Golden Age
The term Golden Age comes from Greek mythology, particularly the Works and Days of Hesiod, and is part of the description of temporal decline of the state of peoples through five Ages, Gold being the first and the one during which the Golden Race of humanity lived. After the end of the first age was the Silver, then the Bronze, after this the Heroic age, with the fifth and current age being Iron.
By extension, "Golden Age" denotes a period of primordial peace, harmony, stability, and prosperity. During this age, peace and harmony prevailed in that people did not have to work to feed themselves for the earth provided food in abundance. They lived to a very old age with a youthful appearance, eventually dying peacefully, with spirits living on as "guardians". Plato in Cratylus recounts the golden race of humans who came first. He clarifies that Hesiod did not mean literally made of gold, but good and noble.
In classical Greek mythology, the Golden Age was presided over by the leading Titan Cronus; in Latin authors it was associated with the god Saturn. In some versions of the myth Astraea also ruled. She lived with men until the end of the Silver Age. But in the Bronze Age, when men became violent and greedy, she fled to the stars, where she appears as the constellation Virgo, holding the scales of Justice, or Libra.
European pastoral literary tradition often depicted nymphs and shepherds as living a life of rustic innocence and peace, set in Arcadia, a region of Greece that was the abode and center of worship of their tutelary deity, goat-footed Pan, who dwelt among them.
The Golden Age in Europe: Greece
The earliest attested reference to the European myth of the Ages of Man 500 BCE–350 BCE appears in the late 6th century BCE works of the Greek poet Hesiod's Works and Days. Hesiod, a deteriorationist, identifies the Golden Age, the Silver Age, the Bronze Age, the Heroic Age, and the Iron Age. With the exception of the Heroic Age, each succeeding age was worse than the one that went before. Hesiod maintains that during the Golden Age, before the invention of the arts, the earth produced food in such abundance that there was no need for agriculture:lived like gods without sorrow of heart, remote and free from toil and grief: miserable age rested not on them; but with legs and arms never failing they made merry with feasting beyond the reach of all devils. When they died, it was as though they were overcome with sleep, and they had all good things; for the fruitful earth unforced bare them fruit abundantly and without stint. They dwelt in ease and peace.
Plato in his Cratylus referred to an age of golden men and also at some length on Ages of Man from Hesiod's Works and Days. The Roman poet Ovid simplified the concept by reducing the number of Ages to four: Gold, Bronze, Silver, and Iron. Ovid's poetry was likely a prime source for the transmission of the myth of the Golden Age during the period when Western Europe had lost direct contact with Greek literature.
In Hesiod's version, the Golden Age ended when the Titan Prometheus conferred on mankind the gift of fire and all the other arts. For this, Zeus punished Prometheus by chaining him to a rock in the Caucasus, where an eagle eternally ate at his liver. The gods sent the beautiful maiden Pandora to Prometheus's brother Epimetheus. The gods had entrusted Pandora with a box that she was forbidden to open; however, her uncontrollable curiosity got the better of her and she opened the box, thereby unleashing all manner of evil into the world.
The Orphic school held similar beliefs about the early days of man, likewise denominating the ages with metals. In common with the many other mystery cults prevalent in the Graeco-Roman world, the world view of Orphism was cyclical. Initiation into its secret rites, together with ascetic practices, was supposed to guarantee the individual's soul eventual release from the grievous circle of mortality and also communion with the gods. Orphics sometimes identified the Golden Age with the era of the god Phanes, who was regent over the Olympus before Cronus. In classical mythology however, the Golden Age was associated with the reign of Saturn. In the 5th century BCE, the philosopher Empedocles, like Hesiod before him, emphasized the idea of primordial innocence and harmony in all of nature, including human society, from which he maintained there had been a steady deterioration until the present.
