Sarbloh Granth
The Sarbloh Granth or Sarabloh Granth, also called Manglacharan Puran or Sri Manglacharan Ji, is a voluminous scripture, composed of more than 6,500 poetic stanzas. It is traditionally attributed as being the work of Guru Gobind Singh, the tenth Sikh guru. Scholars, on the other hand, attribute the work to after the Guru's death, being authored by an unknown poet. The work is mostly revered by the Nihang sect.
History
Traditional narrative
As per the traditions of the Nihang Sikhs, the Sarbloh Granth was written at the Sarbloh Bunga at Takht Abachal Nagar, Hazur Sahib in Nanded, India. They believe the work derives from Sanskrit sutras that were preserved by a group of sadhus, with these sutras ultimately originating from a previous incarnation of Guru Gobind Singh known as rishi Dusht Daman. It is further believed that Banda Singh Bahadur heard the last verses of the work. It is claimed that the Sanskrit sutras the Sarbloh Granth is based on is still kept in a private familial collection.Authorship
Very little can be ascertained regarding the authorship, compilation, or nature of the contents within the scripture. There is a high degree of controversy among various scholars on the issue of the authorship of the Granth. The following are some of the view points of prominent figures:- According to Pundit Tara Singh, Sarabloh Granth was composed by Bhai Sukha Singh, a Granthi of Patna.
- According to Bhai Kahn Singh Nabha, Sarabloh Granth was not written by Guru Gobind Singh and Khalsa Mahima appeared in it is out of context to the main storyline.
- According to Santa Singh Nihang, Sarabloh Granth was written by Guru Gobind Singh and was completed in Nanded.
- A meeting of Sikh scholars and saints determined that Sarbloh Granth is the writings of Guru Gobind Singh and that the Sarbloh Granth was finalised at Nanded.
Gurinder Singh Mann argues that the Sarbloh Granth was produced within the courtly setting of Anandpur in the late 17th-century by various courtly poets.
The scripture is largely revered by the Nihang sect of Sikhs with many non-Nihang Sikhs rejecting it as an authentic work of the tenth guru, especially amongst Sikh academics. According to Gurmukh Singh, the authenticity of the work is rejected on the grounds of its writing style and mastery of poetry not matching up with Guru Gobind Singh's Dasam Granth work. Also, the text makes mention of a work composed in 1719, much after the death of the Guru. W. H. McLeod dates the work to the late 18th century and believes it was authored by an unknown poet and was mistakenly attributed to the tenth Guru.
Manuscripts
Gurinder Singh Mann claims to have come across a manuscript of the scripture that dates to the late 17th-century, specifically the year 1698. Additionally, Harnam Das Udasi claims to have encountered a manuscript of the scripture that bears the same date for its year of compilation, while he was examining twenty-four extant manuscripts of the text as part of his research activities to produce an annotated edition of the scripture. In these two early manuscripts of the scripture, the first contains the Bachittar Natak Granth on folios 1 to 350 and then continues with the text of the Sarbloh Granth-proper for the remainder of the folios. For the second early manuscript, it only contains the text of the Sarbloh Granth-proper and there is no inclusion of external texts, unlike the other manuscript. However, the second manuscript's pagination begins with folio 351 and ends with folio 747. All together, three early manuscripts of the scripture bear their year 1698. However, it can be argued that these manuscripts were a later copy of an original from 1698 and this date was copied as well from the original in all three later copies by their respective scribes. Many early manuscripts of the scripture contain an inscription by Gurdas Singh which goes as: "Sambat satra sai bhae barakh satvanja jan. Gurdas Singh puran kio sri mukh granth parmanh." An inscription sourced from this scripture can be found in the seal of Banda Singh Bahadur and on coins minted during the reign of later Sikh polities.According to Kamalroop Singh, there are a number of early manuscripts of the Sarbloh Granth dating to the late 17th and 18th centuries. Kamaroop Singh believes the manuscriptural evidence points to the year 1698 in Anandpur Sahib as when the majority of the work of the Sarbloh Granth was commenced, being finalized in 1708 at Hazur Sahib.
