Plínio Marcos
Plínio Marcos de Barros was a Brazilian writer, actor, journalist and playwright, author of several stage plays adapted into film. Called a "Poète maudit" by some, his work features the life and struggles of underground characters, touching themes such as violence, prostitution and homosexuality, and was censored by the military government.
Early life
Marcos was born in 1935, in Santos, into a poor family. He finished only the primary school before dropping out. Marcos worked as coppersmith, served the Brazilian Air Force and played football for Portuguesa Santista, but he found his way into acting working as a circus clown when he was 17 years old. He also acted in the radio and television, in Santos.In 1958, influenced by the writer and journalist Pagu, he got into a Santos amateur theater company. That same year, impressed by the true story of a young man gang-raped in prison, he wrote his first play, Barrela. Because of its crude language, the play was prohibited from being staged for 21 years.
In 1960, at the age of 25, he went to São Paulo, where he initially worked as a street vendor. Later, he worked in theater, as an actor, administrator and handyman, in theater companies like Arena, Cacilda Becker and Nydia Lycia. From 1963, he produced texts for the TV Tupi show TV de Vanguarda, where he also worked as a technician. In 1964, year of the military coup, he made the script for the show Nossa gente, Nossa Música. In 1965, he managed to stage Reportagem de um tempo mau, a collage of texts by several authors, and that was only one day in the theaters.
In 1968, he participated as an actor in the telenovela Beto Rockfeller, as the driver Vitório. He reprised that role in the movies and also in the 1973 telenovela, A Volta de Beto Rockfeller, with less success. Still in the cinema, during the movement of the cinema marginal, the director Braz Chediak adapted two of its plays, Navalha na Carne and Dois Perdidos Numa Noite Suja, both with the actor Emiliano Queiroz. In the 1970s, Plinio Marcos returned to the stage, getting himself to sell tickets at the theaters entrance. At the end of the play, he would take the stage and chat personally with the audience.
Marcos also wrote for newspapers such as Folha de S. Paulo, Última Hora and O Pasquim.
Death
Marcos died on 29 November 1999, after suffering two strokes and having the left side of his body paralyzed. His body was cremated and the ashes were scattered to the ocean in Santos.Personal life
Marcos was married to the actress Walderez de Barros, with whom he had three children, and with the journalist Vera Artaxo.Works
Adult plays
Barrela, 1958Os fantoches, 1960Jornada de um imbecil até o entendimento Enquanto os navios atracam, 1963Quando as máquinas param Chapéu sobre paralelepípedo para alguém chutar Reportagem de um tempo mau, 1965Dois perdidos numa noite suja, 1966Dia virá, 1967Navalha na carne, 1967Quando as máquinas param, 1963Homens de papel, 1968Jornada de um imbecil até o entendimento O abajur lilás, 1969Oração de um pé-de-chinelo, 1969Balbina de Iansã, 1970Feira livre, 1976Noel Rosa, o poeta da Vila e seus amores, 1977Jesus-homem, 1978 Sob o signo da discothèque, 1979 Querô, uma reportagem maldita, 1979Madame Blavatski, 1985Balada de um palhaço, 1986A mancha roxa, 1988A dança final, 1993O assassinato do anão do caralho grande, 1995O homem do caminho, 1996O bote da loba, 1997Chico Viola, 1997Children's plays
As aventuras do coelho Gabriel, 1965O coelho e a onça, 1998Assembléia dos ratos, 1989- ''Seja você mesmo''