Mohammad-Reza Shajarian


Mohammad-Reza Shajarian was an Iranian singer and master of Persian traditional music. He was also known for his skills in Persian calligraphy and humanitarian activities. Shajarian started his singing career in 1959 at Radio Khorasan, rising to prominence in the 1960s with his distinct singing style.
Shajarian was one of the very few singers who managed to get permission to sing publicly after the 1979 revolution.
Shajarian's main teachers were Ahmad Ebadi, Esmaeil Mehrtash, Abdollah Davami, and Nour-Ali Boroumand. He also learned the vocal styles of singers from previous generations, including Reza Gholi Mirza Zelli, Fariborz Manouchehri, Ghamar Molouk Vaziri, Eghbal Azar and Taj Isfahani. He cited legendary Persian tar soloist Jalil Shahnaz as highly influential to his development, indicating that he often tried to mimic Shahnaz's playing style in his singing.
Shajarian collaborated with musicians such as Parviz Meshkatian, Mohammad Reza Lotfi, Hossein Alizadeh, Faramarz Payvar, Dariush Pirniakan, and Sohrab Pournazeri. He was recognized as a skilled singer in the challenging traditional Dastgah style. His works also cover some songs of Iranian ethnic music, including Mazandarani music, Azeri music, Kurdish music and Lur music.
UNESCO in France presented Shajarian with the Picasso Award in 1999 and with the UNESCO Mozart Medal in 2006. In 2017, Los Angeles Times cited him as the "Greatest living maestro of Persian classical music". After coming out in support of the Iranian Green Movement and criticizing the Iranian government, he was banned from holding concerts and releasing music.

Early life

Mohammad-Reza Shajarian was born on 23 September 1940 in Mashhad, Iran. His father, Mehdi, was a Qur'an reciter, a tradition that also existed in the family through Shajarian's grandfather, Ali Akbar. His mother, Afsar Shahverdiani, died in 2007. The eldest of five children, Shajarian began studying vocal techniques at the age of five under the guidance of his father, initially through the disciplined practice of Qur'an recitation.

Music career

Early work

At the age of 12, he began studying the Persian classical repertoire known as the Radif without his father's consent as studying and performing music was against his father's religious beliefs. This may have been the reason why he chose the stage name "Siavash Bidakani" in his early career as a singer, which did not last long, and soon he used his real name again. Shajarian started his singing career in 1959 at Radio Khorasan, rising to prominence in the 1960s with his distinct style of singing. Since then his career has included teaching at Tehran University's Department of Fine Arts, working at National Radio and television, researching Persian/Iranian music, and making numerous recordings.

Music bands

Shajarian was not always in music groups, but he did the vocals for the Masters of Persian Music with his son Homayoun Shajarian, as well as two other ostads, Kayhan Kalhor and Hossein Alizadeh. He also performed with his daughter Mojgan Shajarian.
In 2008, he toured the world with the Ava Ensemble, composed of his son Homayoun, Hossein Behroozinia, Majid Derakhshani, Hossain Rezaeenia, and Saeed Farajpouri.
In 2012, he toured with the Shahnaz Ensemble with his daughter Mojgan and other band members. The ensemble is named after master tar musician Jalil Shahnaz, with a percentage of the proceeds going towards supporting his health care needs.

Masters and students

Shajarian studied with Esmaeil Mehrtash, Ahmad Ebadi and Nour-Ali Boroumand.
He learned the vocal styles of previous singers such as Hossein Taherzadeh, Reza Gholi Mirza Zelli, Qamar-ol-Moluk Vaziri, Eghbal Azar, and Taj Isfahani.
He started playing the santour under the instruction of Jalal Akhbari to understand better and perform the traditional repertoire. In 1971, he was introduced to Faramarz Payvar and took santour lessons with him. Shajarian also learned Abolhasan Saba's vocal Radif from Payvar.
He also studied under the guidance of master Abdollah Davami, from whom he learned many early Persian songs. Davami also passed on to Shajarian his interpretation of the Radif.
Shajarian taught many students in the field of singing, some of whom are:
Shajarian is the creator of many instruments. The first exhibition of his instruments was held in May 2011, the second in September 2013 at the House of Artists by the Del Avaz Cultural and Artistic Institute.