List of earliest manuscripts
Kamalroop Singh lists manuscripts of the Sarbloh Granth with a 1698 CE colophon as follows:- Nabho Katho vālī bīṛ at Hazur Sahib, which bears a colophon of 1698. This manuscript was studied by Harnam Singh Udasi.
- A manuscript kept at the Chhauṇī of Mata Sahib Kaur
- A manuscript is preserved by the Udasi Sampradāvāṅ at Bhankandi
- A manuscript held at Muktsar Sahib
Present
The 2021 Singhu border incident involved the desecration of a manuscript of the Sarbloh Granth, which angered a group of Nihangs who killed the perpetrator of the sacrilege.Description
Role
The Sarabloh Granth is a separate religious text from the Guru Granth Sahib and Dasam Granth, and no hymn or composition of this granth is used in daily Sikh liturgy or Amrit Sanchar. Nihang Sikhs hold the scripture in reverence, as they attribute its authorship to Guru Gobind Singh. Nihang Sikhs place the Sarbloh Granth on the left-side of the Guru Granth Sahib in their public worship arrangement.Structure and contents
Sarbloh Granth is separated into 5 chapters known as adhiyas. There are 4,361 padd in-total across the five chapters. The scripture itself is 1665 pages in-length total and comprises three volumes. A printed version released by Santa Singh is 862 pages in-length. At the end of the five chapters is an appendment containing information on Vishnu's incarnations.The first four chapters are similar in narrative, focusing on Indic mythological wars between the devi-devta coalition against demons, focusing on the message of Bir-Rās to engrain the Sant-Sipahi teaching of Sikhism. The Indic deities are chronologically described as being manifestations of the hukam of the Divine, and are not eternal beings although they were bestowed with powers, despite perhaps believing themselves to be supreme, with a focus on their futility. Many Shaktist terminology is employed in these chapters, such as Chandi, Bhavani, Bhagauti, whose meanings differ by interpretation, with some viewing these as references to the literal namesake deity whilst others view them as references to metaphysical concepts. According to Abinash Mahapatra, the term Bhavani refers to "the germinating power of this universe" whilst Bhagauti refers to a dual leitmotif consisting of weaponry and true supplication to the Divine. Meanwhile, Chandi refers to Kaal rather than Akaal, it can also be interpreted as referring to female-empowerment, and the creative, preservative, and destructive powers, thus responsible for the tricks of rituals, supernaturality, and hypocrisy.
The first chapter contains praise and invocations to various devis. The second chapter covers Vishnu as an incarnation of the supreme God. Chapter five, which is also the longest chapter, concludes that the various gods and goddesses mentioned formerly are incarnations of Sarabloh, which itself is an incarnation of Mahakal, a term used by Guru Gobind Singh to refer to the all-mighty divine being.
