Saturnalia
Saturnalia is an ancient Roman festival and holiday in honour of the god Saturn, held on 17 December in the Julian calendar and later expanded with festivities until 19 December. By the 1st century BC, the celebration had been extended until 23 December, for a total of seven days of festivities. The holiday was celebrated with a sacrifice at the Temple of Saturn, in the Roman Forum, and a public banquet, followed by private gift-giving, continual partying, and a carnival atmosphere that overturned Roman social norms: gambling was permitted, and masters provided table service for their slaves as it was seen as a time of liberty for both slaves and freedmen alike. A common custom was the election of a "King of the Saturnalia", who gave orders to people, which were followed and presided over the merrymaking. The gifts exchanged were usually gag gifts or small figurines made of wax or pottery known as sigillaria. The poet Catullus called it "the best of days".
Saturnalia was the Roman equivalent to the earlier Greek holiday of Kronia, which was celebrated during the Attic month of Hekatombaion in late midsummer. It held theological importance for some Romans, who saw it as a restoration of the ancient Golden Age, when the world was ruled by Saturn. The Neoplatonist philosopher Porphyry interpreted the freedom associated with Saturnalia as symbolizing the "freeing of souls into immortality". Saturnalia may have influenced some of the customs associated with later celebrations in western Europe occurring in midwinter, particularly traditions associated with Christmas, the Feast of the Holy Innocents, and Epiphany. In particular, the historical western European Christmas custom of electing a "Lord of Misrule" may have its roots in Saturnalia celebrations.
Origins
In Roman mythology, Saturn was an agricultural deity who was said to have reigned over the world in the Golden Age, when humans enjoyed the spontaneous bounty of the earth without labour in a state of innocence. The revelries of Saturnalia were supposed to reflect the conditions of the lost mythical age. The Greek equivalent was the Kronia, which was celebrated on the twelfth day of the month of Hekatombaion, which occurred from around mid-July to mid-August on the Attic calendar.The Greek writer Athenaeus cites numerous other examples of similar festivals celebrated throughout the Greco-Roman world, including the Cretan festival of Hermaia in honor of Hermes, an unnamed festival from Troezen in honor of Poseidon, the Thessalian festival of Peloria in honor of Zeus Pelorios, and an unnamed festival from Babylon. He also mentions that the custom of masters dining with their slaves was associated with the Athenian festival of Anthesteria and the Spartan festival of Hyacinthia. The Argive festival of Hybristica, though not directly related to the Saturnalia, involved a similar reversal of roles in which women would dress as men and men would dress as women.
The ancient Roman historian Justinus credits Saturn with being a historical king of the pre-Roman inhabitants of Italy:
Although probably the best-known Roman holiday, Saturnalia as a whole is not described from beginning to end in any single ancient source. Modern understanding of the festival is pieced together from several accounts dealing with various aspects. The Saturnalia was the dramatic setting of the multivolume work of that name by Macrobius, a Latin writer from late antiquity who is the major source for information about the holiday. Macrobius describes the reign of Justinus's "king Saturn" as "a time of great happiness, both on account of the universal plenty that prevailed and because as yet there was no division into bond and free – as one may gather from the complete license enjoyed by slaves at the Saturnalia." In Lucian's Saturnalia it is Chronos himself who proclaims a "festive season, when 'tis lawful to be drunken, and slaves have license to revile their lords".
Another explanation for the holiday is found is the Babylonian Talmud, where it is discussed that the origins of this holiday came from Adam, the first man.
In one of the interpretations in Macrobius's work, Saturnalia is a festival of light leading to the winter solstice, with the abundant presence of candles symbolizing the quest for knowledge and truth. The renewal of light and the coming of the new year was celebrated in the later Roman Empire at the Dies Natalis Solis Invicti, the "Birthday of the Unconquerable Sun", on 25 December.
The popularity of Saturnalia continued into the 3rd and 4th centuries CE, and as the Roman Empire came under Christian rule, many of its customs were recast into or at least influenced the seasonal celebrations surrounding Christmas and the New Year.
Historical context
Saturnalia underwent a major reform in 217 BC, after the Battle of Lake Trasimene, when the Romans suffered one of their most crushing defeats by Carthage during the Second Punic War. Until that time, they had celebrated the holiday according to Roman custom '. It was after a consultation of the Sibylline Books that they adopted "Greek rite", introducing sacrifices carried out in the Greek manner, the public banquet, and the continual shouts of io Saturnalia that became characteristic of the celebration. Cato the Elder remembered a time before the so-called "Greek" elements had been added to the Roman Saturnalia.It was not unusual for the Romans to offer cult ' to the deities of other nations in the hope of redirecting their favour, and the Second Punic War in particular created pressures on Roman society that led to a number of religious innovations and reforms. Robert E.A. Palmer has argued that the introduction of new rites at this time was in part an effort to appease Ba'al Hammon, the Carthaginian god who was regarded as the counterpart of the Roman Saturn and Greek Cronus. The table service that masters offered their slaves thus would have extended to Carthaginian or African war captives.
