Rasbihari Desai


Rasbihari Desai, also known as Rasbhai, was a vocalist and composer of Gujarati and Hindi songs. He was also a Professor of physics.

Early life

He was born to Durgaba and Ramanlal Desai from a Nagar family in Patan. His grandmother Mahalaxmiben used to sing Ramcharitmanas. His father, Ramanbhai, was a singer of repute as well.
He was married in 1964 to Vibha, who was recognized as a national-level singer by All India Radio. She went on to receive the Best Female Playback Singer Award for the film Kashino Dikro.
They collectively performed more than 1,000 times both in Gujarat and internationally.

Career

At age 19, Rasbihari became an AIR-approved vocalist in light music, a recognition that eventually reached top-grade status. AIR, and later Doordarshan, regularly invited him to concerts all over India.
Throughout his academic career as a professor of physics, his students frequently secured top positions at both the university and national levels.
At numerous music-orientation camps and workshops organized by the Gujarat University and the Government of Gujarat to mentor aspiring singers, he followed the traditional indigenous method of imparting training in music. Pranayama, dhyana, breath-controlling exercises, prayers, poetry recitation, and appreciation, a scientific approach to developing voice culture and an emphasis on experiencing the divine through it were integral to his interactive music sessions. He conducted such lecture demonstrations and workshops in the United Kingdom and the United States as well. Similar to ancient parampara, a few students in his lifetime stayed with his family, observed and emulated his lifestyle, and learned music in the spirit of a sadhana.

Shruti Vrunda

Rasbihari Desai was instrumental in the formation of Shruti, a group of non-professional, proficiently trained singers, which over time emerged as the benchmark in group singing with a fragrance of the soil in the songs and a refreshing spontaneity in rendering them.
For over 40 years, Shruti gave more than 300 performances in Gujarat, Mumbai, Delhi, Nagpur, Kolkata, and other places. Music maestros like Lata Mangeshkar, Hridaynath Mangeshkar, Salil Chaudhary, Madan Mohan, Manna Dey, Mohammed Rafi, Laxmikant Pyarelal and Avinash Vyas were among those who highly commended Shruti's significant tenacious endeavor.

Bhavan's Sangeet Vibhag

At the instance of Kanaiyalal Munshi, a leading author, a political leader, and the founder of Bharatiya Vidya Bhavan, Rasbihari Desai consented to be the mentor of Bhavan's Sangeet Vibhag in 1967 and continued the activity consistently for over 43 years. Under his guidance, he made a significant impact on Gujarati Kavya Sangeet and choir singing. He instilled in his students—regardless of their vocal differences or varying skill levels—a deep sense of dedication to music and humility, encouraging them to set aside individual identities for the group's growth.

Thought-provoking lectures-demonstrations and articles

Rasbihari Desai enhanced Gujarati Kavya Sangeet not only through his melodious voice and captivating compositions but also through his insightful lectures, demonstrations, and articles. Vision, reason, and precision were key components of his thinking that brought originality and clarity to his speeches and writings. He was invited to deliver speeches, lectures, and demonstrations at various prestigious seminars, conferences, and workshops on music. His conceptual and innovative articles were published in many leading newspapers and magazines.

Lecture demonstrations / workshops/seminars

  1. In M.S. University, Baroda on "Kavya Sangeet"
  2. In the University of Texas at Austin, USA on "Characteristics of Indian Music"
  3. Invited by All India Radio, Ahmedabad to deliver a lecture in a 'Workshop On Indian Music' to the Program- Executives/ Composers from various AIR stations in Gujarat, Rajasthan, Madhya Pradesh, Uttar Pradesh & Haryana in September 2005
  4. Organized & conducted Gujarat State Sugam Sangeet Conferences since 1971
  5. Conducted more than 20, ten days of intensive orientation music camps of Gujarat State Government Youth Board and Gujarat University
  6. A Sanskrit Shloka-Mantra Gaan Workshop for Gujarat University students