Chapter One
The first chapter, or Pahila Adhiya, contains praises toward Maha Maya and Maha Kala. The Indic demi-gods lose a battle to demons, and request the devi, Chandi, to assist them. Chandi then defeats the demoniacal army and their leader, Bhimnad.Chapter Two
In the second chapter, or Duja Adhiya, the wife of the defeated Bhimnad commits sati. Bhimnad's brother, Brijnad, prepares for revenge by starting another war against the demi-gods. The deity Indra writes letters to all the demi-gods asking for their help in the upcoming war.Chapter Three
In the third chapter, or Tija Adhiya, the demons are winning against the demi-gods, thus Vishnu sends Narada to serve as their representative to Brijnad. However, Brijnad would not negotiate and hostilities resumed. In the beginning of the unsuing battle, eleven armies of Brijnad that were on-foot were destroyed.Chapter Four
In the fourth chapter, or Cautha Adhiya, a great battle is being waged. Vishnu gives amrit to the demi-gods, reinvigorating them. Indra captures the demons, yet Brijnad gains the upper-hand and attains victory in the battle, with Indra being captured by the demonic force.Chapter Five
In the fifth chapter, or Panjva Adhiya, the aftermath of the demi-gods losing to the demons results in the demi-gods appealing to Akal Purakh for divine help. Thus, Akal Purakh incarnates as Sarbloh Avtar. The demi-god Ganesha is appointed as Sarbloh Avtar's ambassador to Brijnad. However, Brijnad does not listen to Ganesha and wages another war. The demi-gods team-up with Sarbloh Avtar against the Indic demons. The demons and Brijnad are then "immersed in bliss" after attainting darshan of Sarbloh Avtar, with Brijnad praising Sarbloh Avtar. Sarbloh Avtar then takes on a terrifying form and annihilates all of the demons, including Brijnad in a final battle.In the chapter, the Sarbloh Avtar is revealed at Jagannath Puri in Odisha. The traditional Trimurti are described as bowing to Sarbloh Avtar, as does the entire Universe. The avtar destroys all the evil forces acting upon the divine hukam of Waheguru, with its hairs and organs being described as martial weapons and equipment. In the concluding sections, verses dicussing the importance of the Waheguru Mantar, the Khalsa, the Gur-Gaddi, can be found, with a section praising Guru Nanak.
Appendment on Vishnu's Avatars
After the conclusion of the fifth chapter, there is another section narrating incarnations of Vishnu. A list of the avatars of Vishnu discussed in this part includes the following:- Mach Avtar – fish incarnation
- Kach Avtar – tortoise incarnation
- Barhā Avtar – wild-boar incarnation
- Nar Singh Avtar – half-man and half-lion incarnation
- Purshraam Avtar – Parashurama
- Ram Avtar, called 'Bīj Ramaein' – Rama
- Krishan Avtar, called "Dasam Sakand" – Krishna
Themes
The scripture deals largely on the art of warfare from a Sikh perspective. Within the scripture is contained the Das grāhī-Das tiāgī for the Khalsa, as narrated by Guru Gobind Singh. All the names employed by Guru Gobind Singh in the Jaap Sahib to describe the divine find mention in the Sarbloh Granth. The scripture promotes the idea that the Waheguru mantar is the only one capable of shedding haumai if chanted.Indic mythological wars
The work contains stories related to Indian mythology, specifically the battles between gods and goddesses against demonic forces of evil. The plot of the book is very similar to the Chandi Charitar stories found within the Dasam Granth. Some Indic deities mentioned in the composition are Lakshmi, Bhavani, Durga, Jvala, Kali, Chandi, Hari, Gopal, Vishnu, Shiva, Brahma, and Indra. Indic demons, such as Bhiminad and Viryanad, are also involved in the text's story-line. The text also narrates the story of an incarnation of the divine known as 'Sarab Loh' who defeats the king of the demons, Brijnad. According to Gurinder Singh Mann, the scripture's main theme is the annihilation of demons and evil by an incarnation of the divine known as 'Mahakal' or 'Shiva', he links this theme to a similar one that is presented in the Bachittar Natak Granth, which is part of the Dasam Granth collection of texts.Khalsa Panth
The scripture discusses the Sikh concept of the Khalsa in-depth and in-detail. The text iterates that the Khalsa Panth is the form of Guru Gobind Singh himself and there is no difference between the Khalsa and the Guru. The text states that the Khalsa was not created by the Guru out of any rage but rather it was created as the image of the Guru, for balancing reasons, and for the pleasure of the divine. Furthermore, the concept of "Khalsa Raj" is presented in the text. Furthermore, the text presents a concise history of the ten human gurus of Sikhism. The Sarbloh Granth narrates that the guruship was passed by Guru Gobind Singh not only on the Guru Granth Sahib, but also the Guru Khalsa Panth. It also goes over the purpose, duties, and responsibilities of the Khalsa Panth, describing the Khalsa as an "army of God". The scripture further states the qualities that members of the Khalsa must possess, such as high moral standards, fervently spiritual, and heroic. According to Trilochan Singh, all of the 5Ks are mentioned in the text, however Jaswant Singh Neki states only three of them are mentioned.According to Hazura Singh in his commentary on the scripture, the Khalsa is the liberated form of Nirankar, not of the Indic deity Shiva, as some Sanatanist revivalists interpret.
