Richard Sharpe (actor)
Richard Sharpe was an actor with the King's Men, the leading theatre troupe of its time and the company of William Shakespeare and Richard Burbage. Sharpe began his career as a boy player acting female roles, then switched to male roles in his young adulthood.
''The Duchess of Malfi''
Sharpe's earliest known role was, arguably, both his most significant and his most controversial. The first edition of John Webster's The Duchess of Malfi, printed in 1623, contains the earliest cast list in English Renaissance drama. The list states that Sharpe originated the title role of the Duchess.The 1623 cast list actually covers two separate productions, the premiere staging and a later revival.
- The original starred Richard Burbage and is usually dated to c. 1614. It must have occurred prior to William Ostler's death in December 1614, since Ostler played the role of Antonio.
- The revival production starred Burbage's replacement Joseph Taylor, and so must have taken place after Burbage's March 1619 death. Scholars date it to c. 1621.
The subject of boy players in female roles is controversial and long-disputed. A cautious approach would rely on the testimony of the evidentiary record, which assigns the role of the Duchess of Malfi to Sharpe.
Other roles
Sharpe originated other female roles in ensuing years. the cast lists added to the second Beaumont and Fletcher folio of 1679 credit Sharpe with parts in the King's Men's premiere productions of:The Custom of the CountryThe Double MarriageThe False OneThe Humorous LieutenantThe Island PrincessThe Knight of MaltaThe Laws of CandyThe Little French LawyerThe Lovers' ProgressThe Loyal SubjectThe Mad LoverThe ProphetessWomen Pleased— in the 1616-24 era.
Sharpe "probably became a sharer in the King's Men in 1624" — that is, a partner in the company rather than a mere hired player. Sharpe then switched from important female roles to important male roles — a transition that some boy players executed more successfully than others. Sharpe played Parthenius in the company's production of Philip Massinger's The Roman Actor, Ferdinand the general in the same author's The Picture, Lysander in Lodowick Carlell's The Deserving Favourite, Wittworth in John Clavell's The Soddered Citizen, and the King of the Lombards in Arthur Wilson's The Swisser.