Articles/publications in music

  1. Article published in "Kumar" monthly in 1967
  2. "Music in Gujarat": an extensive survey article in the 13th Anniversary Supplement of The Times of India on 9 February 1981
  3. "Music - A Kaleidoscopic View": an article in The Times of India Annual Supplement
  4. A series of 3 articles in the reputed Daily Gujarat Samachar London Edition
  5. Articles on "Musical Bird-Calls" in the Gujarati magazine "Kumar" in October 2001 & Hindi magazine "Sangeet", Hathras, Uttar Pradesh in December 2004

End of life

Rasbhai was precise and kept a low profile in speaking and writing. The books he read, and he read many, reflected his ardent love for music and spiritual explorations.
Shri Dhyani Maharaj Madhusudandasji was his spiritual Guru. He thought himself fortunate to be in live touch with enlightened personalities like Shri Chidanandaji of Shivananda Ashram, Pramukhswami Maharaj and Shri Vimlatai Thakar through correspondence.
All said, music remained an instrument of a spiritual ascent to him. Spirituality was nurtured in him since childhood by his aunt, Nirmalaben Desai, who used to tell him inspiring stories from Indian scripture. His young inquisitive eyes also witnessed some such incidents that cannot be interpreted by mere intellect. The imprints of these childhood memories evoked an urge in him to seek the infinite.
Some of the experiences Rasbihari himself recounted go beyond spirituality and have an element of mysticism about them.
Before his marriage, he had spent two days working on a cloud chamber experiment in the darkroom of the physics lab, at Gujarat College. It is difficult to say when and how he slipped from the domain of physics to spirituality. His associates claim that he did. It was believed that his consciousness merged with the universal consciousness.
On his return on the evening of 27 May 1964, he explained his absence for two days to the worried family and added that in the state of meditation, he had an intuitive communication that the then Prime Minister of India Pandit Jawaharlal Nehru had died and it indeed was true. Another such incident took place in 2007, when while singing in his Pooja room, he heard a voice, different from his voice. The immense melody of that divine and blissful voice was so overwhelming that he could not help but pray to the Almighty to cease his own voice so that only the divine voice could be heard forever.
Rasbhai died on 6 October 2012. The then Chief Minister of Gujarat Shri Narendra Modi along with the renowned personalities from the field of literature and music expressed deep shock and grief. Both electronic and print media paid him significant tribute.
The Chief Minister wrote on Twitter, “We will miss the eminent singer, and composer Shri Rasbihari Desai who made invaluable contribution to Gujarati music. May his soul rest in peace.”
A Parichay Pustika by Image Publication titled Rasbihari Desai written by Margi Hathi was released by Shri Morari Bapu in the inaugural ceremony of Kavya Sangeet Samaroh- 2013 jointly organized by Gujarat Samachar and Samanvay.
A place near his residence is named "Sangeetkar Rasbihari Desai Chowk" by the Ahmedabad Municipal Corporation as a mark of respect for his contribution to Gujarati Kavya Sangeet.
An Award has been floated in his memory since 2014. Sangat Prerit Shri Rasbihari Desai Sanman is conferred every year to a prominent Gujarati Singer in Anushthan, a concert of Gujarati music.

Awards and accolades

Recognition

Source:

Achievements

Discs and albums

  • Mandava-ni- jui
  • Shravan Madhuri
  • Ne Tame Yaad Aavyan -
  • Bilipatra- Trinetra
  • Radha Madhav Leela Gaan, Atma Nivedan
  • Ashram Bhajanavali
  • Keertan Mala
  • Ame komal komal
  • Kashi- no- Dikro
  • Leeludi Dharati
  • Hothal Padamani
  • Sayujya
  • Sangeet- Sudha
  • Shiv- Mahimna - Vishnu Sahasra Naam
  • Guru Ne Baat Sunaya
  • Anahad Na Ajwala
  • Smaran Na Ajwala