Raymonde Delaunois
Raymonde Delaunois was a Belgian mezzo-soprano opera singer.
Biography
She was born in Paris on 12 October 1885 to a single mother. Raymonde was raised in Frameries near Mons in Belgium. One day she sang on a school event and was encouraged to follow further training. She took courses at the Conservatoire in Mons and later in Brussels.On 14 August 1909 she married writer Louis Thomas. Settling in Paris, the young couple became involved with the inner circle around Claude Debussy. Louis Thomas organised exclusive concerts where Raymonde sang, accompanied by pianist Ennemond Trillat. They did much to promote Debussy.
Soon Raymonde Delaunois performed also outside Paris. She was the first to sing the Songs of Bilitis in Brussels. She also made tours in Continental Europe. In Prague and Budapest she sang in opera houses, performing the leading roles in Mignon and Carmen.
Raymonde Delaunois never achieved the status of 'opera diva’ and remained within the range of appreciated actresses, without reaching the top position. The female stars in her time were, at the Met, Geraldine Farrar and Rosa Ponselle.
At the end of 1926, her contract with the Met ended after twelve seasons, 32 roles and 315 performances. Delaunois returned to France, and appeared in title roles of operas like Carmen, Mignon and La fille de Madame Angot.
She sang for the last time in public in 1943. She continued to teach song and piano.
Having always lived in Paris, she moved to a pensioners house in Corbeil-Essonnes, a suburb of Paris, in 1982 where she died two years later, on 30 June 1984.
At the Metropolitan Opera in New York
In 1914, despite the War, Raymonde signed a contract with the Metropolitan Opera New York City, where she found a European atmosphere, with Giulio Gatti-Casazza, former director of La Scala, Arturo Toscanini as conductor, Enrico Caruso and Feodor Chaliapin, after them Beniamino Gigli as the prominent male stars.The mezzo-soprano Delaunois started with small parts:
- Siegrune in Die Walküre,
- a Geisha in Iris by Mascagni,
- a Flower-maiden in Parsifal,
- Puck in Oberon by Weber,
- Myrtale and also Crobyle in Thaïs by Massenet.
- Musetta in La bohème,
- Lola in Cavalleria rusticana,
- Cherubino in The Marriage of Figaro,
- Siebel in Faust,
- Stephanie in Roméo et Juliette by Gounod,
- Mallika in Lakmé by Léo Delibes,
- Preziosilla in La forza del destino by Verdi
- Féodor in Boris Godunov by Moussorgsky.
- Irma in Louise by Gustave Charpentier
- Don Ella in Francesca da Rimini by Riccardo Zandonai,
- Tyltyl in L'oiseau bleu by Albert Wolff, based upon work by Maurice Maeterlinck,
- Annette in The Polish Jew by Karel Weis,
- Juliet in Die tote Stadt by Erich Korngold, based upon Bruges-la-Morte by Georges Rodenbach,
- Lehl in The Snow Maiden by Rimsky-Korsakov
- Kaled in Le roi de Lahore by Jules Massenet