Significant works

  • Raast-Panjgaah concert with Mohammad Reza Lotfi in Raast-panjgaah.
  • Chehre be Chehre with Mohammad Reza Lotfi in Navaa.
  • Golbang-e Shajarian, Part 1 features: Ali Akbar Sheida, Fereydoun Shahbazian, Faramarz Payvar, Houshang Zarif. Part 2 features Hassan Yousefzamani, Ahmad Ebadi, Ali Asghar Bahari. Poetry by Hafez, Saadi and Baba Taher.
  • Eshgh Daanad with Mohammad Reza Lotfi in Aboo Ataa.
  • Aastaan e Jaanaan with Parviz Meshkatian and Naaser Farhangfar in Bayaat e Zand & Sur.
  • Peyvande Mehr with Farhang Sharif.
  • Bidaad with Parviz Meshkatian and the Aref Ensemble in Homaayoun.
  • Be yaad e Aaref with Mohammad Reza Lotfi in Bayaat e Turk.
  • Nava – Morakkab Khaani with Parviz Meshkatian and the Aref Ensemble in Navaa, Se-gaah and Dashti.
  • Doud-e-Oud with Parviz Meshkatian and the Tehran Symphony Orchestra in Navaa.
  • Dastan with Parviz Meshkatian and the Aref Ensemble in Chahaar-Gah.
  • Dastgah Chahargah concert with Parviz Meshkatian and the Aref Ensemble recorded live in Bonn.
  • Ghaasedak with Parviz Meshkatian and Homayoun Shajarian.
  • Dar Khiaal with Majid Derakhshani in Segaah & Bayaat e Zand .
  • Zemestaan Ast with Hossein Alizadeh and Keyhan Kalhor in Maahoor and Homaayoun.
  • Night, Silence, Desert with Keyhan Kalhor based on the folk music of Khorasan. Traditional Crossroads.
  • Bi To Be Sar Nemishavad with the Masters of Persian Music Ensemble in Navaa and Bayaat e Kord.
  • Faryaad with the Masters of Persian Music Ensemble in Raast-panjgaah.
  • Devoid Grail with Fereydoun Shahbazian in Mahour and Dashti.
  • Serr-e-Eshgh with Parviz Meshkatian and Mohammad Mousavi in Maahoor.
  • Sepideh Album with Mohammad Reza Lotfi and Sheyda Ensemble in Maahoor.
  • Cheshmeye Noush with Mohammad Reza Lotfi and Majid Khaladj in Raast-panjgaah.

    Politics

Shajarian's Bidaad album was recorded after a three-year hiatus from a commercial recording. The album's lyrics speak of a wonderful place having been reduced to shambles and bloodshed, in which he sings in sadness, "what happened?". When giving a lecture at California State University, Sacramento on 2 March 2012, he was asked what the lyrics of this song meant. His response made it clear that he chose these lyrics based on what happened to the Iranian regime after the revolution – a once beautiful country being reduced to shambles. This is widely considered his first commercial recording meant to represent the voice of an oppressed people in Iran.
Shajarian has indicated support for Iranians protesting against the 12 June 2009 Iranian presidential election results. When Iran's president, Mahmoud Ahmadinejad referred to the protesters as "dust and trash", Shajarian told a BBC Persian channel telephone interviewer that he considered himself the voice of dust and trash: "It is the voice of dust and trash, and it will always remain the voice of dust and trash." He also asked IRIB to stop broadcasting his songs. He mentioned that his famous song "Iran, Ey Saraye Omid", has no relation with the current situation of his country.
After Shajarian criticized the government public and sided with the Green Movement protesters, the state broadcaster IRIB banned his work of art, which used to be a fixture of public broadcasting until then. Even against Shajarian's will, the state TV and radio stations stopped airing Rabbana, a prayer sung during the Muslim fasting month of Ramadan heralding the moment of fast-breaking. The recital had been broadcast regularly every Ramadan since the 1979 revolution but swept from public view after the legendary singer fell out of favor with the establishment. A Shajarian fan in Tehran told The Guardian Ramadan without Rabbana was like Christmas without Christmas carol. In the elections of 2013 and 2017, Hassan Rouhani criticized the ban on broadcasting Shajarian's works and demanded that Shajarian's works be broadcast on television and radio.
In an interview in 2016, Shajarian stated that "my criticism was a mistake of one person, I am not against the republic system. Our music has always been attacked or criticized by a class of religious people. Of course, some of the deviant music can be like this. But the nature of music is not deviant. I myself am fundamentally opposed to deviant music. We accept the clergy and religion".
Lyrics of his song "Language of Fire," issued in September 2009, — "Lay down your gun, Come, sit down, talk, hear. Perhaps the light of humanity will get through to your heart too" —
are thought by some observers to speak "directly to the plainclothes Basiji militiamen and security forces" who had beaten protesters during recent unrest.
In an interview with Hamid Reza Nourbakhsh in 2016, Shajarian said that he was not against the Islamic Republic and that his protest was only against one person. "We say you have no right to insult the people. This is not a fall with the whole system."
Shajarian continues: "Several years ago, we had a concert in Stockholm with the Aref group, led by the living memory of Parviz Meshkatian. As soon as we were present on the group stage, they started chanting. They chanted against the Islamic Republic. The children in the group were all upset. When they chanted, we just sat and listened, and they chanted. They saw that we were not doing anything. Some ordinary people who came also shook hands with us to start our work. I also told Parviz to perform the last ballad and then go. We had two parts of the program, in each of which there were five ballads, and we only performed the last ballad, and we got up and went out, and the children brought their instruments. I told the person announcing the program to say behind the microphone. In honor of those who bought tickets and came from far and near, we performed this ballad. And get your money back and go. Later it turned out that the organizer was one of them, so I came backstage and told him as much as I could.