Pietro Benvenuti
Pietro Benvenuti was an Italian Neoclassical painter.
Biography
Early life and education
Born in Arezzo in Tuscany, he was influenced by the style of Jacques-Louis David. He was a student of the Academy of Fine Arts of Florence, then studied in Rome, 1792–1803, where he formed an informal academy with his friend of long standing, Vincenzo Cammuccini, and Luigi Sabatelli.Napoleonic period
In 1807 he was recruited to become court painter to Elisa Bonaparte Baciocchi and to direct the Florentine Academy of Fine Arts. In 1809 Napoleon commissioned him his most important work, The Oath of the Saxons. This painting, for which Benvenuti did more than 19 sheets of drawings, is rigorously academic and again shows the influence of contemporary French art, notably François Gérard’s Ossian Evoking Phantoms and Anne-Louis Girodet’s Apotheosis of French Heroes who Died for the Country during the War for Liberty. The use of strong chiaroscuro, however, is more nearly Romantic in inspiration. In 1812 it was delivered to Napoleon in Paris but was brought back to Florence in 1815, together with Old Master paintings that Canova, assisted by Benvenuti, had succeeded in repatriating.Habsburg rule
Benvenuti's position as the most important official painter in Florence and one of the leading Neoclassical painters in Italy was reinforced, after the restoration of the Habsburg-Lorraine dynasty, by two fresco commissions from Ferdinand III, Grand Duke of Tuscany: the Labours of Hercules and The Old and New Testaments. In both works his style is much softer than in his easel paintings. In another grand-ducal commission, Christ Blessing the Little Children, he employs the forms and spirituality derived from Raphael that are found in the religious paintings of the Puristi. Benvenuti died at Florence, while holding the post of Director. On his death his pupil, the Romantic painter Giuseppe Bezzuoli, became Director of the Accademia.Benvenuti had many pupils and students, including Gaspero Martellini, Tommaso Gazzarrini, Niccola Cianfanelli, Luigi Mussini, and Giorgio Berti. He was an associate of the Accademia di Brera, Milan. In 1829, he was elected into the National Academy of Design as an Honorary member.