Arguably


Arguably: Essays is a 2011 book by Christopher Hitchens, comprising 107 essays on a variety of political and cultural topics. These essays were previously published in The Atlantic, City Journal, Foreign Affairs, The Guardian, Newsweek, New Statesman, The New York Times Book Review, Slate, Times Literary Supplement, The Wall Street Journal, The Weekly Standard, The Wilson Quarterly, and Vanity Fair. Arguably also includes introductions that Hitchens wrote for new editions of several classic texts, such as Animal Farm and Our Man in Havana. Critics' reviews of the collection were largely positive.

Reception

In a highly positive review, Fred Inglis of The Independent called Hitchens a "prose master" and lauded the author's skill as a polemicist, writing that various figures are "lined up, arraigned, swiftly appraised and, with a perfect and merciless justice, judged and sentenced." Inglis also praised the essays of literary criticism as "very well written, so funny and fluent, so loving and so pungent." In Kirkus Reviews it was written, "Sometimes his pieces concern passing matters, though they are seldom ephemeral themselves Vintage Hitchens. Argumentative and sometimes just barely civil—another worthy collection from this most inquiring of inquirers."
Charles Foran of The Globe and Mail lauded Arguably as "750 pages of bright, witty, nearly always charged reportage and argument", and wrote that the work "lays the foundation for Hitchens's enduring relevance as an essayist and commentator." Bill Keller of The New York Times called Hitchens "our intellectual omnivore, exhilarating and infuriating, if not in equal parts at least with equal wit", describing his range as "extraordinary, both in breadth and in altitude." Nicholas Shakespeare of The Daily Telegraph praised the book as "tremendous" and wrote, "I can’t think of anyone who brings to such a diverse range of subjects Hitchens’s mobilising wit, intelligence and passion."
In the New Statesman, John Gray criticized Hitchens's views on 21st century terrorism and said the author sometimes "blanks out reality when it fails to accord with his faith", but nonetheless referred to Arguably as "the testament of a prodigiously gifted mind" and lauded him as "one of the greatest living writers of English prose", especially praising the essay "The Vietnam Syndrome". In a mixed review for The Observer, Finton O'Toole called Hitchens a "supremely evocative reporter" and "the most readable journalist of his time", but accused the journalist of "huge but unargued claims" and warned, "There are many sad moments when thought has withered into vacuity or bombast, moments in which we can see what Hitchens might have become – just another purveyor of American super-patriotic orthodoxies." O'Toole concluded that Hitchens "emerges here as a great journalist fallen, for a while, among neocons."
In 2016, James Ley of The Sydney Morning Herald listed Arguably among the collections from Hitchens that " the best of his work as a journalist, literary critic and cultural commentator."

Awards and honors

Books reviewed

Moral Minority: Our Skeptical Founding Fathers, by Brooke AllenJefferson's Secrets: Death and Desire at Monticello, by Andrew BursteinPower, Faith and Fantasy: America in the Middle East, 1776 to the Present, by Michael OrenBenjamin Franklin Unmasked, by Jerry WeinbergerJohn Brown, Abolitionist, by David S. ReynoldsAbraham Lincoln: A Life, by Michael BurlingameThe Singular Mark Twain, by Fred KaplanThe Jungle, by Upton SinclairAn Unfinished Life: John F. Kennedy, 1917-1963, by Robert DallekNovels 1944-1953: Dangling Man, The Victim, The Adventures of Augie March and Novels 1956-1964: Seize the Day, Henderson the Rain King, Herzog by Saul BellowLolita by Vladimir Nabokov and The Annotated Lolita, edited by Alfred Appel, Jr.Due Considerations: Essays and Criticism, by John UpdikeA History of the English-Speaking Peoples Since 1900, by Andrew RobertsDominion: The Power of Man, the Suffering of Animals, and the Call to Mercy by Matthew ScullyWolf Hall, by Hilary MantelReflections on the Revolution in France, by Edmund Burke, edited by Frank W. TurnerSamuel Johnson: A Biography, by Peter MartinBouvard and Pecuchet by Gustave Flaubert, translated from French by Mark PolizottiCharles Dickens by Michael SlaterDispatches for the New York Tribune: Selected Journalism of Karl Marx, edited by James Ledbetter, with a foreword by Francis WheenEzra Pound: Poet, Vol 1. 1885-1920, by A. David MoodyDecca: The Letters of Jessica Mitford, by Peter Y. SussmanSomerset Maugham: A Life, by Jeffrey MeyersWodehouse: A Life, by Robert McCrumTo Keep the Ball Rolling: The Memoirs of Anthony PowellJohn Buchan: The Presbyterian Cavalier, by Andrew LownieThe Life of Graham Greene, Vol II 1955-1991, by Norman SherryLetters to Monica by Philip Larkin, edited by Anthony ThwaiteStephen Spender: The Authorized Biography, by John SutherlandC.L.R. James: Cricket, the Caribbean and the World Revolution, by Farrukh DhondyThe Complete Stories of J. G. BallardThe Unbearable Saki, by Sandie ByrneHarry Potter and the Deathly Hallows, by J. K. RowlingA Savage War of Peace: Algeria 1954-1962, by Alistair HorneDangerous Knowledge: Orientalism and Its Discontents, by Robert IrwinOrientalism, by Edward SaidFreedom's Battle: The Origins of Humanitarian Intervention, by Gary J. BassThe Case of Comrade Tulayev and Memoirs of a Revolutionary, by Victor SergeMalraux: A Life, by Olivier ToddKoestler: The Literary and Political Odyssey of a Twentieth-Century Skeptic, by Michael ScammellStrange Times, My Dear: The PEN Antholody of Contemporary Iranian Literature, edited by Nahid MozzaffariKoba the Dread: Laughter and the Twenty Million, by Martin AmisHitler: 1889-1936: Hubris, by Ian KershawThe Lesser Evil: Diaries 1945-1959, by Victor KlempererChurchill, Hitler and the Unnecessary War, by Pat BuchananHuman Smoke, by Nicholson BakerOn the Natural History of Destruction, by W.G. Sebald

Book introductions

Black Lamb and Grey Falcon, by Rebecca WestAnimal Farm, by George OrwellOur Man in Havana, by Graham GreeneThe House of the Spirits, by Isabel Allende