus Krüger / Leena Crasemann / Matthias Weiß: . "Re-Inszenierte Fotografie", Munich, Germany: Wilhelm Fink Verlag. ;
- Thomas Deecke. "Leben mit der Kunst". Germany: Nicolaische Verlagsbuchhandlung. ;
- Alain Monvoisin., p. 26-27. Paris, France, Regard. ;
- Julia Tulovsky. "The Claude and Nina Gruen Collection of Contemporary Russian Art", pp. 24, 79. Jane Voorhees Zimmerli Art Museum, ;
- Matthias Winzen; Nicole Fritz. "Bodycheck: Catalog of the 10th Fellbach Triennial of Contemporary Sculpture". Germany: Snoek Verlagsgesellschaft., p. 292;
- Tatiana Smorodinskaya, Karen Evans-Romaine, and Helena Goscilo, pp. 19, 42-43. Abingdon, UK and New York, USA: Routledge, ;
- ;
- "ART-Constitution". pp. 110, 111, 131, 132, 272, 273. Texts: Zurab Tsereteli, Ekaterina Degot, Natalia Kolodzey. Moscow: Museum of Modern Art, 2003, ISBN 978-5-91611-007-4;
- "DICTIONARY OF GENDER TERMS", ed. A. A. Denisova, Regional Public Organization "East-West: Women’s Innovative Projects", Moscow: Information XXI Century, p. 256, 2002;
- Renee Baigell, Matthew Baigell,. The Dodge Soviet Nonconformist Art publication series, pp. 51, 55. New Brunswick, NJ, USA: Jane Voorhees Zimmerli Art Museum: Rutgers. ;
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- "Woman and Visual Signs", collection / Open Society Institute, pp. 232-234, Idea-Press, 2000,.