Rudolf Mors
Rudolf Mors was a German composer.
Life
Born in Munich, the son of the composer Richard Mors, a representative of the Munich School around Ludwig Thuille, Mors began his training during the Second World War with and continued it after his return from Soviet captivity with Joseph Haas and Karl Höller. His graduation from the Munich Academy of Music was honoured with the Richard Strauss Prize of the city of Munich, of which Mors was the first recipient.In 1951, he became Kapellmeister and composer for the Schauspiel in Ingolstadt, followed by an engagement as First Kapellmeister at the Theater Ulm, where he wrote and premiered the two musical parodies and Der Weiberstreik in collaboration with the cabaret artist Hanns Dieter Hüsch., also broadcast by ZDF in the sixties, is still occasionally found on playbills today. In 1963, Mors changed to the position of a drama composer at the Bielefeld Theatre, where he could devote himself more to the composition of free works.
In 1983, Mors was awarded the of the for his complete works.
Mors died in Eisingen at the age of 68.
Work
The compositions by Mors include:Instrumental music
Orchestral piecesThe Little Match Girl, WV 1 ca.9', 1993- 1. Symphony for Orchestra, WV 4.
- 2nd Symphony for Orchestra, WV 14 ca.30', 1955
- Concerto for piano and orchestra, WV 24 ca.30', 1977
- Quintet
- * Quintet for horn and string quartet, WV 21 ca.16', 1973
- Quartets
- * String Quartet in E minor, WV 5 ca.18', 1964
- * 5 Bagatelles for 4 recorders or flute, oboe, clarinet and bassoon, WV 16 ca.5', 1957
- * Variations on "Es ist ein Schnitter" for 2 trumpets and 2 trombones, WV 23 c.8', 1974
- * Variations on an own theme for 4 cellos, WV 39 ca.7', 1987
- Duos
- * Sonatine A-Dur für Violine und Klavier, WV 2 ca.9', 1943
- * Sonate für Violine und Klavier, WV 8 ca.14', 1950
- * Lyrische Suite für Flöte und Klavier, WV 11 ca.9', 1950
- * 12 Miniaturen für Violine und Cello, WV 20 ca.7', 1974
- * Fantasie für Flöte und Akkordeon, WV 28 ca.3', 1984
- * Sonate für Oboe und Klavier, WV 43 daraus: Adagio für Oboe und Klavier, WV 33 ca.5', 1989 auch als: Adagio für Oboe und Orgel, WV 33, 1985
- * Sonate für Cello und Klavier, WV 37 ca.6', 1986
- * Sonate für Viola und Klavier, WV 37a ca.6', 1988
- Solo
- * Kleine Suite für Alt-Blockflöte, WV 36 ca.3', 1986
- Sonate für Klavier zu 4 Händen, WV 13 ca.12', 1950 Steinigung, Fantasie für Klavier, WV 26a ca.11', 1983
- Sonate für Klavier, WV 42, 1989
- Orgel-Fantasie on H-C-A-B, WV 34 ca.6', 1986 Kleine Orgi-Suite for Organ, WV 38 ca.7', 1987
Vocal music
Choir with OrchestraSymphonic Cantata after serious words by Christian Morgenstern for soprano and baritone solo, large choir and orchestra, WV 10 ca.25; first performed in 1963 by the under the conduct of Hans Jakob Haller.Pater noster for mezzo-soprano solo, four- to six-part choir and orchestra, WV 27 ca.6'Die Versuchung Jesu, cantata for alto and bass solo, mixed choir and instruments, WV 35 ca.16', 1989- Oratorio based on texts from the Bible, Christian Morgenstern, the Sioux Indians, the composer and Jörg Zink for solo voices, four- to six-part choir and orchestra, WV 44 ca.46', 1992
Solo singing with orchestraVier Sommerlieder after poems by Hermann Hesse for soprano and orchestra, WV 17a ca.12', 1963 Die Flamme, Elementarphantasie after Christian Morgenstern for soprano and large orchestra, WV 19 ca.12', 1971.Klänge aus dem Orient, Four Lieder after poems by Annette von Droste-Hülshoff for soprano and Orchestra, WV 32a ca.8', 1986
Solo singing with several instrumentsHolde Mutter mit dem Kind, text: Martin Knapp, Christmas cantata for flute, violin, voice and piano, WV 7 ca.8', 1969
Solo singing with piano
- Vier frühe Lieder für Sopran und Klavier, WV 3 ca.8', 1983
- Drei Lieder aus dem „Totentanz“ nach Gedichten von Christian Morgenstern für dramatischen Alt oder Bariton und Klavier, WV 12 ca.8', 1950 Drei Lieder der Nacht nach Gedichten von Christian Morgenstern für Singstimme und Klavier, WV 15 ca.7', 1955 Vier Sommerlieder nach Gedichten von Hermann Hesse für Sopran und Klavier, WV 17 ca.12', 1964 Vom Abend zum Morgen, 4 Lieder nach Gedichten von Christian Morgenstern für Singstimme und Klavier, WV 22 ca.11', 1974
- Four sacred songs for solo singing in worship with organ accompaniment, WV 29 ca.7', 1983/84
- Six Lieder after poems by Li Tai-Pe in the transcription by Klabund for lower voice and piano, WV 30 ca.11', 1984
- Three Lieder after Chinese poems in the German transcription by Klabund for lower voice and piano, WV 31 ca.11', 1984 Klänge aus dem Orient, Four songs after poems by Annette von Droste-Hülshoff for soprano and piano, WV 32a ca.8', 1984
- Melodeclamation on Goethe's elegy Ein zärtlich jugendlicher Kummer for speaker and piano or orchestra, WV 6 ca.5'
Stage work
OperasVineta, Opera according to own libretto, WV 18, 1968 Der Kreidekreis, Opera in four acts based on the play of the same name by Klabund; text arrangement by the composer, WV 25, 1983MusicalsFreiheit in Krähwinkel, A free musical by Hanns Dieter Hüsch. Music by Rudolf Mors. Adapted in freedom from a farce by Johann Nestroy, 1957 Der Weiber Streik, A pentatonic musical after Aristophanes by Hanns Dieter Hüsch, 1959 Das tapfere Schneiderlein, A fairytale musical by Karlheinz Komm, 1972
Ballet
- Steinigung, ballet for chamber danse by Gisa Werkowska, WV 26 ca.11', 1983
- ' by Rainer Werner Fassbinder, 1974
Film music'
In the period from 1954 to 1960, music was composed for agricultural and industrial films for the director Georg Munck. Since an exact order can no longer be reconstructed, the films are listed alphabetically in the following overview.
- Aktuelle Landwirtschaftliche Filmschau, 10.–14. FolgeEin Dorf spielt mit. KulturfilmGesunde Landschaft – Unser Schicksal. KulturfilmHandwerk – Industrie – FilmImmer hungrig, immer frischIn den Himmel gehoben. IndustriefilmPapiersackPappelzuchtUnd überall Strom. KulturfilmWachsen Bäume in den HimmelWorauf es ankommt. KulturfilmBielefeld, die freundliche Stadt am Teutoburger Wald. Tonbildschau, Regie: Hans J. SramekWestfalen – Biographie einer Reiselandschaft. Tonbildschau, Regie: Hans J. Sramek