Revati (raga)
Revati is a rāgam in Carnatic music. It is an audava rāgam. It is a janya rāgam, as it does not have all the seven swaras.
In Hindustani music a raga that closely resembles Revati is Bairagi Bhairav. It is said to evoke Karuṇa rasa. This scale has also been used in chanting Vedas.
Structure and Lakshana
Revati is a symmetric rāgam that does not contain gāndhāram or dhaivatam. It is a pentatonic scale. Its structure is as follows :- [Arohana|] :
- [Avarohana|] :
Popular compositions
Revati rāgam lends itself for elaboration and exploration and has many compositions. Here are some popular kritis composed in Revati.- Mohana Vamshi by Dr. M. Balamuralikrishna
- Jagannatha Anatharakshaka by Subba Rao
- Nanati Baduku and Akati Velala by Annamacharya
- Dhavalagangeya Gangadhara By Vadiraja Tirtha
- Parvati Bhagavathi By Ganakalabhushana R. K. Padmanabha
- Rogaharane Krupasagara, Siri Ramana, Venkatesha Stavaraja By Jagannatha Dasa
- Mahadeva Shiva Shambho by Thanjavur Sankara Iyer
- Bho Shambho by Swami Dayananda Saraswati
- Navaratna Bhushanalankrte by Kollegal R Subramanian
- Vâni Vēna Pâni by Kalyani Varadarajan
- Janani Janani by Cuddalore Subramaiam
- Mayiladum Mayilaiyin by GN Rajagopal
- Petra Thai by Ramalinga Vallalar
- Tillana by Lalgudi Jayaraman
Related rāgams
This section covers the theoretical and scientific aspect of this rāgam.In Japanese/Western music Revati corresponds to Insen scale
''Graha bhedam''
Revati's notes when shifted using Graha bhedam, yields 2 other pentatonic rāgams, namely, Shivaranjani and Sunadavinodini. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. See Graha bhedam on Shivaranjani for more details and an illustration.Scale similarities
- Madhyamāvati is a rāgam which has the chathusruthi rishabham in place of the shuddha rishabham. Its structure is S R2 M1 P N2 S : S N2 P M1 R2 S