Richard Chew
Richard Franklin Chew is an American film editor, best known for his Academy Award-winning work on Star Wars, alongside Paul Hirsch and Marcia Lucas. Other notable films include One Flew Over the Cuckoo's Nest, Risky Business, Waiting to Exhale, That Thing You Do!, and I Am Sam. His career over a variety of films spans more than four decades.
Early life and career
Born of Chinese immigrant parents in Los Angeles, Chew attended its inner-city schools, served in the U.S. Navy, and graduated from UCLA with a B.A. in Philosophy. After a stint at Harvard Law School, Chew, inspired by the independent cinema of the 1960s, left school to pursue a film career.Starting with camera and editing work on documentaries, such as The Redwoods, an Oscar winner for Best Short Documentary in 1967, he eventually transitioned to editing feature films as co-editor on Francis Ford Coppola's The Conversation, Miloš Forman's One Flew Over the Cuckoo’s Nest, and George Lucas's Star Wars.
During his varied career, he has edited films for actor-directors such as Jack Nicholson, Tom Hanks, and Forest Whitaker. Other writer-directors with whom Chew has worked include: Cameron Crowe, Paul Brickman, Bruce Joel Rubin, and Emilio Estevez.
Chew was Oscar-nominated for One Flew Over the Cuckoo’s Nest. He also won British Oscars as co-editor on both The Conversation and One Flew Over the Cuckoo’s Nest. His work on Shanghai Noon was nominated for Best Feature Comedy by American Cinema Editors.
At various times throughout his editing career, Chew has taught and lectured with the goal of enhancing audience appreciation for the cinema arts. For over thirty years, he has appeared at art schools and colleges, churches, and community groups.
On January 27, 2011, he was honored at the Detroit Institute of Arts with “An Evening with Richard Chew,” a program featuring clips of some of his extensive work plus an interview conducted by DIA film curator Elliot Wilhelm. Additionally, Chew was named Allessee Visiting Professor of Media at Wayne State University for the 2011 Spring semester. In September 2013, Chew was selected as a Duncan Littlefair Great Speaker in the Creation Talks Series, joining the ranks of renowned speakers from the worlds of politics and arts. He spoke about the power of music in film at the legendary Fountain Street Church in Grand Rapids, Michigan. . In November, 2016, Chew received the Third Annual Andrew V. McLaglen Lifetime Achievement Award from Friday Harbor Film Festival.
For his body of work, American Cinema Editors, an honorary society of film editors, presented to Chew the ACE Career Achievement Award during its annual Eddies Award show in March, 2022. In closing his acceptance
speech, Chew said, “I’m thinking maybe we could make movies to entertain and send a message. Maybe we could use movies to encourage the better angels of our nature.”
He is a member of the Academy of Motion Picture Arts & Sciences, Motion Picture Editors Guild, and American Cinema Editors.
Selected filmography
| Year | Film | Director | Role |
| 1975 | One Flew Over the Cuckoo's Nest | Miloš Forman | Supervising film editor |
| 2003 | Shanghai Knights | David Dobkin | Additional editor |
| 2013 | Sugar | Rotimi Rainwater | Consulting editor |
| Year | Film | Director | Role |
| 1992 | Singles | Cameron Crowe | Title supervisor |
| Year | Film | Director | Credit |
| 1987 | Revenge of the Nerds II: Nerds in Paradise | Joe Roth | Associate producer |
| 1992 | Singles | Cameron Crowe | Co-producer |
| Year | Film | Director | Role |
| 1992 | Singles | Cameron Crowe | Second unit director |
| Year | Film | Director | Role |
| 1975 | Smile | Michael Ritchie | Sound editor |
| Year | Film | Director | Role |
| 2001 | Monkeybone | Henry Selick | The producers wish to thank |
| 2009 | The Red Machine | Special thanks |
;Documentaries
| Year | Film | Director |
| 1967 | The Redwoods | Trevor Greenwood |
| 1968 | Have You Heard of the San Francisco Mime Troupe? | |
| 1969 | The Medium Is the Massage, You Know | Trevor Greenwood |
| 1970 | Imogen Cunningham, Photographer | John Korty |
| Year | Film | Director | Role |
| 1970 | Woodstock | Michael Wadleigh | Additional photographer |
| 1974 | Janis | Howard Alk | Additional photography |
| Year | Film | Director |
| 1967 | The Redwoods | Trevor Greenwood |
| 1969 | The Medium Is the Massage, You Know | Trevor Greenwood |
;Shorts
| Year | Film | Director | Role |
| 2012 | Lil Tokyo Reporter | Jeffrey Gee Chin | Editing consultant |
| Year | Film | Director | Role |
| 2011 | Pass the Salt, Please | Tatjana Najdanovic | Very special thanks |
;TV movies
| Year | Film | Director | Role |
| 1972 | The People | John Korty | Associate film editor |
| Year | Film | Director | Role |
| 1984 | The Ratings Game | Danny DeVito | Special thanks |
;TV series
| Year | Title | Role | Notes |
| 1982 | American Playhouse | Editorial consultant | 1 episode |
;TV shorts
| Year | Film | Director |
| 1974 | The Music School | John Korty |
| 1976 | The Other Side of Victory | Bill Jersey |
;TV specials
| Year | Film | Director | Role |
| 1976 | TVTV Looks at the Academy Awards | Wendy Apple | Thanks |
Awards
;Film| Year | Film | Role |
| 1975 | The Conversation | BAFTA Film Award - Best Film Editing |
| 1976 | One Flew Over the Cuckoo's Nest | BAFTA Film Award - Best Film Editing Nominated - Academy Award for Best Film Editing Nominated - Eddie Award for Best Edited Feature Film |
| 1978 | Star Wars | Academy Award for Best Film Editing Saturn Award for Outstanding Editing Nominated - BAFTA Film Award for Best Film Editing Nominated - Eddie Award for Best Edited Feature Film |
| 2001 | Shanghai Noon | Nominated - Eddie Award for Best Edited Feature Film - Comedy or Musical |
;Shorts
| Year | Film | Role |
| 1968 | The Redwoods | Academy Award for Best Documentary |