Ramnath Mauzo
Ramanath Narayan "Ramnath" Mauzo, also known as R N Mauzo, was an Indian photo artist, photographer, and actor best known for founding the photography studio Mauzo Fotografo in 1936. He further gained recognition for his award-winning portrait Luz E Sombra. His notable students include artist Laxman Pai, and Bollywood cinematographer K Vaikunth.
Early life
Mauzo, born in in Goa, India, was initially known as Ramanath Narain Sinai Mauzo, later changing his name to Ramanath Narayan Mauzo. He hailed from a family involved in the tobacco trade, with his father, Narain Sinai Mauzo, also known as Nani. Mauzo had a sister named Radhabai. Mauzo's son, Narayan, shared the same name as his grandfather. The former was as a Konkani activist and businessman. Mauzo possessed a deep love for music and excelled in playing various musical instruments. Additionally, he showcased his versatility by singing classical music and engaging in theatrical performances, often assuming female roles on stage.Career
Mauzo inaugurated his inaugural studio in Margão on 25 November 1936, subsequent to completing his training. The studio underwent relocation in 1945, finding its current abode. Initially, Mauzo engaged in the importation of photographic merchandise from brands such as Mimosa, Kodak, Ilford, among others. In due course, Mauzo Fotografo emerged in Vasco and Pangim in 1956 and 1958, respectively. However, in the wake of Goa's liberation, these establishments were compelled to shutter their operations due to labor shortages and other logistical challenges. Notably, the principal enterprise itself had to undergo two relocations before eventually settling along Margao's Luis Miranda road, where it remains operational to this day.Throughout his formative years, Mauzo harbored a desire to venture beyond the confines of Goa and explore the world through the lens of his camera. Accompanied by his close associates Dinanath Dalal and Raghuvir Mulgaokar, Mauzo aspired to try their fortunes in the artistic realm by venturing to Bombay. While Dalal and Mulgaokar ascended to the ranks of stardom and acclaim, Mauzo chose to remain rooted in Goa until his demise. Pawaskar of O Heraldo writes, Mauzo etched an indelible chapter in the annals of the photography world, as his protégés dispersed across the globe, bringing him immense pride and acclaim.
Pawaskar further writes, Mauzo left a lasting impact through his teachings and mentorship. Laxman Pai, a renowned artist and painter of international acclaim, had the privilege of being Mauzo's student and nephew. Under Mauzo's guidance, Pai flourished and eventually ascended to the position of the first principal at the esteemed Goa College of Art in Altinho, Goa. Additionally, Mauzo's mentorship extended to K Vaikunth, a prominent cinematographer from Goa who found success in the world of Bollywood. Today, Atish Vaikunth, the son of K Vaikunth, follows in his father's footsteps as a director of photography in Mumbai.
In recognition of his exceptional contributions to the fields of art and photography, Mauzo was honored with a month-long tour of Portugal in 1960. This tour, arranged by Manuel António Vassalo e Silva, the final Portuguese Governor, served as a tribute to Mauzo's unparalleled dedication and achievements. Narayan, Mauzo's son, took on the responsibility of preserving a collection of rare photographs, documents, and newspaper clippings from the Portuguese era. Among the treasures in this collection was an old photograph of Pandit Jawaharlal Nehru, the former Prime Minister of India, taken at Aeroporto General Bénard Guedes. Despite facing stringent security measures, Mauzo managed to capture the photograph. Regrettably, he faced consequences from the Portuguese authorities and was incarcerated. However, before his apprehension, Mauzo cleverly disposed of the roll of film in the nearby bushes. Following his release, he successfully recovered the roll, astonishingly finding the same photograph intact.
During the early era of photography, a specialized apparatus consisting of a bellow camera, a sizable tripod, and wooden film slides was essential for capturing images. Given the logistical challenges involved in transporting this equipment, photographers often preferred working within studio settings rather than venturing to remote locations. However, the Mauzo family enjoyed the advantage of owning a car, which facilitated the transportation of their gear.
To overcome the difficulties of reaching households situated in distant areas, Mauzo enlisted the assistance of a bhadeli who would bear the weight of the camera box on her head, while Mauzo himself drove the car as close as possible to the desired destination. Affluent individuals would extend invitations to Mauzo, welcoming him into their homes to capture family portraits. Though the remuneration for his services was not exceptionally lucrative considering the efforts and hardships endured, Mauzo's artistic prowess was duly recognized.