Public religious observance
Rite at the temple of Saturn
The statue of Saturn at his main temple normally had its feet bound in wool, which was removed for the holiday as an act of liberation. The official rituals were carried out according to "Greek rite" '. The sacrifice was officiated by a priest, whose head was uncovered; in Roman rite, priests sacrificed capite velato, with head covered by a special fold of the toga. This procedure is usually explained by Saturn's assimilation with his Greek counterpart Cronus, since the Romans often adopted and reinterpreted Greek myths, iconography, and even religious practices for their own deities, but the uncovering of the priest's head may also be one of the Saturnalian reversals, the opposite of what was normal.Following the sacrifice the Roman Senate arranged a lectisternium, a ritual of Greek origin that typically involved placing a deity's image on a sumptuous couch, as if he were present and actively participating in the festivities. A public banquet followed '.
The day was supposed to be a holiday from all forms of work. Schools were closed, and exercise regimens were suspended. Courts were not in session, so no justice was administered, and no declaration of war could be made. After the public rituals, observances continued at home. On 18 and 19 December, which were also holidays from public business, families conducted domestic rituals. They bathed early, and those with means sacrificed a suckling pig, a traditional offering to an earth deity.
Human offerings
Saturn also had a less benevolent aspect. One of his consorts was Lua, sometimes called Lua Saturni and identified with Lua Mater, "Mother Destruction", a goddess in whose honor the weapons of enemies killed in war were burned, perhaps in expiation. Saturn's chthonic nature connected him to the underworld and its ruler Dīs Pater, the Roman equivalent of Greek Plouton who was also a god of hidden wealth. In sources of the third century AD and later, Saturn is recorded as receiving dead gladiators as offerings during or near the Saturnalia. These gladiatorial events, ten days in all throughout December, were presented mainly by the quaestors and sponsored with funds from the treasury of Saturn.The practice of gladiator munera was criticized by Christian apologists as a form of human sacrifice. Although there is no evidence of this practice during the Republic, the offering of gladiators led to later theories that the primeval Saturn had demanded human victims in order for Saturnalia to occur. Macrobius says that Dīs Pater was placated with human heads and Saturn with sacrificial victims consisting of men. In mythic lore, during the visit of Hercules to Italy, the civilizing demigod insisted that the practice be halted and the ritual reinterpreted. Instead of heads to Dīs Pater, the Romans were to offer effigies or masks ; a mask appears in the representation of Saturnalia in the Calendar of Filocalus. Since the Greek word phota meant both 'man' and 'lights', candles were a substitute offering to Saturn for the light of life. The figurines that were exchanged as gifts may also have represented token substitutes.
Private festivities
Role reversal
Saturnalia was characterized by role reversals and behavioral license. Slaves were treated to a banquet of the kind usually enjoyed by their masters. Ancient sources differ on the circumstances: some suggest that master and slave dined together, while others indicate that the slaves feasted first, or that the masters actually served the food. The practice might have varied over time.Saturnalian license also permitted slaves to disrespect their masters without the threat of a punishment. It was a time for free speech: the Augustan poet Horace calls it "December liberty". In two satires set during the Saturnalia, Horace has a slave offer sharp criticism to his master. Everyone knew, however, that the leveling of the social hierarchy was temporary and had limits; no social norms were ultimately threatened, because the holiday would end.
The toga, the characteristic garment of the male Roman citizen, was set aside in favor of the Greek synthesis, colourful "dinner clothes" otherwise considered in poor taste for daytime wear. Romans of citizen status normally went about bare-headed, but for the Saturnalia donned the pilleus, the conical felt cap that was the usual mark of a freedman. Slaves, who ordinarily were not entitled to wear the pilleus, wore it as well, so that everyone was "pilleated" without distinction.
The participation of freeborn Roman women is implied by sources that name gifts for women, but their presence at banquets may have depended on the custom of their time; from the late Republic onward, women mingled socially with men more freely than they had in earlier times. Female entertainers were certainly present at some otherwise all-male gatherings. Role-playing was implicit in the Saturnalia's status reversals, and there are hints of mask-wearing or "guising". No theatrical events are mentioned in connection with the festivities, but the classicist Erich Segal saw Roman comedy, with its cast of impudent, free-wheeling slaves and libertine seniors, as imbued with the Saturnalian spirit.