Psychotic Reactions and Carburetor Dung

Psychotic Reactions and Carburetor Dung: The Work of a Legendary Critic: Rock 'n' Roll as Literature and Literature as Rock 'n' Roll is a collection of essays written by rock music critic Lester Bangs. Named for a 1971 article of the same title, it was edited by Greil Marcus and released in 1987, five years after Bangs' death. In his introduction, Marcus explains that, "Perhaps what this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews."
The book consists mainly of Bangs' published articles, beginning with his early work for Creem magazine before moving into his later writings as a freelancer for New Musical Express and other publications. Many of his most famous works are present, including the title piece on garage rock band the Count Five and the Troggs-inspired "James Taylor Marked for Death" from his earlier career as well as an acclaimed profile of the Clash and a tribute to Van Morrison's album Astral Weeks from his later years. One chapter of the book is devoted entirely to Bangs' infamous series of interviews with Lou Reed, including "Let Us Now Praise Famous Death Dwarves," while another chapter features unpublished essays and an unfinished novel excerpt, "Maggie May".

I. Two Testaments

Psychotic Reactions and Carburetor Dung: A Tale of These Times
Astral Weeks

II. Blowing It Up

Of Pop and Pies and Fun: A Program for Mass Liberation in the Form of a Stooges Review, or, Who's the Fool?
James Taylor Marked for Death
Do the Godz Speak Esperanto?

III. Creemwork--Frauds, Failures, and Fantasies

Chicago at Carnegie Hall, Volumes I, II, III, & IV

Black Oak Arkansas: Keep the FaithWhite Witch
John Coltrane Lives
The Guess Who: Live at the Paramount
James Taylor: One Man DogThe Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies, or, The Day the Airwaves Erupted
Jethro Tull in Vietnam
Screwing the System with Dick Clark
Slade: Sladest
My Night of Ecstasy with the J. Geils Band
Johnny Ray's Better Whirlpool
Barry White: Just Another Way to Say I Love You
Kraftwerkfeature
David Bowie: ''Station to Station''

IV. Slaying the Father

from Untitled Notes on Lou Reed
Let Us Now Praise Famous Death Dwarves, or, How I Slugged It Out with Lou Reed and Stayed Awake
How to Succeed in Torture without Really Trying, or, Louie Come Home, All is Forgiven
The Greatest Album Ever Made
from Untitled Notes on Lou Reed

V. Slaying the Children, Burying the Dead, Signs of Life

Iggy Pop: Blowtorch in Bondage
I Saw God and/or Tangerine Dream
Where Were You When Elvis Died?
Peter Laughner
The Clash
Richard Hell: Death Means Never Having to Say You're Incomplete
Growing Up True Is Hard to Do
The White Noise Supremacists
Sham 69 is Innocent!
New Year's Eve
Otis Rush Mugged by an Iceberg
Thinking the Unthinkable About John Lennon
A Reasonable Guide to Horrible Noise

VI. Unpublishable

Fragments
from Notes on PiL's Metal Box
from "All My Friends are Hermits"
Review of Peter Guralnick's Lost Highway: Journeys & Arrivals of American Musicians
from Notes for Review of Peter Guralnick's Lost Highway
from "The Scorn Papers"
from "Women on Top: Ten Post-Lib Role Models for the Eighties," a book proposal
from "Maggie May"

VII. Untitled

from Untitled Notes