Arcadia
A tradition arose in Greece that the site of the original Golden Age had been Arcadia, an impoverished rural area of Greece where the herdsmen still lived on acorns and where the goat-footed god Pan had his home among the poplars on Mount Maenalus. However, in the 3rd century BCE, the Greek poet, Theocritus, writing in Alexandria, set his pastoral poetry on the lushly fertile island of Sicily, where he had been born. The protagonist of Theocritus's first Idyll, the goat herder, Daphnis, is taught to play the Syrinx by Pan himself. File:PanandDaphnis.jpg|right|thumb|upright=1.15|Sculpture of Pan teaching Daphnis to play the pipes; BCE, found in Pompeii.The Golden Age in Rome: Virgil and Ovid
Writing in Latin during the turbulent period of revolutionary change at the end of the Roman Republic, the poet Virgil moved the setting for his pastoral imitations of Theocritus back to an idealized Arcadia in Greece, thus initiating a rich and resonant tradition in subsequent European literature.Virgil, moreover, introduced into his poetry the element of political allegory, which had been largely absent in Theocritus, even intimating in his fourth Eclogue that a new Golden Age of peace and justice was about to return:
magnus ab integro saeclorum nascitur ordo:
iam redit et Virgo, redeunt Saturnia regna;
iam nova progenies caelo demittitur alto.
Now the last age by Cumae's Sibyl sung
Has come and gone, and the majestic roll
Of circling centuries begins anew:
Astraea returns,
Returns old Saturn's reign,
With a new breed of men sent down from heaven.
Somewhat later, shortly before he wrote his epic poem the Aeneid, which dealt with the establishment of Roman Imperial rule, Virgil composed his Georgics, modeled directly on Hesiod's Works and Days and similar Greek works. Ostensibly about agriculture, the Georgics are in fact a complex allegory about how man's alterations of nature are related to good and bad government. Although Virgil does not mention the Golden Age by name in the Georgics, he does refer in them to a time when man was in harmony with nature before the reign of Jupiter, when:
Fields knew no taming hand of husbandmen
To mark the plain or mete with boundary-line.
Even this was impious; for the common stock
They gathered, and the earth of her own will
All things more freely, no man bidding, bore.
ante Iouem nulli subigebant arua coloni
ne signare quidem aut partiri limite campum
fas erat; in medium quaerebant, ipsaque tellus
omnia liberius nullo poscente ferebat.
This view, which identifies a State of Nature with the celestial harmony of which man's nature is a microcosm, reflects the Hellenistic cosmology that prevailed among literate classes of Virgil's era. It is seen again in Ovid's Metamorphoses, in which the lost Golden Age is depicted as a place and time when, because nature and reason were harmoniously aligned, men were naturally good:
The Golden Age was first; when Man, yet new,
No rule but uncorrupted Reason knew:
And, with a native bent, did good pursue.
Unforc'd by punishment, un-aw'd by fear.
His words were simple, and his soul sincere;
Needless was written law, where none opprest:
The law of Man was written in his breast.
The Graeco-Roman concept of the "natural man" delineated by Ovid and many other classical writers, was especially popular during the Deistically inclined 18th century. It is often erroneously attributed to Rousseau, who did not share it.
"Soft" and "hard" primitivism in Arcadia
In his famous essay, "Et in Arcadia ego: Poussin and the Elegiac Tradition", Erwin Panofsky remarks how in ancient times, "that particular not overly opulent, region of central Greece, Arcady, came to be universally accepted as an ideal realm of perfect bliss and beauty, a dream incarnate of ineffable happiness, surrounded nevertheless with a halo of 'sweetly sad' melancholy":
There had been, from the beginning of classical speculation, two contrasting opinions about the natural state of man, each of them, of course, a "Gegen-Konstruktion" to the conditions under which it was formed. One view, termed "soft" primitivism in an illuminating book by Lovejoy and Boas conceives of primitive life as a golden age of plenty, innocence, and happiness – in other words, as civilized life purged of its vices. The other, "hard" form of primitivism conceives of primitive life as an almost subhuman existence full of terrible hardships and devoid of all comforts – in other words, as civilized life stripped of its virtues.
Arcady, as we encounter it in all modern literature, and as we refer to it in our daily speech, falls under the heading of “soft" or golden-age primitivism. To be sure, this real Arcady was the domain of Pan, who could be heard playing the syrinx on Mount Maenalus; and its inhabitants were famous for their musical accomplishments as well as for their ancient lineage, rugged virtue, and rustic hospitality.