Khalsa Mahima within the Sarbloh Granth
is present in this granth. The Khalsa Mahima is a short-hymn by Guru Gobind Singh.In this composition, the Guru states that only by the Khalsa keeping its distinct identity can it be successful with his blessing but this blessing would be revoked if the Khalsa loses its unique identity, psyche, and separation from the rest of humanity.
A translation of the verses is as follows:
Language
The work is primarily in Braj with influences of other languages as well, making it challenging for readers to comprehend. Other languages found in the scripture include Sanskrit, Arabic, Urdu, Hindi, Punjabi, Pashto, Persian, and others.Musicology
Similar to the Guru Granth Sahib, the verses found within the Sarbloh Granth are set to Indic classical music, known as gurmat sangeet, specifically raags and chhands. All-together, a total of 174 raags are employed in the Sarbloh Granth, compared to the 21 found in the Dasam Granth and the 62 found in the Guru Granth Sahib.Commentary
There is only one complete commentary and exegesis of this granth available, as it is still in research and remains little studied by academic circles so-far. The existing commentary was published by Santa Singh of the Budha Dal, an organization of Nihangs. Another commentary of the work by Giani Naurang Singh is also extant. An annotated edition of the Sarbloh Granth was produced by Harnam Das Udasi in the late 1980's under the title Sri Sarab Loh Granth Sahib Ji, however its circulation has been restricted. In 1925, an exegesis of the Sarbloh Granth was written by Akali Hazura Singh, then head-granthi of Takht Hazur Sahib. Jathedar Joginder Singh 'Muni' wrote a description of the traditional exegesis of the Sarbloh Granth at Hazur Sahib in his work Hazūrī Maryādā Prabodh.Printing
In 1925, Akali Kaur Singh wrote that there were only around ten manuscripts of the Sarbloh Granth scattered in private collections across India. He urged that a wealthy or royal Sikh should take up the cause of printing the scripture. The mass-printing of the scripture was finally printed undertaken by Santa Singh of the Budha Dal.Printing of the Sarbloh Granth is carried out by the Chatar Singh Jiwan Singh printing house based in Amritsar for distribution to Nihang-operated gurdwaras. The standard, printed edition contains 1216 pages.
Translation
A full translation to English of the entire Sarbloh Granth had not been done for a long time until Kamalroop Singh’s translation that was released in June 2025. Translations of select verses can be found on Manglacharan.com.The first English translation of the Sarbloh Granth by Kamalroop Singh was published and released online on 6 June 2025. Kamalroop Singh first encountered the Sarbloh Granth in circa 2005 in the form of the handwritten manuscript housed at Mai Bhago's chhauni. After coming across the scripture, he had a desire to share it with the wider Sikh community in an accessible English translation. However, he struggled early-on with textual variations of the scripture, unreliable OCR technology, and a lack of a standardized unicode for Gurmukhi. He researched various manuscripts of the work, such as the one at Khalsa College in Amritsar, two at Sangrur, Mai Bhago's manuscript held at Hazur Sahib, and various others. Kamalroop Singh utilized original manuscripts, published commentaries, Braj, Sanskrit, and Punjabi dictionaries, readers, linguistic workers, and grammar-books, to prepare the transliteration and translation. After years of work, an English translation accompanying a transliteration of the scripture was prepared.