The nudes of this period are "displayed boldly, with only the faintest suggestion of setting.... neither demure nor provocative, they are depicted with a degree of objectivity. Yet the uniformly thick, rough application of paint—as if applied by a sculptor's hand—is more concerned with mass and the visceral perception of the female body than with titillation and the re-creation of translucent, tactile flesh". Simultaneously abstracted and erotically detailed, they exhibit a formal grace, referencing nude figures of the Italian Renaissance while at the same time objectifying their subjects' sexuality; they "exemplify his position between tradition and modernism".