Raúl Zamudio
Raúl Zamudio is a New York-based independent curator, art critic, art historian and educator.
Background
Zamudio was born in Tijuana, Mexico. He was raised in San Diego, California and moved to New York City where he currently lives and works. He received undergraduate and graduate degrees in art history from the Brooklyn College and the Graduate Center of [the City University of New York]. He also studied at the following institutions: Vassar College, Université Laval, Columbia University, and the Institute of Fine Arts, New York University. He is an alumnus of the Whitney Museum Independent Study Program in Critical Studies.Curatorial work
He was Curator-at-Large, Pristine Galerie, Monterrey, Mexico; International Art Director, Other Gallery, Beijing, Shanghai; Director of Exhibitions, White Box, New York, New York; Curator-at-Large, the:artist:network, New York, New York, and Curator, Empty Circle Brooklyn. Recently, Raúl Zamudio has opened an exhibition space in his home in the West Village, New York City, under the name of Proyectos Raul Zamudio He has curated or co-curated over 150 exhibitions in the Americas, Asia and Europe including solo shows of Dennis Oppenheim, Javier Téllez, Miguel Angel Rios, Bik Van der Pol, Gordon Cheung, Riiko Sakkinen, Wojtek Ulrich, Shahram Entekhabi, Sun Yao, and Lui Lei, as well as group exhibitions including The Twilight of the Idols, The Metamorphosis, Body Double, The Picture of Dorian Gray, Under Your Skin, The Phantom Limb, The Crystal Land Revisited, That Obscure Object of Desire, The Bermuda Triangle, Under the Volcano and Theater of Cruelty.Raúl Zamudio's curatorial work is distinguished by an expansive approach underscored, for example, in the following exhibitions: Rayuela, which used the structuralist configuration of the similarly titled novel by the writer Julio Cortázar as curatorial framework; The Passenger, based on the film by the director Michelangelo Antonioni; The Crystal Land Revisited, which was conceptually organized around an essay by the artist Robert Smithson; In the Future the Curator Will Point and Say, "Those Objects Over There is an Exhibition", based on an aphorism by Marcel Duchamp; The Pavilion of Realism, based on Gustave Courbet's rejection from the 1855 Exposition Universelle, which Zamudio presented in Shanghai during the 2010 World's Fair; another exhibition that incorporated a medical condition as thematic; and Art After Dark And After, a talk show in which he served as host that was both an interview program with artists and an art exhibition masked as dialogue and discussion. Apart from organizing exhibitions in galleries, art fairs, art festivals, alternative art spaces, academic and museum institutions, Zamudio was co-curator, "Here Is Where We Jump!," La Bienal 2013, El Museo del Barrio, New York, New York; co-curator, "City Without Walls," 2010 Liverpool Biennial; co-curator, Constellations: 2009 Beijing 798 Biennial; artistic director/curator, Garden of Delights: 2008 Yeosu International Art Festival; co-curator, Turn and Widen: 2008 Media_City Seoul International Media Art Biennial; and co-curator of an official collateral exhibition titled Poles, Apart, Poles Together presented at the 2005 Venice Biennial. He is one of the curators of the 2024 Gangwon International Triennial, Korea
His exhibitions have been reviewed in numerous periodicals including Art in America, Art Nexus ''Art Notes, Diario ABC, L Magazine, New York Art World, The New York Times, Randian, and the Village Voice''.