Mz Pillz


Jackie B. Ofori-Attah who is professionally known as Pillz, is a Liberian Ghanaian rapper and recording artist known for her socially conscious music addressing marginalized communities in Liberia, particularly the zogos, disadvantaged street youth often stigmatized in Liberian society. Her work has received international and has been profiled by the BBC World Service.

Career

Pillz emerged in Liberia's urban music scene in the mid-2010s, blending hip-hop, reggae, and dancehall influences. In 2017, she was profiled by AllAfrica.com in an article that described her music as focused on advocacy for neglected and destitute people in Liberian society, particularly individuals commonly referred to as "zogos'.
In January 2018, AllAfrica.com listed Pillz among Liberian artists to look out for, highlighting her growing presence in the country's music industry and her advocacy-driven lyrical content.
She was also featured in HipHop African's coverage of a video showcasing eight female Liberian emcees, placing her among prominent women artists in Liberia's hip-hop scene.

BBC coverage

Pillz was featured in a BBC World Service Assignment report titled "The Zogos of Liberia," which examined Liberia's underclass, specifically zogos, and referenced her song "Zogo" as part of broader commentary on the group's social marginalization and stigmatization. Pillz was quoted advocating rehabilitation rather than imprisonment for zogos.

Discography

Singles
  • "HBD Mama LIB"
  • "Pillz Pon The Replay"
  • "Pillz Diva"
  • "Zogo"
  • "Good Life"
  • "Nobody"
  • "Bossy"
Collaborations
  • "Wahwah Pillz" feat. Royal Debusta Pain
  • "Feeling You Bad Way" feat. PCK
  • "Puna Nini" feat. Tamba Hali
  • "Fuck It Up" feat. Tamba Hali
  • "No More" feat. Faithvonic
  • "Scam" feat. Micboi

Awards and recognition

Pillz received several nominations at Liberian music awards:

Artistry and influences

Pillz's work frequently addresses themes of social inequality, youth marginalization, and urban life in post-war Liberia. Her music has been noted in media coverage for engaging with issues affecting disadvantaged and excluded communities, drawing attention to the lived experiences of Liberia's underclass through both lyrics and public commentary.